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Bollytech and Alternate Bollywood Productions

byTejasAvailable online; Studio in Mumbai and takes projects across IndiaStarts from14,000 Per Audio MixView full gallery

I flip classic Bollywood anthems into high-energy techno and afro-house tracks, designed for club dance floors and performance stages.

My creative process is about capturing a vibe. Here I am building a beat against the backdrop of the Brooklyn Bridge, letting the city's energy flow directly into the music. This is how I create tracks like my Bollytech remix of 'Mitwa'.

This is the cover for my 'Illegal 2025' album. It's a collection of pure Bollywood club hits, EDM mashups, and bootlegs designed to take over the dance floor.

Finding inspiration for my 'Dil Nai Lagda' Bollytech remix with a view of the Sydney Opera House. I believe the environment shapes the sound, and this session was all about blending classic emotion with a modern, global pulse.

This is my view from the DJ booth at a packed night in Kolkata. My goal is to connect with the crowd and create a non-stop energy wave, and this image captures that moment perfectly.

A visual teaser for my Bollytech remix of 'Noorie'. I used a dark, atmospheric style with flashes of red to match the track's intense, driving techno beat.

The official tracklist for my 'Bollytech Mashup Pack Vol 1'. This collection features 20 exclusive tracks, blending Bollywood hits with Bollytech and Afro House rhythms for a unique club sound.

A shot from my Spotlight Podcast session in Manali. Surrounded by the Himalayas, I broke down my production process and mixed a set inspired by the raw beauty of the landscape.

My 'Alternate Bollywood' sound isn't your typical remix style. It's about lighting a new fire under familiar tracks, as represented by this custom matchbox design.

About Featured

My process is structural, not just a speed-up edit. Whether I am producing a high-tempo Sangeet mashup or a full Bollytech remix, I strip the song to its core elements, rebuild the rhythm section with custom drum programming and rolling basslines, and master the track to meet club standards. For choreography, I lock the BPM between 124-128 to ensure steady movement for dancers.

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