Featured 3D Animation and CGI Projects
A showcase of my latest work, from viral faux out-of-home moments in Mumbai to high-end product animations. Every frame is 100% human-made.
This is my faux out-of-home style in action. I created this viral CGI concept by dropping a giant pair of Nike sneakers in the middle of Phoenix Marketcity mall in Kurla, making shoppers and scrollers wonder if it was real.
For this Beardo Whiskey Smoke perfume ad, I created a dark and mysterious vibe using dramatic lighting and dynamic camera movements. This 3D product animation focuses on the bottle's design and the brand's powerful identity.
This is a full 3D commercial I created for a Noise smartwatch. The animation highlights key selling points like its 14-day battery life and multiple watch faces, using clean transitions and a modern aesthetic.
A project close to my heart, this 3D animation reveals the official T-shirt for Chinchpokli Cha Chintamani. I used cloth simulation to give the fabric a realistic feel and set it in a temple-like environment to honor its cultural significance.
I designed this futuristic, lab-themed animation for a Bodify Marine Extract body wash. The concept shows the product materializing in a high-tech chamber, emphasizing its scientific and rejuvenating qualities through clean visuals and lighting.
Here, I placed a giant mCaffeine body lotion right in front of Mumbai's Gateway of India. This faux out-of-home animation blends a 3D product model into a real-world, iconic location to create a surprising and memorable visual.
This animation shows a high-performance sports car rendered in a moody, atmospheric environment. I focus on capturing the car's sleek lines and creating a sense of speed and power through lighting and motion.
A satisfying and abstract 3D animation concept for Oreo. I used fluid simulation to show the iconic cookie being completely enveloped in rich, liquid chocolate, creating a visually appealing and delicious-looking render.
About Featured
What you see in these renders isn't AI generated; it is frame-by-frame 3D artistry. Whether I am matching the lighting at the Gateway of India or simulating liquid textures for brands, every shadow, reflection, and camera movement is calculated and rendered by me in Maya and Blender. This isn't about letting a tool run a prompt; it is about building a digital environment from scratch.
The Craft Behind the Visuals
I build digital worlds, not just assets. When I work on a project, whether it is a product commercial or a faux out-of-home (FOOH) viral video, I treat every pixel as a deliberate choice. My process involves high-polygon hard-surface modeling, custom material creation in Substance Painter, and professional V-Ray rendering to ensure your product looks real, not plastic.
Why I Stay Away From AI
I get asked a lot about shortcuts. My answer is simple: I don't use them. AI generators often struggle with physics, lighting consistency, and brand identity. By sticking to manual modeling and animation, I ensure that your 3D product renders retain their unique shape, texture, and technical accuracy. If you need a watch rendered for an e-commerce listing or a sneaker dropping in a local mall, you get the fidelity you expect.
Mumbai Inspired, Global Standard
My style is born from the streets of Mumbai—the energy, the chaos, and the culture. I bring this same intensity to brand visuals. I focus on:
- Faux Out-of-Home (FOOH): Blending giant 3D products into real Mumbai footage using professional 3D camera tracking.
- Tech Product Animation: Focusing on clean, macro close-ups that show off materials and key features.
- Fluid & Cloth Simulations: Using physics-based animation to show how products actually move in a 3D space.
Let's get to work on something that stops the scroll.
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