Signature Jackets & Couture Outerwear
My process is about organizing chaos. I take structure and deconstruct it, using velvet, leather, and complex embroidery to build pieces that are not just worn, they are experienced. Whether for a red carpet or a landmark celebration, these jackets are designed to shift the vibe of the room.
Mihir Ahuja in my grey velvet coat, a piece defined by its intricate hand embroidery. This back view shows the detailed craftsmanship that covers the shoulders and sleeves, creating a wearable work of art.
Here, the grey velvet coat is styled for a red carpet event. The plush velvet and detailed embroidery make it a statement piece that exudes luxury and sophistication.
Mihir Ahuja at an event, where the coat's texture and sheen are captured beautifully. It's a piece designed to stand out in any crowd.
Vinay Mishra at Bombay Times Fashion Week in the same grey velvet coat. This look shows its versatility, styled here for a fashion-forward event with an all-black base to let the embroidery shine.
A different angle of Vinay Mishra, highlighting the striped pattern within the embroidery. The design is inspired by architectural lines and traditional motifs, fused into a modern statement.
This red carpet shot shows how the grey velvet coat catches the light, emphasizing the rich texture of the fabric and the intricacy of the hand-stitched details.
Mohit Hiranandani wears the grey velvet coat in a more artistic, moody setting. The high-angle shot gives a unique perspective on the jacket's structure and detailed embroidery.
A full-length view of Mohit Hiranandani, showcasing how the embroidered velvet coat can be styled to create a powerful, fashion-forward silhouette.
Gurfateh Pirzada in my black textured velvet coat. This look is all about creating a dark, romantic mood, with the rich velvet and satin lapels adding depth and luxury.
Another shot of the black velvet coat, this time showing the full silhouette with the added detail of a waistcoat chain. It’s a modern take on classic evening glamour.
About Signature Jackets & Couture Outerwear
A great jacket does not just sit on your shoulders, it commands the space around you. When I build these pieces, I work with a 30-point measurement profile, not just standard sizes. From that first raw fitting where we pin the canvas to your exact frame, to the final touch where I incorporate metal studs or hand-done zardozi, the garment is engineered to hold its structure while moving with you.
The Anatomy of a Statement Piece
My approach to outerwear is rooted in the contrast between traditional Indian embroidery and modern, architectural silhouettes. When I design a jacket, I look at it as a project of tension. I blend heavy textiles like Italian velvet and leather with delicate elements like silk thread and industrial metal hardware. This friction between the soft and the sharp is what creates the visual depth you see in the pieces worn by Vikrant Massey and Vijender Singh.
The Construction Process
True luxury in menswear comes from precision. Every jacket goes through a rigorous development phase:
- The Blueprint: We begin with a 30-point measurement check to identify how your body moves. This defines the silhouette, whether we are going for an oversized avant-garde look or a sharp, fitted blazer.
- The Raw Fitting: Before a single stitch of final embroidery is done, we have a fitting to check the fall of the fabric. This ensures the canvas construction sits correctly on your chest and shoulders.
- The Details: From reinforced pockets to internal sweat shields and abstract printed linings, the internal structure is just as important as the external visual.
Practical Details
For most signature jackets, I require a lead time of 15-20 days to manage the hand-embroidery schedule and the mandatory two fittings. If you are preparing for a specific event, let me know the vibe you are aiming for—whether it is the dark, romantic mood of a black velvet coat or the regal, traditional aesthetic of a Jawahar jacket. My studio in Defence Colony is where these ideas take physical form, and I am always open to discussing how we can mix textures to suit your personal style.
Saggar Mehra
I’m Saggar. I do not see clothes as just items to wear; they are canvases where art meets design. My studio in Defence Colony is where I deconstruct the traditional suit and build it back up into something that feels like armor, but with a pulse. If you are looking to break the usual rules of formal wear, let’s talk.
Finding the right silhouette
Explore other categories of my work or search for specific designs.
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