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The Art of Storytelling: Abhinaya & Classical Dance Theory

byRhythmotionOnline classes and at studio in Rustam Bagh LayoutStarts from2,200 per monthView full gallery

Dance is a language of gestures and expressions. We go beyond the steps to teach you the Natyashastra and the nuances of Abhinaya.

This is our student Prakruthi demonstrating the 'Tripataka Hasta Viniyoga', or the usages of the Tripataka hand gesture, as described in the ancient text Abhinaya Darpana.

An 'abhinaya' piece on Lord Krishna for Janmashtami. Here, I am using facial expressions and hand gestures to narrate the 'Kasthuri Tilakam' shloka, describing the beauty of Krishna.

'Padhant' is the art of reciting Kathak 'bols' or rhythmic syllables. Here, I am reciting a complex Chakkardar Paran in Teentaal, a crucial practice for understanding the rhythm before dancing it.

A short, informal practice of 'abhinaya' or facial expression. Even without costume or stage, a dancer can convey a range of emotions and stories through nuanced expression.

An unplanned 'abhinaya' session with my daughter Alar. We are exploring a composition by the legendary Pt. Birju Maharaj, showing the playful interaction between Krishna and a Gopi.

A simple play of light and shadow, creating a silhouette of the 'Hamsasya' hasta. This hand gesture is used to denote many things, including a pearl, a drop of water, or the act of drawing.

About The Art of Storytelling: Abhinaya & Theory

You won't just learn steps here. We spend time breaking down the Abhinaya Darpana and rhythmic bols so your movements have intent. Whether you are in our Rustambagh studio or joining online, you will understand why a specific hasta matters before you perform it.

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