Architectural Design and Tropical Modernist Homes
I shape spaces by manipulating light, volume, and raw materials to build homes that breathe. From cantilevered concrete forms to indoor courtyards, my approach merges structure with the natural environment.
The cantilevered concrete staircase in the 'House of Canopies' is a feat of engineering and a central sculptural element. It appears to float against the raw concrete walls, connecting the different levels of the triple-height space.
Ascending the staircase, the play of light and shadow on the board-formed concrete walls creates a powerful, atmospheric experience. The scale of the space is both grand and grounding.
A view from the upper level looking down into the triple-height volume. The large windows and clerestories are strategically placed to flood the home with natural light throughout the day.
The exterior of the 'House of Canopies', where cascading, cantilevered concrete roofs provide shelter and create a distinctive, modern silhouette.
A design render for the 'Benchmark Aradhya' project, visualizing a lounge space that opens onto a central court on one side and a balcony on the other, embodying tropical modernism.
This render illustrates the living space for 'Benchmark Aradhya', enclosed by wooden screens and glass to create a strong connection to the central green courtyard.
Reflections and views across the different levels of the 'House of Canopies'. The design uses glass and open corridors to create visual connections and a sense of a single, unified volume.
About this collection
The staircase in the House of Canopies serves as a primary example of how I approach structure. By engineering it as a cantilevered element against raw concrete walls, I created a sculptural void that dictates the flow of the entire triple-height space. This is not just a walkway but a defining volume that allows light to filter through, connecting the levels visually and physically.
Our Approach to Tropical Modernism
Architecture is a dialogue between the site and the elements. My process begins by analyzing how a building can acknowledge the sun path, wind direction, and the existing landscape. Instead of treating a building as a sealed box, I use structural volumes to pull the outdoors inside. This often involves the use of large openings, courtyards, and veranda spaces that function as extensions of the living area.
Materiality and Craft
I rely on materials that age gracefully and retain their integrity over time. Board-formed concrete, for instance, is not just a structural requirement but an aesthetic choice that introduces texture and rhythm to a room. When paired with teak wood joinery and natural stone, it creates a balance between the raw and the refined. I coordinate directly with craftsmen to ensure that these elements are executed with precision, whether it involves the brass inlay of a terrazzo floor or the structural joinery of a slatted ceiling.
Designing for Connection
Projects like the House of Canopies illustrate my focus on creating a unified volume. By employing double or triple-height spaces, I ensure that different levels of a home remain connected. This visual and physical continuity is essential for creating a sense of openness even in urban density. My work in Bengaluru and Mumbai often requires navigating tight sites while still maintaining this feeling of spaciousness through clever master planning and detailed axonometric studies.
Studio Motley
I am Studio Motley. Architecture for me starts with a dialogue between raw materials and the people who will inhabit them. I focus on creating structural volumes that do not just exist, but actively participate in your daily life through light and air.
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