Bharatanatyam Performances
Available across India
I perform traditional Bharatanatyam recitals and group productions with live Carnatic music, authentic costumes, and focus on storytelling through classical pieces.
Pricing Guide
Solo Recital (Recorded Audio)
Repertoire
- Duration: 15 to 30 minutes of stage time.
- Items: 2 to 3 classical pieces including an Invocation (Pushpanjali/Alarippu), a storytelling Varnam, or a rhythmic Thillana.
- Customization: Piece selection tailored to event context (e.g., Ganesha stuti for openings).
Appearance
- Artist: Solo performance by Divya Srikanth.
- Attire: Premium Kanjeevaram Silk Saree draped in Kalakshetra or pant style.
- Ornamentation: Authentic Temple Jewellery set (Nethi Chutti, Jhumkas, Oddiyanam) and Ghungroos.
- Styling: Traditional jasmine hair plating and heavy stage makeup.
Technical Details
- Audio: High quality studio recorded soundtracks on USB.
- Sound Check: Includes a 20 minute tech run through with the venue engineer.
- Context: Brief spoken English/Hindi introduction provided before the dance.
Thematic Group Ensemble (3-4 Dancers)
Cast & Choreography
- Lead: Divya Srikanth.
- Troupe: 2 to 3 additional senior classical dancers.
- Format: 15 to 20 minutes of synchronized rhythm and geometric stage formations.
- Themes: Productions based on specific concepts like Panchopasana, Dasavatharam, or Five Elements.
Visual Aesthetics
- Uniformity: Color coordinated professional silk costumes for the entire group.
- Look: Uniform stage makeup and matching jewelry for a cohesive visual.
- Props: Usage of thematic props (lamps, pots) where applicable.
Requirements
- Space: Minimum clear stage area of 20ft x 15ft required for safe formation changes.
- Audio: Pre mixed high definition audio track.
- Facility: Large green room required for the ensemble.
Traditional Margam Recital (Live Orchestra)
Musical Ensemble
- Lead Dancer: Divya Srikanth.
- Nattuvangam: Conductor for rhythmic recitation.
- Vocals: Specialist Carnatic singer.
- Percussion: Mridangam artist.
- Melody: Violin or Flute accompaniment.
- Drone: Tanpura support.
Performance Format
- Duration: 60 to 90 minutes.
- Structure: Full Margam aesthetic from invocation and Abhinaya (storytelling) to the high energy Thillana.
- Improvisation: Live Manodharma (interplay) between the dancer and musicians.
- Engagement: Detailed explanation of mythology and lyrics provided before every piece.
Logistics
- Rehearsals: Includes costs for artist musician coordination rehearsals.
- Costume Change: Option for one costume change during intermission if required.
About Bharatanatyam Performances
Why I Dance
For me, Bharatanatyam is more than just steps and rhythm. It’s a way to connect with something bigger, to feel and share a sense of magic with everyone watching. When I’m on stage, I want you to feel that same spark - like there’s something special in the air.
What You’ll Experience
- My performances are all about rhythm, storytelling, and expression. Sometimes it’s fast and energetic, sometimes it’s all about the quiet moments that really hit home.
- I love bringing out the stories of Lord Rama, Ganesha, and Shiva through Bharatanatyam storytelling through dance. The emotions, the drama, the little details - that’s what I focus on.
- I usually dance with a live Carnatic music accompaniment. The sound of the mridangam, violin, and flute just lifts the whole vibe.
Solo & Group Performances
- In solo recitals, I go deep into the traditional Bharatanatyam recital format, performing pieces like Varnam and Padam.
- With my dance family, we create group Bharatanatyam stage productions. Sometimes I’m dancing, sometimes I’m on nattuvangam, keeping the rhythm for my Guru and friends.
The Details Matter
- I always perform in silk costumes with temple jewelry and ghungroos. The look and sound are as important as the dance itself.
- Every show is about creating a real, authentic experience - not just for me, but for you too.
Meet your Expert
Divya Srikanth
12 connects in last 3 months
My Story
Started dancing Bharatanatyam when I was 7, thanks to my Guru, Smt. Revathi Srinivasraghavan. Nrityaranjani, my dance home, is like my second family - rituals, celebrations, prasadam, all of it. Dance just follows me everywhere. Hampi, Varanasi, even my own wedding - somehow, I end up dancing! Made my husband dance too, poor guy. From student to teacher now, it’s all about devotion, discipline, and a bit of madness. Grateful for every step.
My Work
Bharatanatyam performances and workshops - I offer solo recitals, group productions, and workshops in Bharatanatyam.
Teaching with Guru-Shishya parampara - I pass on what my Guru taught me, keeping the traditional Guru-Shishya parampara alive.
Focus on stillness and emotion - Not just speed - I teach how stillness and slow movement can be powerful in storytelling.
Nattuvangam and Jathis - I’m trained in Nattuvangam and rendering Jathis, adding depth to my teaching and performances.
