Bharatanatyam Performances
Locations
TRAVELS TO
Performs across Chennai
Chennai, Tamil Nadu, India
Performs across Hyderabad
Hyderabad, Telangana, India
Performs across Bengaluru
Bengaluru, Karnataka, India
Performs across Mumbai Metropolitan Area
Mumbai Metropolitan Area, Maharashtra
Performs across Kerala
Kerala, India
I perform traditional Bharatanatyam recitals and group productions with live Carnatic music, authentic costumes, and focus on storytelling through classical pieces.
Pricing Guide
Solo Recital (Recorded Audio)
Repertoire
- Duration: 15 to 30 minutes of stage time.
- Items: 2 to 3 classical pieces including an Invocation (Pushpanjali/Alarippu), a storytelling Varnam, or a rhythmic Thillana.
- Customization: Piece selection tailored to event context (e.g., Ganesha stuti for openings).
Appearance
- Artist: Solo performance by Divya Srikanth.
- Attire: Premium Kanjeevaram Silk Saree draped in Kalakshetra or pant style.
- Ornamentation: Authentic Temple Jewellery set (Nethi Chutti, Jhumkas, Oddiyanam) and Ghungroos.
- Styling: Traditional jasmine hair plating and heavy stage makeup.
Technical Details
- Audio: High quality studio recorded soundtracks on USB.
- Sound Check: Includes a 20 minute tech run through with the venue engineer.
- Context: Brief spoken English/Hindi introduction provided before the dance.
Thematic Group Ensemble (3-4 Dancers)
Cast & Choreography
- Lead: Divya Srikanth.
- Troupe: 2 to 3 additional senior classical dancers.
- Format: 15 to 20 minutes of synchronized rhythm and geometric stage formations.
- Themes: Productions based on specific concepts like Panchopasana, Dasavatharam, or Five Elements.
Visual Aesthetics
- Uniformity: Color coordinated professional silk costumes for the entire group.
- Look: Uniform stage makeup and matching jewelry for a cohesive visual.
- Props: Usage of thematic props (lamps, pots) where applicable.
Requirements
- Space: Minimum clear stage area of 20ft x 15ft required for safe formation changes.
- Audio: Pre mixed high definition audio track.
- Facility: Large green room required for the ensemble.
Traditional Margam Recital (Live Orchestra)
Musical Ensemble
- Lead Dancer: Divya Srikanth.
- Nattuvangam: Conductor for rhythmic recitation.
- Vocals: Specialist Carnatic singer.
- Percussion: Mridangam artist.
- Melody: Violin or Flute accompaniment.
- Drone: Tanpura support.
Performance Format
- Duration: 60 to 90 minutes.
- Structure: Full Margam aesthetic from invocation and Abhinaya (storytelling) to the high energy Thillana.
- Improvisation: Live Manodharma (interplay) between the dancer and musicians.
- Engagement: Detailed explanation of mythology and lyrics provided before every piece.
Logistics
- Rehearsals: Includes costs for artist musician coordination rehearsals.
- Costume Change: Option for one costume change during intermission if required.
About Bharatanatyam Performances
Why I Dance
For me, Bharatanatyam is more than just steps and rhythm. It’s a way to connect with something bigger, to feel and share a sense of magic with everyone watching. When I’m on stage, I want you to feel that same spark - like there’s something special in the air.
What You’ll Experience
- My performances are all about rhythm, storytelling, and expression. Sometimes it’s fast and energetic, sometimes it’s all about the quiet moments that really hit home.
- I love bringing out the stories of Lord Rama, Ganesha, and Shiva through Bharatanatyam storytelling through dance. The emotions, the drama, the little details - that’s what I focus on.
- I usually dance with a live Carnatic music accompaniment. The sound of the mridangam, violin, and flute just lifts the whole vibe.
Solo & Group Performances
- In solo recitals, I go deep into the traditional Bharatanatyam recital format, performing pieces like Varnam and Padam.
- With my dance family, we create group Bharatanatyam stage productions. Sometimes I’m dancing, sometimes I’m on nattuvangam, keeping the rhythm for my Guru and friends.
The Details Matter
- I always perform in silk costumes with temple jewelry and ghungroos. The look and sound are as important as the dance itself.
- Every show is about creating a real, authentic experience - not just for me, but for you too.
Meet your Expert
Divya Srikanth
12 connects in last 3 months
My Story
Started dancing Bharatanatyam when I was 7, thanks to my Guru, Smt. Revathi Srinivasraghavan. Nrityaranjani, my dance home, is like my second family - rituals, celebrations, prasadam, all of it. Dance just follows me everywhere. Hampi, Varanasi, even my own wedding - somehow, I end up dancing! Made my husband dance too, poor guy. From student to teacher now, it’s all about devotion, discipline, and a bit of madness. Grateful for every step.
My Work
Bharatanatyam performances and workshops - I offer solo recitals, group productions, and workshops in Bharatanatyam.
Teaching with Guru-Shishya parampara - I pass on what my Guru taught me, keeping the traditional Guru-Shishya parampara alive.
Focus on stillness and emotion - Not just speed - I teach how stillness and slow movement can be powerful in storytelling.
Nattuvangam and Jathis - I’m trained in Nattuvangam and rendering Jathis, adding depth to my teaching and performances.
