Bridal Makeup
Available across Mumbai
Priyanka Parkhe
·
1.5k
About Bridal Makeup
Bridal Makeup
I specialize in creating flawless bridal looks that enhance natural beauty and radiate elegance. My expertise includes both traditional Maharashtrian bridal styles and contemporary bridal makeup.
My Unique Approach
- Known for achieving a "skin-like butter" finish
- Blend of traditional techniques with modern aesthetics
- Expertise in cultural elements like Paithani coordination
Perfect For
Brides seeking a professional who understands both traditional Maharashtrian and contemporary bridal aesthetics, especially those who value natural-looking, long-lasting makeup that photographs beautifully.
Additional Features
- Pre-wedding consultations available
- Coordination with hairstylists for complete bridal look
- Experience with engagement and reception makeup
- Featured work in prestigious events and publications
Meet your Expert
Priyanka Parkhe
16 connects in last 3 months
My Story
Hey! I’m Priyanka, makeup artist from Mumbai, totally obsessed with brushes and that glow. Makeup’s not just work for me – it’s art, it’s magic. I’m all about real skin, natural shine, and making folks feel like their best selves, whether it’s a Sundar Navri (beautiful bride) or someone on set. Winning the #ElleGirl contest with my wild, futuristic look? Mad proud moment. Catch me on film sets or at weddings, always chasing that happy, radiant face.
My Work
Makeup for all occasions - Bridal (engagement, mehendi, sangeet, wedding, reception), celebrity shoots, editorial, high-fashion, and party glam.
Dewy, natural finish - My mantra is 'enhance, don’t conceal' - I love skin that glows and breathes.
Maharashtrian bridal looks - Marathi Mulgi here! I adore creating traditional Maharashtrian wedding makeup, nath to paithani.
Every kind of bride - No-makeup makeup, soft glam, or full glam - I make sure you’re a FlawlessBride, every event.
Travel-friendly artist - Based in Mumbai but ready to travel anywhere, brushes packed and ready for your big day.
