Architectural Inspirations and Design Philosophy
My design practice does not exist in a vacuum. It is built upon a continuous dialogue with the masters of architecture and the history of the spaces we inhabit.
The interior of the Umbrella House by Japanese architect Kazuo Shinohara. The serene composition of tatami mats, shoji screens, and beautifully crafted wood joinery is a profound example of how to create tranquil and flexible living spaces.
The iconic "umbrella" roof structure of Shinohara's masterpiece. This design cleverly adapts a form traditionally found in temple architecture for a residential home, demonstrating a bold and innovative approach to design.
A view through the Umbrella House, showing the open, flowing connection between different living areas. The design masterfully balances communal space with areas for private retreat, a key consideration in my own residential work.
The prefabricated Petrol Station designed by Jean Prouvé around 1953. His work as both designer and constructor, and his innovative use of industrial materials, is a major source of inspiration for my interest in product and furniture design.
A detail of the structural leg of a Jean Prouvé table. The form is both elegant and honest, clearly expressing how it bears its load. This principle of structural honesty is something I strive for in my own bespoke furniture pieces.
A display of the different color options for Jean Prouvé's furniture components. His pioneering use of color in industrial design showed how functional objects could also be joyful and expressive.
The glass and steel structure of Jean Prouvé's Petrol Station. The lightweight, modular system was designed for easy assembly and disassembly, a forward-thinking approach to sustainable and adaptable architecture.
About this collection
These aren't just historical references; they are active tools in my design process. Whether it is applying Jean Prouvé’s structural honesty to a piece of custom furniture or channeling B.V. Doshi’s approach to light and movement for an interior layout, these influences directly shape the way I plan your space. When I design a home for you, I apply this same rigour, ensuring that every joinery detail, lighting choice, or spatial transition is purposeful and considered.
Architecture is an act of learning. My work is anchored in the lessons I draw from architects like Kazuo Shinohara, whose ability to transform traditional temple motifs into residential forms reminds us that geometry can be both humble and bold. When you look at my residential projects, you will see a similar commitment to spatial flexibility—using sliding elements and honest material palettes to allow a home to adapt to the rhythm of daily life.
Similarly, Jean Prouvé’s work serves as a constant reminder of the beauty found in industrial materiality. His design philosophy, where the form of an object—be it a table leg or a building facade—clearly expresses how it bears its load, is the foundation for my bespoke furniture practice. I aim to create pieces where the construction is not hidden but celebrated as part of the aesthetic.
Studying and teaching within buildings designed by B.V. Doshi at CEPT University taught me that architecture is first about the human experience. It is about how a person moves through a corridor, where they pause, and how they perceive light. My practice in Bengaluru carries these values forward. I do not see a project as a static object but as a living space that should age gracefully, much like the homes that have inspired me throughout my career. If you are looking for design that respects the history of the site while embracing modern functionality, I invite you to share your vision with me.
Soumitro Ghosh
I'm Soumitro Ghosh. For me, design is an act of conversation, where every sketch connects back to the history of the land and the people who inhabit it. I lead a collaborative studio in Koramangala where we turn these dialogues into lived spaces.
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