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Creative Percussion Jams & Found Sound

byMohsickPerforms at venues across Delhi NCRStarts from25,000 per gig (approx. 2 hours)View full gallery

Music is everywhere—in a clay pot, a suitcase, or even dry leaves. Here is a look at my process of finding the rhythm in the most unexpected places.

A lot of people asked for a lesson on the roll I play in the Maksum rhythm. So here's a quick tutorial on my Darbuka, breaking down the technique.

I was so inspired by Adnan Sami's interview that I had to demonstrate the composition he explained. Here I am playing the 'Tera Chehra' beat on the Tabla with a drumstick, just as he described.

I found this matki (clay pot) by a lake in Himachal and couldn't resist capturing its sound. This was an unplanned, raw recording, but I loved the natural vibe too much not to share.

It had been a while since I played the Tabla, but the song 'Sapphire' inspired me to pick it up again. A peaceful jam session in a garden, just me and the music.

The Taasha is a versatile instrument. Played one way, it has a sharp sound. But when you flip it, the tone changes completely. Here's a quick demo.

I found this small clay pot by a lake at sunset and its sound was beautiful. I recorded this on the spot to capture the moment and the feeling of the surroundings.

A recap of some of my most creative moments, including making music with dry leaves. This video got a lot of love for its peaceful and innovative vibe.

This clip, part of my 2024 recap, shows me creating a beat using a suitcase. It even got a comment from the brand Ajio.

Another viral moment where I made music using a paper bag and a plastic stool. It's amazing how rhythm can be found in the simplest things.

This is the video that went viral worldwide and was shared by Will Smith. Just me and my mom in the kitchen, making music while washing dishes.

About The Creative Spark: Jams, Covers & Found Sound

I do not just play instruments; I experiment with frequencies. Whether it is a kitchen pan, a luggage bag, or a traditional Tabla, I listen for the rhythm that makes people move. When I perform at your event, I bring this same creative mindset to the stage, ensuring your music is fresh, interactive, and far from a standard pre-recorded playlist.

Finding rhythm in everyday objects is not just a party trick—it is my way of connecting with the soundscape around me. From recording the resonant tone of a matki by a Himachal lake to turning kitchenware into a snare drum, I treat every object as a potential instrument. This 'found sound' approach is what sets my live sets apart.

When I perform at weddings or clubs across Delhi NCR and beyond, I blend this experimental energy with professional percussion instruments like the Darbuka and Tabla.

Why this approach works for your event:

  • Audience Engagement: When guests see me making music out of a suitcase or kitchen pans, it breaks the ice instantly. It is not just a performance; it is a conversation starter.
  • Versatility: I adapt my setup to the vibe. If you want a high-octane club set, I integrate these unique beats with Techno and Afro-house. If you need something more acoustic and intimate, I focus on the raw, unplugged sounds of the Tabla and traditional percussion.
  • Technical Precision: While I love the spontaneity of a jam session, my performances are backed by a hybrid setup of acoustic drums and professional electronic pads. I take sound checks seriously to ensure that every beat, whether from a Djembe or a frying pan, cuts through the room with clarity.

If you want to move away from the same old DJ sets and offer your guests an experience that feels alive and truly different, let’s talk about a performance that fits your venue.

Viral percussionist with millions of views.Approved by the tribe
M

Mohsick

Performs at venues across Delhi NCRStarts from 25,000 per gig (approx. 2 hours)

I am Mohsick. I left my engineering job because the beats in my head were louder than the code on my screen. I believe if you listen closely, everything—from a frying pan to a matki—has a rhythm waiting to be heard.

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