Custom Bollywood Remixes and High-Energy Sets
I do not just play tracks, I reimagine them. From Afro-House twists on Bollywood classics to custom mashups synced with live visuals, this is the sound of my sets.
My reimagined mix of Kun Faya Kun is a very personal track for me. This video shows its debut performance, where we paired the soulful music with epic, large scale visuals.
A clip of my remix of "Uff Teri Adaa" and "Beautiful Now". This shows me in the zone, mixing tracks live to create a unique mood that hits different every time.
Kicking off an Afro Arabic set with "Ah Ya Albi" by Hakim. The visuals behind me show a city skyline that lights up and changes color with the music's progression.
Dropping "Walhala" by Merzzy & DJ Ronyl during a set. This over the shoulder shot shows my view of the stage, with bright teal spotlights creating an energetic atmosphere.
My "Tere Liye x I Adore You" mashup, now ready for the 2025 hologram show. This clip shows how we develop visuals specifically for the story and emotion of each custom remix.
Playing the classic "Don't You Worry Child" during a set with immersive ceiling visuals. It shows how I select tracks that match the grand scale of the audiovisual production.
In my element, mixing tracks with a fiery visual backdrop. This is a close up of my Pioneer DJ setup during a high energy set.
On the mic, connecting with the crowd. This shot captures me interacting with the audience while mixing, with beams of light creating a starburst effect all around me.
An impromptu mix of "Bluest Flame" and "Mwaki" paired with a dancing robot hologram. I love jumping on trends and giving them my own unique spin.
A throwback set fused with afro house. This clip shows the vibe of my experimental sets, where I blend different genres with hypnotic, flowing visuals.
About The Music: Custom Remixes & Sets
When I work on a remix like Kun Faya Kun, I am not just layering a beat. I am pulling the track apart to find the emotion, then rebuilding it for a live floor. I spend hours in the studio mapping these sounds to specific visual sequences so the music and the screen breathe together. This process ensures that when I hit the deck, the visual loop matches the energy of the drop.
My approach to music is simple. I want the set to feel like a journey, not a playlist. Whether I am blending a classic Bollywood hook with a heavy Afro-House rhythm or dropping a commercial mashup, every transition serves a purpose. I rely on Pioneer CDJ 3000 gear to ensure the sound quality is crisp, but the real work happens in the edit.
The Remix Philosophy
I do not believe in copy-paste sets. Each remix starts with a story. I look for the pulse in a track, like the vocals in an old favourite, and then I build a new sonic environment around it. This is why you will hear everything from deep, atmospheric builds to high-intensity drops within a single performance.
Technical Synchronisation
Music is only half the show. My sets are designed to work in tandem with the visual production. When I perform with VJ Tarang, we ensure that every bass kick triggers a visual beat. This sync requires precise timing and pre-planned cues, which is why I prefer to perform with a dedicated VJ for every event. If you want something that hits different, we have to control the whole environment, from the speakers to the projection screens.
Why Choose Custom Sets
If you are planning an event in Mumbai or flying me out for a destination wedding, tell me the vibe you want. I have a library of mashups ranging from commercial party hits to experimental Afro-Arabic fusion. I focus on keeping the energy moving without breaks, ensuring the dancefloor stays packed from the first track to the last.
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