Behind the Music: The Hustle That Makes the Sound
This isn't just about the gig—it's about the late-night sessions and the grind that makes the bangers. Step inside my studio.
This is the difference between producing and DJing. One is me locked in, focused in the studio creating beats. The other is me on stage, feeding off the crowd's energy. Two sides of the same coin.
When it's time to make music, everything else gets shut out. No gimmicks, no noise. Just pure focus on the sound, laying down beats until the track is PRFCT.
People ask how I make my tracks, so here's a quick look. This is me breaking down how I build an Afro House banger like my original track 'Addicted to You' in under 30 seconds. It all starts with a clean drop and a dirty bassline.
Lights, Camera, PRFCT. A few behind the scenes moments from a recent photoshoot. It's not all serious, there's plenty of silliness and chaos that goes into getting the right shot.
People always ask, "What if it doesn't work out?" I always think, "But what if it does?" From doubting in the studio to seeing the dream come alive on stage, you have to trust the process.
Filtered photos of unfiltered moments. Here’s a shot from a recent press shoot. The behind the scenes was pure gold, full of comedy, chaos, and creativity.
Another look from my press shoot. We played with a lot of cool lighting concepts, like this blue spotlight, to create a moody and modern vibe that matches my sound.
About Behind The Music
My tracks don't come from a polished corporate office. They are built in my bedroom, usually around 3 AM, with just my laptop, my monitors, and Ableton. It is often messy, with screens full of plugins and half-finished beats, but that chaos is where the Afro-House drops and the BollyTech energy actually start.
Making music isn't about perfectly curated sessions for me. It is about the grind. Whether I am building a BollyTech fusion track from scratch or chopping up Punjabi DnB for a rave edit, the process remains the same: no gimmicks, just raw sound design.
My Production Workflow
I work primarily in Ableton. Most of the 'bangers' you hear at my gigs start as a single loop or a vocal chop I found, layered with custom drum patterns until it hits that -6dB to -9dB LUFS sweet spot. If you want a custom mashup, I look at the BPM, check the key, and blend up to three tracks so they hit the floor without sounding forced.
Why 'Rare' Matters
Anyone can download a stock beat, but my focus is on sound identity. My production packages range from simple edits for your event to full-blown original compositions for commercial release.
- Custom Mashups: Need a specific flow for a choreographed dance or a wedding entry? I handle the tempo mapping and FX drops to make it unique.
- Full Remixes: I take your favorite track and rebuild it with new basslines, Afro-House drums, or synth leads.
- Original Production: This is for when you need a sound that belongs only to you. We write the melodies, map the structure, and handle the mastering so it’s ready for the clubs.
I deliver everything in high-quality 24-bit WAV files because if the audio quality isn't clean, the energy doesn't land. If you have an idea, let's stop talking and start making it loud.
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