Tribe Verified

Solo Bharatanatyam Recitals: Traditional Margam & Thematic Performances

byTanya SaxenaPerforms across Delhi NCR and travels pan-IndiaStarts from28,000 Per Performance (up to 30 mins)View full gallery

Rooted in the traditional Bharatanatyam Margam, my solo recitals explore the nuances of rhythm and expressive storytelling. From intricate Jathiswaram to emotive Abhinaya, these performances are crafted for intimate gatherings and large-scale cultural festivals alike.

This photo captures a specific moment from the second jathi of a Reeti Gowlai varnam. A solo recital is a deep dive into the intricate rhythms and expressive storytelling of the traditional Bharatanatyam repertoire.

A photograph capturing the dynamic energy of a pure dance or 'nritta' sequence. The fan of the saree pleats is a classic visual element of a Bharatanatyam solo performance.

A short clip from my solo performance at the prestigious Uday Shankar Dance Festival. Presenting my own choreography on such a renowned stage was a true honor.

Performing at the India Habitat Centre for 'Soukariyam - The Aesthetic'. The traditional lamp, or 'diya', is an integral part of the stage setting, symbolizing the light of knowledge and art.

A moment of quiet introspection during my solo performance 'Pehchaan'. For me, dance is not just about movement; it is a sense of purpose and a way to explore the inseparable link between art and identity.

This image from 'Pehchaan' captures a moment of offering. The performance was an exploration of my identity as a dancer, grappling with the persona I present on stage.

A moment of devotion from a solo recital. The essence of Bharatanatyam lies in its ability to convey profound emotions and stories through subtle gestures and expressions.

Performing a traditional Varnam at the Delhi International Arts Festival. The live orchestra on stage, including vocals and mridangam, is essential for creating an immersive experience.

A photo from a very special performance, radiating the joy of being on stage. This was for my first solo recital with the ICCR under their Horizon Series.

A candid moment captured just before going on stage. I am one of those dancers who constantly revises choreography in my head, even if I have performed it a thousand times.

About Solo Recitals: The Classical Repertoire

For my solo recitals, technical preparation is non-negotiable. Whether you opt for a high-fidelity recorded Carnatic set or a four-piece live ensemble, I require a 45-minute sound check. This ensures that the Nattuvangam, Mridangam, and Violin frequencies are perfectly balanced before the audience settles in, keeping the focus entirely on the nuances of the Abhinaya.

Similar work from other experts

Browse through Curated picks from other experts on mytribe