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Original Techno and Progressive House Releases

byMashterAvailable online; Visit studios in Gurugram and DehradunStarts from35,000 per courseView full gallery

Dive into the underground with my original productions and Techtonic Records releases. These tracks are built for the dancefloor, blending dark techno energy with hypnotic progressive house rhythms.

A proud moment for me and my label, Techtonic Records. My "Set Me Free" EP charted at number 25 on the Beatport Top 100 Releases. A huge thanks to everyone who supported it.

The official artwork for my "Butterflies & Hanna Bee EP," released on Techtonic Records. This EP features two powerful progressive house tracks designed for peak-time energy.

The artwork for my "Set Me Free EP." This release features two hard-hitting peak-time techno tracks, and I'm really proud of how they turned out.

Announcing my "Set Me Free EP" on Techtonic Black. The two tracks, "Set Me Free" and "Hunted Becomes Hunter," are minimal, dark, and aggressive.

The artwork for "We Become," my collaborative EP with my friend Ethan Heich. This release features two solid melodic house and techno tracks.

Announcing my upcoming release, "Butterflies & Hanna Bee," on my Techtonic White imprint. This video showcases the two tracks on the EP: "Butterflies & Hanna Bee" and "Nectar of Love."

A demo showcase of my new track "Day After Molly," one of 11 new techno tracks I have scheduled for release. This one is dark, driving, and built for the underground.

Another preview from my upcoming releases, this track is called "Angry Volcano." It's a raw, high-energy techno track with a relentless groove.

A snippet of my track "Deeper Love." This one explores a more hypnotic and melodic side of techno.

Preview of my track "Toxic." As the name suggests, it features a raw bassline and an intense, driving rhythm.

About My Original Music & Releases

When I produce tracks like 'Set Me Free' or 'Butterflies & Hanna Bee,' I am not just chasing a chart position. I am building a sonic narrative. Every track you hear here started as a raw idea in my studio in Gurgaon, refined on Pioneer VM monitors until the mix-down hit that specific club-ready loudness.

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