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My Personal Yoga Practice and Discipline

byManjunath MurthyLive online group sessionsStarts from3,500 per month (12 sessions)View full gallery

A teacher must be a dedicated student first. This is how I refine my own movement, focus, and understanding before I ever step in front of a class.

My own practice is the foundation of my teaching. Here I am working on a handstand and Dhanurasana, because a teacher must first and foremost be a dedicated student of yoga.

This is my practice of Ek Pada Sirsasana and a handstand variation. I believe in adapting the principles of yoga into every aspect of life, including the media I share.

Mastering the extremities of movement and stillness. My practice explores dynamic motions and the challenge of holding a steady, focused asana.

Refining advanced poses like the standing split and Eka Pada Koundinyasana II. Consistent self-practice is non-negotiable for any serious teacher.

A shoutout to all yoga teachers who miss their own morning practice to conduct classes for their students. The dedication to teaching often requires personal sacrifice.

A demonstration of Bakasana (Crow Pose) and a reclining split. Every practice is an opportunity to connect with the body and quiet the mind.

Advanced asanas do not equate to advanced yoga. This is a demonstration of Parsva Bakasana, but the real practice is in the awareness and control, not the pose itself.

In the quest for inversions, it's important to remember why we practice. Asanas can be a tool to overcome our problems or a shield to cover them. I choose the former.

Asana without the first two limbs of yoga, the Yamas and Niyamas, is just a crutch. My practice of Chakrasana and headstand variations is grounded in this ethical foundation.

A flow sequence including Vasisthasana (Side Plank) and a headstand tuck. Practice is about exploring the body's capabilities with intelligence and care.

About My Practice

This gallery isn't here to impress you with flexibility; it's a look into my daily discipline. You’ll notice I rarely use specialized props to create these shapes—I rely on basic body mechanics and household furniture. This is exactly how I teach: using what you have to build actual strength and functional control, rather than chasing a hollow aesthetic.

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