Global Tours and Festival Stages
I have taken my sound from the streets of Delhi to clubs and festivals across Asia, Australia, and the UK. Here is a look at the energy we built on those stages.
The official announcement for my Australia & Southeast Asia Tour. Taking my sound to new places like Jakarta, Kuala Lumpur, Perth, and Singapore is always an incredible experience.
The animated tour poster for my Australia & Southeast Asia run. This shows the full list of cities and venues, from club nights to major arts festivals.
The official poster for my debut Southeast Asia tour, hitting cities in Vietnam, Singapore, Thailand, and Indonesia.
The lineup for Sole DXB in Dubai. It was an honor to be part of this incredible festival and represent my sound on an international stage alongside so many talented artists.
My official artist poster for Sole DXB. This was a huge milestone, and I was grateful for the chance to connect with the Dubai music community.
The poster for the Dialled In afterparty in London. Playing in London is always special, and sharing the bill with such great UK artists was a highlight.
The flyer for my show in Sydney, Australia with Ahadadream. Playing at the legendary Club 77 was a proper vibe.
About this collection
Playing at spots like Sole DXB or Section 8 in Melbourne taught me one thing, music is a universal language. Whether I am working with local production crews on a new rig or adapting my set to a late-night crowd in Hong Kong, I focus on keeping that raw, community-driven energy alive no matter the distance.
Touring globally is not just about the flight miles, it is about the challenge of connecting with a room full of strangers. When I hit the decks in cities like Jakarta, Kuala Lumpur, or London, I am not just playing a tracklist. I am reading the crowd, blending Afro, UK Funky, and left-field bass to find that sweet spot where the dance floor locks in.
Experience behind the booth at events like Sole DXB or the Dialled In afterparty has sharpened my ability to work with different sound setups. I have learned that a killer set depends on more than just the music, it is about the communication with the sound engineer, the lighting tech, and the venue team. I bring that same professional, high-energy approach to every festival stage and private gig I take on.
Whether you need a headline act with a global perspective or someone who can curate a lineup that feels fresh and boundary-pushing, I am ready. I treat every set, from a local club takeover to an international festival slot, with the same focus on sound quality and crowd connection. If you are looking to bring a distinct, curated sound to your event, let’s chat.
Nash
I have spent years figuring out what makes a crowd move, from tiny Delhi basements to massive festival stages in Dubai and Sydney. For me, it is all about the exchange of energy, sharing fresh tracks, and making sure everyone leaves with a buzz.
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