A Look Behind the Booth: My Gig Archive

You will notice most of these posters do not stick to one genre, and that is intentional. Whether I am playing a sneaker pop-up for Mainstreet or a late-night set at Antisocial, I do not follow a pre-set playlist. I read the room in real-time, blending house, disco, and afro beats based on the energy of the crowd. If you are booking me for an event, we will chat beforehand to align the vibe with your crowd, not just pick tracks off a generic list.

My approach to these events is pretty simple: no rules, just good music. When you look at the archive, you will see everything from birthday celebrations at Soho House to high-fashion launches for brands like Dior and Nike. Each event requires a different kind of energy. A fashion launch needs that deep, atmospheric lounge sound that keeps the room buzzing without overpowering the conversation. A festival stage or a club night in Mumbai? That is where I crank up the tempo, weaving between hip-hop, techno, and disco to keep people moving.

I treat my DJ sets like an open format playground. I am not the guy who just loops the top 40 tracks. My job is to bridge the gap between different moods. I find that when I mix international club vibes with local street culture, the crowd connects instantly. I have played everywhere from historic basilicas in Lake Como to sunset sets in the Rann of Kutch, and the logic stays the same: it is about the story the music tells.

If you are planning an event, think of me less as a DJ and more as a sound curator. I want to know who is going to be there and what the atmosphere should feel like. We will sync up before the date to nail down the sonic direction, so by the time I hit the console, I already know exactly what the room needs.