Club Takeovers & Special Gigs in Mumbai
I don't just play sets; I build a riot on the dance floor. Whether it's a 360-degree booth experience or a packed night at Slink & Bardot, my focus is pure, high-octane energy.
A cheeky B2B set with my brother Vivian a.k.a. Divine, with Riday on live percussions. This exclusive IP at Slink & Bardot is always a guaranteed riot.
My 360-degree show in Bangalore puts me right in the center of the crowd. It's a wild, immersive experience that breaks down the barrier between the DJ and the dance floor.
Ringing in NYE 2024 at Cosy Box Mumbai. New Year's Eve is the biggest night of the year, and I made sure it was a rager to remember.
A shot from my Holi 2024 set. Playing at daytime festival parties is a different vibe, and I love the energy.
Backstage POV during my Christmas 2024 set at Slink & Bardot. The festive decorations and holiday crowd always make for a special night.
More carnage from my B2B takeover in Bangalore. The 360-degree camera captures the energy from every angle.
The Christmas takeover at Slink & Bardot is always a highlight of the year. The vibe is just different.
My second gig of the day for Holi 2025 at Escobar Bandra was pure madness. The energy was non-stop.
Another backstage view from the Christmas 2024 celebration at Slink. The crowd was ready to party all night.
Dropping Afro House during my Christmas set. Even during the holidays, the fresh beats keep the floor moving.
About Club Takeovers & Special Gigs
When I take over a club, I am not just playing tracks; I am managing the crowd's pulse from start to finish. I require venues to provide standard industry-spec Pioneer CDJ setups because I travel light, bringing only my USBs and headphones. This plug-and-play approach keeps my energy focused on the floor, not the cables.
When I commit to a takeover, the goal is always the same: total floor control. My 360-degree booth setups—like the ones I have run in Bangalore—are designed to break the wall between the DJ and the crowd. You are not just watching a set; you are standing in the middle of it. It is an immersive experience that relies on crowd energy as much as the track selection.
Collaboration is where the real magic happens. Whether it is a B2B session or bringing in live percussionists to layer over my Afro House and Bolly-Tech edits, I am always looking to push the boundaries of a standard club set. These nights are not polite; they are designed to be a riot.
I have been fortunate to play legendary nights at Slink & Bardot and Cosy Box. From Holi festivals to New Year’s Eve madness, these special gigs require a different approach. I do not just loop tracks; I build a narrative. I start with lower-tempo house or disco to warm things up, then progressively hit the peak-hour commercial and Tech House that keeps the club moving until the lights come on.
If you are booking me for a special night, understand that I bring a high-energy, open-format approach. I am comfortable navigating diverse crowds, whether I am dropping 2000s hip-hop gems or the latest Naija2Nairobi Afro beats. Just make sure your venue has a solid sound technician and the right booth monitors, and I will handle the rest.
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