Bharatanatyam Performances
Available across India
I perform solo and group Bharatanatyam shows in the Kalakshetra style, mixing tradition with digital art and new themes, and I explain the stories so everyone can follow along.
Pricing Guide
Solo Classical Recital
Performance Scope
- Artist: Solo performance by Sangeet Natak Akademi Awardee Jayalakshmi Eshwar.
- Duration: 60 to 90 minutes.
- Format: Traditional Margam repertoire including Pushpanjali, Varnam, and Padams.
- Orchestra: Includes a 4-piece live ensemble (Vocalist, Mridangam, Violin/Flute, and Nattuvangam).
Presentation
- Lecture-Demo: Artist provides introductions in English/Hindi to explain mythology and Mudras.
- Costume: Authentic Kanjeevaram silk costumes in Kalakshetra style.
- Sound Check: Team arrives 60 minutes prior for balancing.
Requirements
- Stage: Wooden floor or stage with dance mats is mandatory.
- Audio: 4 to 5 microphones on stands and 2 stage monitors.
Thematic Troupe Production
Production Details
- Troupe: 6 to 8 Senior Disciples of the Abhinayaa troupe.
- Direction: Choreographed and conducted by Acharya Jayalakshmi Eshwar.
- Themes: Options include Mix and Match (Textiles tribute), Akhandalaya (Rhythm), or Nadopasana.
- Music: Full live orchestra included for theatrical impact.
Visuals
- Props: Includes thematic props like large fabric drapes or lamps.
- Costumes: Color-coordinated professional costumes matching the chosen theme.
Logistics
- Team Size: Traveling party of approximately 12 to 14 people.
- Facilities: Requires 2 separate large green rooms with mirrors and lighting.
Multimedia Tech-Fusion Showcase
Show Concept
- Content: High-impact productions blending dance with Sci-Fi or AI themes (e.g., Antariksha Sanchar).
- Cast: Acharya Jayalakshmi Eshwar plus 4 to 6 professional dancers.
- Audio: High-fidelity pre-recorded Electro-Classical scores for perfect visual sync.
Technical Scope
- Visuals: Licensing and playback of proprietary HD Animation, VFX, or AI backdrops.
- Support: Includes one technician to manage visual cues and audio syncing.
- Rehearsal: Mandatory 2-hour technical dry run on the final stage.
Client Requirements
- Screen: Client must provide an LED Video Wall (P3 pitch or lower) or high-lumens projection.
- Lighting: Intelligent lighting rig required to complement visuals.
About Bharatanatyam Performances
What Dance Means to Me
Dance is not just movement for me, it's my way to keep old traditions alive while still playing with new ideas. Every time I step on stage, it's a little thank you to my Attai, Smt. Rukmini Devi Arundale, and all my teachers at Kalakshetra. Whether I'm dancing alone or with my group, I want you to feel the journey with me.
Solo Performances: Up Close with Bharatanatyam
When I do solo shows, it's all about the classic Kalakshetra style Bharatanatyam. You'll see tight adavus (footwork), expressive mudras (hand gestures), and abhinaya (expressions that bring the story out). I like to pause sometimes and chat about the story or what a particular movement means - makes it easier for everyone to connect, even if you’re seeing Bharatanatyam for the first time.
Group Shows: Mixing Tradition and Today
With my troupe 'Abhinayaa', we take on bigger, more thematic dance productions. My students and I love trying new things - like blending dance with digital art and even AI (yes, seriously!). We’ve done everything from a multimedia Bharatanatyam performance about Indian textiles to sci-fi dance operas and shows with a live orchestra Bharatanatyam show vibe.
Why I Dance This Way
I try to keep my art rooted but not stuck. You'll see bits of the past and flashes of the future in what we do. I want our performances to mean something - for people who grew up with Bharatanatyam, and for total newbies too.
Meet your Expert
Jayalakshmi Eshwar
10 connects in last 3 months
My Story
Namaskar! I’m Jayalakshmi Eshwar. Born in Delhi, found my soul in Kalakshetra, Chennai. My guru, Attai, Smt. Rukmini Devi Arundale, shaped everything I do – I dedicate every award to her and my parents. My dance has taken me everywhere, met so many lovely folks. My son, Avinash, adds magic with visuals to my shows. I love mixing old-school Bharatanatyam with new ideas. Away from the stage, you’ll find me chilling in Goa with my dog, just soaking it all in.
My Work
Bharatanatyam Performer, Choreographer & Teacher - I perform, choreograph, teach Bharatanatyam, and write about it. Tradition meets fresh thinking in my work.
Teaching & Workshops - I teach Bharatanatyam adavus workshops at Triveni Kala Sangam for all ages, focusing on strong basics.
Choreography & Productions - I create thematic dance productions like Nadopasana and Mix & Match, mixing stories and Indian textiles.
Interdisciplinary Collaborations - I blend tradition with tech, from modern Chhau dance to multimedia Bharatanatyam performances and AI.
Author & Educator - Written books and made a dance card game to make Indian classical dance learning fun and simple.
