Press & Accolades: Highlights from My Musical Journey

It touches my heart when a journalist takes the time to research the history of our music before an interview, rather than asking generic questions. Seeing thoughtful, well-researched pieces in publications like The Hindu or Sruti Magazine makes me feel that the depth of Hindustani classical music is truly connecting with a new generation of listeners.

My life in music is not just about the hours of riyaz [practice] but also about the conversations that happen off-stage. Whether it is an in-depth review of a performance at the Saptak festival in Ahmedabad or an article about the 'Sitar Ramarao Utsav', these press clippings are like a diary of my interactions with the world.

Why These Moments Matter

Every piece of coverage helps normalize Indian classical music in the public consciousness. When The Times of India covers a SPIC MACAY concert, or when a young journalist asks insightful questions about the Maihar Gharana, it proves that our traditions are not just static museum pieces. They are living, breathing entities.

Understanding the Reviews

• Technical Appreciation: Critics often highlight the specific laya [rhythm] and nuances in my alap and jor. It is incredibly validating when a reviewer notices the speed and clarity of jhala bols, especially when we push the boundaries of traditional taal structures.
• The Human Element: I am particularly proud of coverage that focuses on the collaborations. Whether it is the jugalbandi with my wife Saskia on the cello or the grand orchestral works with international musicians, these stories showcase that music is a bridge that needs no words.

I treat every review, whether in a major national daily or a specialized music magazine, as a dialogue. It encourages me to keep exploring, to keep teaching, and to keep presenting the sitar in ways that are authentic to my Guru's teachings while remaining accessible to all.