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Carter Road Skatepark Graffiti Transformation

byZeroAvailable for live art and events across IndiaStarts from40,000 per assetView full gallery

I took over the Bandra skatepark to turn cold concrete into a canvas for the community. This project wasn't just about paint, it was about bringing skaters, BMX riders, and artists together to claim the space.

A wide view of the transformed Carter Road promenade, with the central calligraffiti piece drawing people in. The project became a public art landmark.

A drone's-eye view of the work in progress, showing me and another artist working on different sections of the massive floor mural.

An early stage of the collaboration, with multiple artists laying down the base layers and outlines across the skatepark's ramps and flats.

Getting down to the details with a roller. Large-scale pieces like this require a mix of techniques, from broad strokes to fine spray can work.

Using an extension pole to paint the large letterforms on the ground. This tool is essential for maintaining perspective and clean lines on huge surfaces.

Painting a large pink 'LOVE' throw-up as the sun sets over the mangroves at Carter Road. The location was as much a part of the art as the paint itself.

A shot of the collaborative spirit, with different artists working side-by-side on their sections of the skatepark mural.

Filling in a classic 'ZERO' wildstyle piece on one of the park's main ramps. This shows the process of layering colors to create depth.

A skater catches air next to a character piece by one of the collaborating artists. The goal was to create art that interacts with the movement of the park.

A moment where art and action meet. A skater jumps over a section I'm painting, showing the dynamic environment of a live public art project.

About Carter Road Skatepark Project

Painting a skatepark is different from a flat wall because you have to factor in the movement. I used high-grade, durable paint that can take the friction of skateboard wheels and BMX tires, applying it to follow the flow of the bowl and ramps rather than fighting against the architecture.

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