Cinematic Two-Wheeler Automotive Films
I capture the thrill of the ride by blending lifestyle, story, and performance. Let's turn your bike into the hero of the road.
This film for the TVS Star City+ connects the freedom of riding with the spirit of Independence Day. It blends scenic shots by a lake with smooth riding footage, all set to a poetic Hindi voiceover about the journey of self-discovery.
Capturing the energy of Ganesh Chaturthi in Mumbai, this film for the TVS Apache RTR positions the bike as the perfect ride for the festive season. The video mixes vibrant street scenes with shots of the rider navigating the city, creating a powerful cultural connection.
A commercial for the TVS Star City+ focused on its practical benefits for the festive season. The video highlights key features like its bright LED headlamps for night visibility, 15% better mileage, and a built-in USB charger, showing how I translate product features into real-world benefits.
About Automotive Showcase: Two-Wheelers
When I shoot motorcycles, I don't just focus on the specs. I use CPL filters to cut glare off chrome and metallic surfaces, and I employ dynamic drone tracking to capture the real energy of the ride. My goal is to make the audience feel the speed and the freedom of the road, not just watch it from a distance.
Every two-wheeler film I produce follows a specific flow: movement, mood, and story. Whether it is a commuter bike like the TVS Star City+ or a performance machine like the Apache RTR, the approach changes based on what the brand needs to say.
My Approach to Automotive Production
I treat automotive videography as a technical challenge. I use 3-axis gimbals for smooth, gliding footage that follows the rider closely. For those high-energy sequences, I lean on speed ramping in post-production to emphasize the bike's power and acceleration. If the shoot involves city commuting or festive travel, I focus on capturing the lifestyle—the feeling of freedom, the wind, and the connection between the rider and the machine.
The Gear and The Edit
I don't just hand over raw footage. I edit everything in Premiere Pro with a heavy focus on sound design—the engine notes, the road noise, and the music beat syncing. I shoot in 4K S-Log to give us maximum flexibility in color grading, allowing me to switch between a high-contrast moody look for performance bikes or a vibrant, warm tone for festive campaigns.
Why Partner With Me?
My process is built for social media. I plan every shot with a 'hook' in mind, ensuring the first 3 seconds stop the scroll. I understand how to translate product features—like LED visibility, mileage, or shock absorber comfort—into visual stories that actually make sense to a buyer. If you want a film that connects with the rider, let's talk.
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