Makeup Theory & Technique Masterclass

A student asked how I handle fussy clients. The key is to understand their preferences before you even start. I explain my method for analyzing a client's past looks to ensure they love the final result, avoiding any need for changes.

Finding the right foundation shade is a common struggle. Here, I demonstrate how to test multiple shades like NARS Valencia and Charlotte Tilbury on different skin tones to find the perfect match, whether the client wants a natural or a tone-up look.

Stop applying orange corrector everywhere. It's not always necessary and can lead to cakey makeup. I explain when to use a neutral concealer versus an orange one to cover darkness without adding extra, heavy layers.

Many setting sprays you see online are alcohol-based and will dry out your skin in winter. I explain which sprays to avoid and recommend hydrating alternatives like MAC Fix+ and Moira's setting spray for a flawless, non-patchy base.

Here is the secret to a perfect cut crease that doesn't smudge or disappear. I show my technique of mapping out the crease line with the eye open to ensure the shape holds and looks sharp.

Different brushes are needed for different parts of the eye. I explain why a flat, thin brush is best for the outer crease, while a pointed brush gives you precision for the inner corner, giving you complete control over your eye makeup.

Your eyeshadow will look patchy if you don't blend correctly. I demonstrate the overlapping technique, where each new color is applied half on the previous shade and half on the skin, to create a seamless gradient.

When choosing a shimmer eyeshadow, it must be lighter than the dark shade in your outer corner. This creates depth and dimension. I show how to select the right shimmer to make the eyes pop.

If your false lashes are drooping or covering the eyeball, you are applying them wrong. I show my technique of lifting and holding the lash in place after application to ensure it curves upwards and merges perfectly with the real lashes.