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Behind the Brush: My Creative Process

byNidhiShips across India & InternationallyStarts from2,800 per framed artworkView full gallery

Every painting on this page starts with a blank surface and plenty of patience. I believe you should see the story behind the art, from the first pencil sketch to the final layer of colour.

A close-up, work-in-progress shot of a Kalamkari-style painting. This shows the careful, hands-on process of building up layers of color and detail with a fine brush, which is the soul of all my handmade art.

This is me in my natural habitat, sitting on the floor working on the large glass window painting. Many of my biggest projects are created like this, with full focus and a bit of a backache.

The complete line work for the large magenta mandala before any color was added. This is the foundational drawing, which takes hours of precise, geometric work.

Another work-in-progress shot from 'Project K', showing the initial color blocking in orange and yellow for a Kalamkari-style piece.

The early stages of a large Kalamkari painting, with the red and orange leaves being filled in while the central figures are still just pencil sketches.

A work-in-progress view of a 'Tree of Life' painting in the Kalamkari style. The leaves are being colored in green and yellow, but the peacocks at the base are still outlines.

A behind-the-scenes look at the Gond art tile project. Here you can see the painted canvases with the threads chosen for the embroidery work, ready for my mom to work her magic.

The black and white outline for a Madhubani-style cow painting on a sheet of glass. This is the first step before applying the vibrant glass colors.

The line work for the Pichwai-style cow on glass, surrounded by lotus flowers and buds.

The outline for the Gond-style cow on glass, showing a different artistic interpretation of the same subject.

About Behind the Brush: The Creative Process

Most of my larger pieces, especially the glass art, happen on the floor. It involves hours of sitting, precise line work, and yes, the occasional back ache. It is not just about the final frame, it is about the 20 to 30 hours of quiet, focused energy that goes into every mandala or folk art piece before it even reaches your wall.

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