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Multidisciplinary Bharatanatyam & Cultural Fusion Performances

byTanya SaxenaTakes projects across Delhi NCR and pan-IndiaStarts from45,000 per piece (5-7 mins)View full gallery

My dance is a dialogue between worlds. From Rabindranath Tagore’s poetry to Western classical flute, I create performances that blend the structure of Bharatanatyam with unexpected narratives.

A moment from my collaboration with a Western flautist, where we explored Debussy's 'Afternoon of a Faun'. I drew inspiration from the legendary dancer Vaslav Nijinsky's revolutionary ballet to create a fusion of Bharatanatyam and Western modern dance concepts.

Another still from the Indo-French project, showing the dynamic between the musician and the dancer. My goal in such collaborations is to find a shared language that transcends cultural and artistic boundaries.

This is an excerpt from 'Yami', a dance theatre production where I interpreted the character of Nora from Ibsen's 'A Doll's House'. It's an example of how I use Bharatanatyam to explore characters and themes from Western literature.

A performance from 'Sonar Bangla', a production celebrating the cultural landscape of Bengal. Here, we interpret the region's famous boatman songs, or 'Bhatiyali', through the vocabulary of Bharatanatyam.

From practice to performance, this video shows the evolution of a piece from 'Sonar Bangla'. It highlights the process of adapting the fluid, earthy feel of Bengali folk traditions into the structured form of classical dance.

A studio shot from a production dedicated to Rabindranath Tagore. Collaborating with other artists to interpret his 'Gitabitan' was a deep dive into the seamlessness of his words and music.

Another moment from our Tagore rehearsals. These collaborations are built on hours of research, discussion, and practice, resulting in a deep artistic friendship and a richer final performance.

A duet from 'Sonar Bangla', capturing the spirit of the rivers Ganga and Brahmaputra that shape Bengal. The costuming and choreography are designed to evoke the specific cultural aesthetics of the region.

An ensemble moment from 'Sonar Bangla'. Choreographing for a group to tell a culturally specific story requires careful attention to detail, from the narrative arc to the synchronized movements.

A solo moment from 'Sonar Bangla', where I embody the spirit of the river. This production was a beautiful adventure in blending my classical training with the rich poetic and musical traditions of Bengal.

About Cultural Fusions & Collaborations

Fusion is rarely about simply mixing two styles together, as that often ends up feeling shallow. My approach is rooted in months of research—whether I am interpreting Nora from Ibsen’s 'A Doll's House' or exploring the boatman songs of Bengal. I spend hours analyzing the music and literature to ensure the movement has an internal logic. When we collaborate, we start by defining the story we want to tell, so the performance feels like a living, breathing conversation rather than a rehearsed routine.

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