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Behind the Scenes: A Sitar Musician's Journey

byAniruddha JoshiTravels for performances across PuneView full gallery

Music is my devotion. These photos capture the moments between the performances—from studio sessions to my travels and the quiet tradition of instrument worship.

A pleasant moment during my tour to Omkareshwar, a place rich in spirituality.

A glimpse from a recording session in a professional studio. The acoustics of a studio allow for capturing the finest details of the sitar's sound.

A memorable meeting with the renowned Rudraveena maestro, Ustad Bahauddin Dagar Ji.

A fan moment with the great playback singer, Shri Suresh Wadekar ji, after a concert.

Performing the annual 'Vaddya Pooja' on Vijayadashami, a day to honor our instruments which are our tools of expression and livelihood.

My sitar after the Vijayadashami pooja. It is not just an instrument but a sacred part of my life.

At Ekatmadham in Omkareshwar, in front of the statue of Aadi Guru Shankaracharya Ji.

About this collection

People often ask about the effort behind a 90-minute concert. It is not just about the stage time. I spend hours in 'riyaaz' (daily practice) and travel to remote areas for intimate baithaks. When you book me for an event, you are inviting a traditional practice that starts with tuning my instruments and preparing the space—not just showing up to play.

My journey with the sitar and surbahar is an ongoing dialogue. It is not confined to the stage where the spotlight is on. Much of my music happens in the quiet hours of the morning during my riyaaz, or while traveling to places like Omkareshwar where the environment itself inspires the notes I play.

The Importance of Tradition

I believe the instrument is a living extension of the musician. That is why rituals like the 'Vaddya Pooja' on Vijayadashami are not just traditions to me; they are a necessary way to honor the tools that allow me to express what words cannot. When I perform, I am carrying forward the guidance of my gurus and the weight of the classical ragas I have studied for years.

Music for Every Space

Whether it is a formal concert, a corporate dinner, or a private puja at home, my approach remains the same—to create a space where listeners can connect with the music.

  • For Baithaks: We keep it traditional, seated on the floor, focusing on the nuances of Shastriya Sangeet.
  • For Festivals and Events: I adapt the repertoire to ensure it feels accessible while maintaining the integrity of the classical form.
  • For Studio/Social Media: I enjoy exploring how classical sound translates to modern recordings, whether it is for a reel or a custom project.

If you are planning an event, know that I bring the same dedication to a small family gathering in Bhopal as I do to a larger festival in Pune. I am here to help you choose the right format—be it solo, a jugalbandi, or an ensemble—to match the mood of your occasion.

Performing classical music across IndiaApproved by the tribe
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Aniruddha Joshi

Travels for performances across PuneStarting ₹13,000 per 60-90 min session

Music is my prayer and my life's work. I believe in the Guru-Shishya tradition and try to bring that depth to every event, whether it is a quiet home baithak or a large festival concert.

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