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Stories of Our Land: Exploring Karnataka's Cultural Heritage

bySneha KappannaWorkshops in JP Nagar & shows across BengaluruStarts from150 per personView full gallery

My journey through Karnataka's heritage—from temple architecture to living folk traditions. These aren't just photos; they are the stories that shape my dance and my work with children.

Striking a dance pose at the Somanathapura temple. For me, these heritage sites are not just monuments, they are living spaces that are deeply connected to my art form.

At the Dharmarayana temple for the Bengaluru Karga festival. Experiencing these ancient traditions firsthand, amidst the vibrant energy of the jatre, is an essential part of my storytelling journey.

Witnessing the 'konda haiyodu' or fire walking ritual at the Soliga tribe's 'Roti Habba'. The faith and community spirit during these folk festivals are incredibly powerful.

The magnificent Virupaksha temple and chariot at Hampi. Exploring these ruins, I find stories of our land etched in every stone and surviving painting.

The intricately carved pillars at a temple in Hassan. These sites are an ode to dance, and it's disheartening when artists are restricted from offering their art as a prayer here.

The deity at a temple in Mangalore, connected to the Naga or snake worship traditions of the Tuluva people. The local stories and myths are deeply intertwined with the land.

Haveli hopping in Jaisalmer, Rajasthan. I learned that the Ganesha paintings on the walls are actually public wedding invitations for the whole village.

Captures from the Ragi Kana, a weekly event promoting sustainability. It's inspiring to see communities come together for a cause, and I was happy to participate.

The temple tank at Hampi. This UNESCO monument is rich with stories, like those of Kishkinda, the land of Hanumantha, Vali, and Sugriva.

The interior of the Virupaksha temple, where a single panel of ancient ceiling painting survives, offering a glimpse into its former glory.

About Stories of Our Land: Cultural Explorations

I don't visit these sites as a tourist. Whether I am at the Virupaksha temple in Hampi or witnessing the fire-walking rituals of the Soliga tribe, I am searching for the pulse of our past. I document these details because every carved pillar and local myth informs my storytelling workshops and dance dramas. When you work with me, you are not just hiring a storyteller; you are getting someone who understands the living history behind the tales.

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