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The Tigers of India: Wildlife Photography Expeditions

byYashpal RathoreGuided tours across 5 wildlife destinations globallyStarts from58,000 Per Person (Twin Sharing)View full gallery

Join my photography-focused expeditions through Bandhavgarh and Ranthambore. We prioritize small group sizes, optimal lighting, and responsible wildlife observation.

The Queen of Ranthambore, a tigress known as Arrowhead, on her territorial patrol. Capturing a direct, eye-level walk like this requires anticipation and positioning, resulting in a powerful and engaging portrait.

This is Kajri, a beautiful tigress named for her mesmerizing, kohl-lined eyes. Getting low to the ground for a portrait like this creates an intimate connection with the subject.

A young male tiger rests in the soft light of the forest undergrowth. The blurred green background helps the subject stand out, creating a classic and pleasing wildlife portrait.

A tigress walks confidently down a jungle path, with a line of safari jeeps in the background. This image shows the immense draw of these magnificent animals and the responsible way we observe them on tour.

Riddhi and Siddhi, the cubs of the famous tigress Arrowhead, resting in the shade of a rocky outcrop. Photographing young animals offers a chance to capture playful and curious behavior.

A tiger wading through a water body to cool off during the hot Indian summer. Understanding that tigers love water helps us anticipate their movements and be in the right place for shots like this.

A young tiger playfully leaps and splashes in the water. Action sequences like this are a thrilling experience and a fantastic photographic opportunity that we are always prepared for.

A Greater One-horned Rhino is silhouetted against the golden glow of a sunset in Kaziranga National Park, Assam. My Indian tours also focus on the other incredible wildlife that shares the tiger's habitat.

About The Tigers of India

I limit my groups to three or four photographers per vehicle, which completely changes the experience. Instead of fighting for the middle seat or worrying about someone else's lens, you get the space to actually maneuver for that perfect backlight or low-angle shot. I work exclusively with drivers who understand why we cut the engine for sound and how to position the Gypsy for the best light, so you spend your safari shooting rather than adjusting for bad angles.

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