Bass-Heavy Club Sets
I don’t just play tracks, I build the energy. From deep UK garage cuts to tearing up the room with drum and bass, my sets are built for the dance floor.
A black and white shot from the Dance Ok Please night in Bangalore. The energy was incredible, and I had a great time dropping a mix of drum and bass and jungle for a packed house.
The crowd going off during my set at Arcade 140. There's no better feeling than seeing the dance floor connect with the bass-heavy tunes I'm spinning, from UK garage to leftfield breaks.
A quick recap of the vibe at Bangalore Massive. This event is a cornerstone of the city's drum and bass scene, and it's always an honor to play for such a dedicated crowd.
Going back to back with my wingman Big Trouble at the Optikal Asylum Gathering. We were warming up for UK artists Breaka and Bakey, so we brought a high energy mix of UK garage and bass music.
A poster from my return to Arcade 140, a night dedicated to 140 BPM bass music. I love these events because they let me explore the deeper, more experimental side of dubstep, grime, and dnb.
The animated flyer for Dans Punk, an event for "weird music for weird people". I played a set of twisted bass music and broken techno, which is always a fun departure into more experimental sounds.
On the decks in Kochi for a night called 'BUFFER'. I played a heavy set of breaks, electro, and jungle, bringing the Bangalore underground sound to a new city.
A photo from my set at a DnB India event. I'm passionate about the drum and bass community in Bangalore, and nights like these are what keep the scene alive and thriving.
A shot of me playing at Boxout Wednesdays in Delhi. I was spinning a mix of breaks, dnb, and jungle, representing the Junket crew sound in a new city.
The energy was electric at this bass-heavy night at Aqua, The Park. It's always a great feeling when the crowd is fully locked in and moving to the beat.
About Bass-Heavy Club Sets
I don’t just press play. I bring my own high-end phono cartridges and control vinyls to every set because clarity matters when you’re spinning grime or heavy UK garage. If the venue doesn't have the right turntable setup, I bring my own gear so the sound stays 100% heavy.
My approach to club sets is rooted in old-school turntablism. I’m not standing behind the decks tapping a screen; I’m scratching, beat juggling, and reading the room to see what’s moving the crowd. Whether it’s a packed night at Indiranagar Social or a high-energy slot at a festival, my sets are dynamic and never pre-planned.
What I Bring to the Table
- Technical Skill: I treat the turntables like my primary instrument. This means live remixing and instant adjustments based on how the crowd is reacting. If the energy dips, I switch the tempo—moving from 140 BPM dubstep to fast-paced drum and bass in seconds.
- The Sound: My library is deep. I’m crate-digging for rare breaks, experimental bass, and UKG flavors that you won’t hear on standard club rotations. I focus on genres like DnB, grime, and leftfield electronics that push the sound system to its limits.
- Equipment: I’m a purist with my gear. I arrive 45-60 minutes early to soundcheck my cartridges and needles. If a venue has standard club gear, I’m ready to go. If not, I can bring a full console setup to keep the quality consistent.
If you want a set that keeps people guessing and moving until the lights go up, I’m your guy. Let’s bring some noise to your venue.
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