Artistic Mural and Experimental Wall Art
I push my boundaries here. My annual figure studies, mountain-side experiments, and pieces that don't fit into the typical commercial boxes.
Shape of You. Once a year, I find a spot to paint and capture the beauty of the curves and anatomy of the female body. This is my depiction of how I see it in my head.
Another piece from the "Shape of You" series. This one was an adventure, from finding the spot to ending up at the police station. A crazy ass session.
The finished piece from that crazy session. The yellow cityscape background and the purple figure create a beautiful contrast. It's about finding elegance in the street.
A work in progress shot of the "Shape of You" piece. You can see the layers of color and the process of building up the form.
Creation and destruction are two sides of the same coin. This video shows the process of creating the "Shape of You" piece, which only lasted for 24 hours.
NSFW. A piece from my Khandar Diaries. This one combines my figure study with some quick, raw letters. It's about the contrast between the organic form and the sharp letters.
Another shot from the "Shape of You" series. The focus is on the form and the way the light hits the body. It's a study in anatomy and elegance.
Views. A jam session in an abandoned building. I painted this figure amidst the chaos of everyone else's tags and pieces. It's about finding a moment of peace in the madness.
Another angle of the "Views" piece, seen through a hole in the wall. The framing adds another layer to the artwork, like you're discovering a hidden secret.
A different shot of the "Views" piece, with the light hitting it just right. The combination of the figure and the graffiti creates a powerful image of womanhood and the street.
About Artistic Explorations
This isn't client work. It is my sandbox where I test new ideas, like painting the 'Shape of You' series in abandoned structures or experimenting with texture on traditional cow-dung thatched walls in Kalga. When I stop worrying about commercial deadlines and just paint, I find new techniques that eventually bleed back into my commissioned projects, making every wall I touch a little more interesting.
Most of my work has a brief, a brand, or a deadline. This space is different. It is my playground. I take my 'Shape of You' series to random, often neglected locations to study the curves and anatomy of the female form. These sessions are raw and unpredictable. I have ended up at police stations, in abandoned buildings, and in the quiet of the mountains to get these pieces done.
Experimental art is how I evolve. When I painted in Kalga, the texture of a traditional cow-dung wall forced me to adapt. I could not just blast it with aerosol. I had to slow down and really feel the surface. That is when I started incorporating brushes and deliberate, patient mandala patterns into my process.
This shift changed my game. The patience I learned in the mountains traveled back to the city with me, improving the detail work on my professional murals and lettering. I am always hunting for new surfaces to decode. Whether it is canvas, brick, concrete, or wood, I treat every wall like a puzzle that needs solving. If you are looking for art that feels alive, raw, and constantly evolving, this is where it starts.
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