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Traditional Indian Dance Workshops & Mentorship

bySneha KappannaConsultations in JP Nagar; Projects across IndiaStarts from40,000 per performance (up to 30 mins)View full gallery

Whether you are a student preparing for your Rangapravesha or an artist looking to deepen your craft, my workshops go beyond just steps. We explore the history, rhythm, and soul behind every movement.

The invitation for my senior student Dharitri's Rangapravesha, "Stree Satva." It is a moment of immense pride to present a student's debut performance.

With my student on the day of her Rangapravesha. Mentoring the next generation of artists is one of the most fulfilling aspects of my work.

With my Bharatanatyam Guru Smt. Sheela Chandrasekhar and my folk mentor Sri Hi Chi Borlingaiya during a field trip to Janapada Loka. I believe in connecting my students with my own gurus.

Conducting a two-day workshop on 'Choreography and embodying movement techniques in theatre' for diploma students at Vijaynagar Bimba.

A Nattuvanga workshop in progress at Kappanna Angala. I regularly host workshops to share the rhythmic and theoretical knowledge of our art forms.

A student seeking blessings from the orchestra during her Rangapravesha. This is a moment of deep respect for the musicians who are integral to the performance.

A student seeking my blessings on stage. The Guru-Shishya parampara is the foundation of our artistic lineage.

A student offering her respects to the live orchestra, a tradition that teaches humility and gratitude.

Surrounded by my students and well-wishers after a successful Rangapravesha. The support of the community is invaluable.

An impromptu Garba dance with all my students after our Vijayadashami pooja, ringing in the Navaratri vibes with joy and celebration.

About Workshops & Mentorship

My training is rooted in the Guru-Shishya parampara, where the relationship between teacher and student is just as important as the technique itself. At my studio in JP Nagar or during our field trips to historical sites like Somanathapura, we do not just memorize choreography. We study the rhythm of Nattuvanga, the historical context of the pieces, and the discipline required to present a successful debut performance.

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