Street Style & Freestyle Graffiti Art
This is where I let the spray paint flow without a plan. Just raw lettering and the spontaneous energy of the streets.
This shot captures the reaction to a quick piece. My friend was amazed this "Yogi" throw-up took only 8 minutes. This is the essence of a throwie: speed, style, and making your mark efficiently.
A quick drive-by video showing one of my pieces in its natural habitat. Graffiti is meant to be part of the urban landscape, discovered in unexpected places. This is the authentic street experience.
Here, I'm using a spray can to create a piece inspired by nature. This shows how I merge the rebellious energy of graffiti with the organic forms of the natural world, creating a unique harmony on the wall.
Just playing with letters and aerosol, with no specific color plan. This freestyle session shows the process of creating Hindi graffiti, focusing on the flow and form of the Devanagari script using only black and white spray paint.
A clean shot of my "Yogi" throw-up on an abandoned wall. The black and turquoise color scheme pops against the monochrome background, highlighting the letter structure and 3D effect. This is my signature style.
The full context of the abandoned spot. Finding these forgotten places is part of the adventure. They are perfect canvases where I can paint freely without judgment, just me and the wall.
About Street Style & Freestyle Pieces
The throw-up style you see here is all about speed and flow. When I hit an abandoned spot, it is just me, a few caps, and the wall. There is no client brief or color palette to follow, just the pure rush of putting my Devanagari script and Yogi tags in spaces that everyone else ignores.
Graffiti is fundamentally about claiming space and expressing yourself without permission. My freestyle sessions are how I keep my skills sharp. Whether it is a quick eight-minute throw-up or a larger experimental piece, these walls in forgotten corners of Delhi are my practice ground.
Using Devanagari script in street art is my way of connecting the modern urban landscape to my roots. It is not just about the letters. It is about finding rhythm in the curves of the script and merging it with the aggressive, fluid style of traditional graffiti.
I do not use sketches for these. I walk up to a wall, see the texture, and decide the flow on the spot. It is a dialogue with the environment. If the wall is rough, I adapt. If it is smooth concrete, I push for sharper lines and cleaner fills. If you like this raw energy, we can bring it to your space. Whether it is an accent wall in your studio, a mural for a cafe, or a live art performance, I apply this same spontaneous approach to every commission.
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