Behind the Scenes at Our Noida Art Studio

You will not find sterile, perfectly staged setups here. On any given Saturday, our studio tables are covered in charcoal dust, drying clay, and open paint tubes. It means I keep our batches small—usually 8 to 15 people—so I can actually come around, look at what you are working on, and give you specific feedback while the paint is still wet.

When you walk into my studio, the first thing you notice is the energy. It is not an art gallery where you walk in, admire, and leave. It is a workspace. I intentionally limit our group sizes because art is a dialogue, not a lecture. Whether we are hosting a Lippan art workshop or prepping a student for NID entrance exams, the table layout is designed to let me move between students easily to offer guidance.

You will see evidence of our process everywhere. We use student-grade acrylics for practice, but for our specialized masterclasses like cyanotype or printmaking, we bring in high-grade chemicals and 300 GSM watercolor paper. We focus on the 'how' and the 'why.' If you are working on a piece, I will likely stop by to help you fix a brushstroke or adjust your perspective. It is about understanding the chemistry of the medium or the geometry of the design.

We are a small team, and sometimes we get busy juggling teaching assignments, but this space remains our core. If you are looking to disconnect from the screen and actually build something with your hands, come by. Just remember to book ahead since we do not take walk-ins. We keep it real, slightly messy, and always focused on your growth.