In The Press: Stories Behind Our Featured Exhibitions
Art goes beyond the canvas when it reaches the public eye. See how critical reviews and features have documented the journeys of the artists we represent.
The Hindu's feature article on the exhibition 'ME, AMMA, WE', telling the inspiring story of artist Unnikrishnan C and his mother, Devu Nenmara. Press coverage like this helps share the powerful narratives behind the art.
An article in Art and Design Dimensions covering the 'Southern Stars' solo show by Clare Arni. The feature delves into the artist's fascination with the cinematic legends of South India.
A feature in Indulge, The New Indian Express, on Archana Hande's exhibition 'WEAVING LIGHT'. The article describes the show as a "magical dance of shadows" that pays tribute to weavers and textiles.
A page from The Hindu article, detailing Unnikrishnan's journey into the art world and the encouragement he received from his art teacher.
Another excerpt from The Hindu article, where Devu Nenmara shares her experience of painting alongside her son for the first time.
The continuation of The Hindu's feature, discussing Unnikrishnan's breakout moment at the Kochi-Muziris Biennale and his subsequent success.
A page from the Art and Design Dimensions feature on 'Southern Stars', providing more context on the exhibition and the artist, Clare Arni.
An excerpt from the Indulge article, where artist Archana Hande explains her experiential approach to the 'WEAVING LIGHT' installation.
About In The Press
Critical reviews do more than document an event. They offer a second set of eyes on our artists' journeys, often connecting the dots between a creator's personal history and the final piece on display. When a writer from The Hindu dives into Unnikrishnan C’s process or Archana Hande’s light installations, it helps you see the exhibition not just as art, but as a live, evolving story that invites you to look closer.
For over two decades, I have viewed my gallery as a home for contemporary Indian artists, not just a retail space. When an exhibition gets featured in publications like The Hindu or The New Indian Express, it validates the years of work that happen before a piece ever touches our wall.
We don't just hang paintings. We build narratives. Whether it is Unnikrishnan C exploring his roots with his mother, Devu Nenmara, or Clare Arni documenting the visual history of South Indian cinema, these shows are constructed experiences. The press articles you see here capture the nuance of these projects—the 'magical dance of shadows' in Archana Hande’s work or the personal risk an artist takes when moving from a blue-collar job to a full-time fine arts career.
Reading these features gives you more than just a summary. It provides a roadmap for the exhibition. It tells you why a sculpture matters, why a specific material was chosen, and how the artist is challenging the status quo of South Asian art. If you are visiting our Wilson Garden space, I suggest reading these pieces as a primer; they often provide the context that makes the silent moments in our gallery much louder.
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