Nocturnal Wildlife Photography and Camera Trap Portraits
I build my own DSLR camera traps to document the forest after dark. These images reveal the lives of elusive black panthers, sloth bears, and leopards when the jungle is finally left to itself.
The 'Ghost of the Forest', a black panther, captured by my camera trap against a dramatic twilight sky. These elusive animals mostly appear after dark, and getting a clean shot with ambient light is the ultimate challenge.
Another frame of the black panther from the same camera trap sequence. The deep purple and red hues of the sunset create an incredible, moody backdrop for this rare animal.
A wide-angle camera trap view of the black panther, showing its movement through the rocky, forested terrain. This perspective provides context about the animal's habitat.
A sloth bear mother with two cubs riding piggyback, a behavior unique to this species. This incredibly endearing moment was captured at night using a carefully placed DSLR camera trap.
A sloth bear forages on a full moon night. Successful camera trapping requires everything to fall into place: the equipment must work, the animal must ignore it, and larger animals like elephants must not destroy it.
A leopard patrols a lakeshore at sunset, captured by a camera trap. The beautiful colors in the sky and the water create a stunning environment for this elusive cat.
A wider view from the same camera trap setup, showing the leopard in its beautiful backwater habitat. This demonstrates how I use wide lenses to tell a more complete story.
About this collection
Camera trapping is as much about engineering as it is about biology. My gear has to withstand curious elephants, extreme humidity, and the total unpredictability of the wild for days on end, often yielding thousands of blank files before the right subject finally triggers the shutter.
Successful nocturnal photography is rarely about luck. It starts with identifying a game trail, calculating the angle of the sun at the 'Golden Hour' or twilight, and ensuring the housing is protected from the elements. I use DSLR setups because they offer the image quality required for fine art prints, far surpassing the grainy results of standard trail cams.
The Engineering Challenge
My background as an electrical engineer comes into play here. I build custom housings and trigger systems to ensure that when a subject like a sloth bear or a leopard passes by, the camera fires instantly. The biggest challenge isn't just the photography—it is keeping the system running. Elephants, in particular, have a habit of dismantling equipment, so finding a balance between placement and durability is a constant experiment.
Beyond the Shutter
I am not just looking for a clear shot. I want the context of the animal's environment. Whether it is a tigress walking under the natural stone arch in Bandhavgarh or a black panther crossing a forest stream at dusk, the goal is to show the 'Ghost of the forest' as it truly lives. These images often become tools for conservation awareness, helping locals and enthusiasts understand the fragile biodiversity of our Indian national parks.
Yashpal Rathore
I am Yashpal, an engineer who traded the office for the forest. When I am not guiding expeditions, I am likely out there setting up custom traps to catch the 'Ghost of the forest'—the elusive black panther or a mother sloth bear with her cubs.
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