Bharatanatyam Performances
Available across India
Pricing Guide
Traditional Solo Margam with Live Orchestra
Performance Scope
- Format: Complete traditional repertoire starting with invocation (Pushpanjali), centerpiece (Varnam), and concluding with Thillana.
- Duration: 60 to 90 minutes of continuous performance.
- Artist: Solo performance by Dr. Ramya Suresh.
Live Musical Ensemble
- Team: Professional 4 to 5 member Carnatic troupe.
- Composition: Nattuvangam (conductor), Senior Vocalist, Mridangam (percussion), and Flute or Violin.
- Sound Check: Mandatory 45 to 60 minute technical check before the event.
Aesthetics
- Attire: Premium Kanjeevaram silk sarees with traditional draping.
- Jewelry: Full Temple Jewelry set (Kemp stones), waistbelt, and ankle bells.
- Context: Brief introductions to each piece in English or regional language.
Synchronized Duet Performance
Configuration
- Artists: Dr. Ramya Suresh performs with a senior partner artist.
- Choreography: Designed for symmetry and interaction, featuring conversational Padams and synchronized Nritta.
- Coverage: Optimized for larger stages compared to solo acts.
Orchestra & Audio
- Live Music: 5-piece ensemble (Nattuvangam, Vocal, Mridangam, Flute, Violin) supporting complex rhythmic exchanges.
- Audio: Balanced specifically for multiple sets of ankle bells (Salangai).
Visuals
- Costumes: Color-coordinated Kanjeevaram silks designed for visual cohesion.
- Repertoire: Includes dynamic pieces like Mallari and synchronized Tillanas.
Thematic Multimedia Dance Production
Concept & Narrative
- Theme: Curated storyline (e.g., Seasons, River Cauvery) rather than abstract pieces.
- Scripting: Interspersed English or Kannada narration and poetry recitations.
- Visuals: Backdrop projections or digital art illustrations to set the mood (venue permitting).
Production Elements
- Lighting: Dedicated lighting technician executing a pre-designed light script (mood lighting, spots).
- Ensemble: Standard orchestra plus special instruments like Veena or Rhythmic Pads if required.
- Props: Theatrical props relevant to the story.
Crew
- Lead: Dr. Ramya Suresh.
- Support: Dedicated narrator and technical crew for light and sound cues.
About Bharatanatyam Performances
My Connection with Bharatanatyam
Dance has always been my way of staying grounded. I’m Ramya, and juggling my work as a pathologist with my love for Bharatanatyam is just how life flows for me. The stage feels like home, and my gurus - especially my amma and Smt. Indira Kadambi - have guided me through every twist and turn. Every show, I’m learning something new. Sometimes I mess up, sometimes I surprise myself. That’s part of the magic.
What You’ll See in My Performances
I combine technical clarity with a lot of heart. Abhinaya is my jam - I want the stories I dance to hit you right in the feels. Being a doctor gives me discipline, but dance lets me break free. I carry both energies into each Margam solo performance and duet.
- Margam solo performance: Classic full-length journey, including Varnams, Javalis, and Thillanas.
- Contemporary Bharatanatyam duet: I team up for duets that play with new ideas and old philosophies.
- Thematic Bharatanatyam production: Big productions where I mix dance, poetry, mythology, and digital art. Think "Sharad" with Carnatic and Bengali vibes, "Matr̥" about motherhood, and "Karunaada Maanye", my ode to the River Cauvery in Kannada.
The Live Music Vibe
Most of my shows have a live orchestra. The sound of Nattuvangam, mridangam, violin or flute - it’s what makes the experience real. You’ll feel the energy in the room.
Why I Dance
Old stories, new feelings. Bharatanatyam keeps evolving, and so do I. If you’re a rasika (art lover), I hope you’ll find something special in my journey.
Meet your Expert
Ramya Suresh
56 connects in last 3 months
My Story
Namaskara! I'm Dr. Ramya Suresh. Some folks call me the dancing doctor. Medicine and Bharatanatyam both run deep for me—one's science, one's soul, but really, I can't imagine life without either. My guru and my Amma, Smt. Indira Kadambi, keeps me grounded, and my late Guru Bhanumati shaped my roots. Born in Punjab, so yes, I groove to Bhangra too! Dance, hospital shifts, paneer cravings—life’s full, but I love it.
My Work
Performances & Classes - I do solo, duet, and thematic Bharatanatyam shows. I teach too—beginners or advanced, online or in-person, all welcome!
Rooted in Tradition - My dance carries the style of my guru, Smt. Indira Kadambi. I perform margam repertoire and expressive abhinaya pieces.
Creative Productions - I love crafting my own thematic Bharatanatyam choreography—concept, script, emotion, all from scratch.
Favourite Moments on Stage - One day, I’m Yashoda scaring Krishna, next day, Radha lost in love. It’s all about feeling the story.