Large-Scale Murals and Public Art
Turning blank city walls into landmarks. I mix global graffiti vibes with an Indian aesthetic to create murals that interact with the environment and the people who use them.
A massive aerial view of the entire Bandra Skatepark project I curated for the Mumbai Urban Art Festival. This shows the full scale of the collaborative mural, covering every surface of the park to create a completely immersive art experience.
The Bandra Skatepark in full use after we gave it a fresh coat of life. It’s all about community, bringing together skaters, BMX riders, and artists to share a vibrant, creative space.
This mural in Nepal combines my signature lettering with a powerful octopus character, creating a dynamic piece for the MⒺTA-मोRPH-OSIS graffiti jam. It’s a great example of a large-scale character-based mural.
Taking it to the next level by bombing an entire multi-story abandoned building in Mumbai. This demonstrates my ability to tackle projects of immense scale, using the urban landscape as a massive canvas.
A bright, fiery lettering piece painted in Nepal. The use of Devanagari script for the word "Hamro" (Ours) shows how I blend local culture with global graffiti styles.
Skaters dropping into the bowl at the revitalized Bandra Skatepark. The art is made to be part of the action, not just a backdrop.
A wide shot of the Carter Road promenade in Mumbai, showing how the skatepark mural becomes a piece of public art for the whole community to enjoy.
Another angle of the completed skatepark, packed with people and energy. Public art is about creating destinations and bringing people together.
A skater mid-air against a backdrop of my crew's graffiti work. This is the intersection of street art and street sports, two cultures with deep roots.
A close-up of a skater's feet on the painted surface of the skatepark, showing the interaction between the art and its users.
About Large-Scale Murals & Public Art
A big wall needs more than just spray cans. It needs a plan for the surface, the weather, and how people will move around it. Whether I am painting a skatepark or an office facade, I focus on how the art interacts with the space. We start by analyzing the wall's texture and potential before I pick a color, ensuring the final piece feels like it grew out of the location rather than being slapped on it.
When I take on a large-scale mural, it is about more than just covering space. It is about how the art talks to the environment. Whether it is a concrete skatepark like the one I worked on in Bandra or a multi-story facade, the first thing I do is check the surface. Is it porous? Does it get direct sun? How do people walk past it?
I use professional-grade aerosols and exterior-grade emulsions that stand up to our Indian weather. My process starts with understanding the space and the people who use it. If it is a public project, I want it to be a destination. If it is a private commercial project, I want it to be a conversation starter. We map out the flow, the scale, and the color palette before a single can is shaken. You are not just getting a wall painting. You are getting a piece that is built to last and designed to own the space it lives in.
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