Cinematography for Film & Digital Media
Available across Karnataka
Pricing Guide
Music Video & Stylized Reels
Core Cinematography
- Director of Photography: Puneeth (Alemari) provides artistic direction and camera operation.
- Camera Setup: 4K recording capable Sony Mirrorless setup (Alpha/FX series) tailored for high dynamic range and low-light performance.
- Lenses: Usage of fast prime lenses (e.g., 85mm f/1.4) to achieve cinematic depth of field, bokeh background, and subject separation.
Movement & Aerials
- Stabilization: 3-Axis Gimbal operation for smooth walking shots, tracking shots of the artist, and dynamic movement.
- Drone Coverage: Standard aerial cinematography included for establishing location shots like temples or beaches (up to 3 flight sessions).
- Frame Rates: High frame-rate shooting (60fps/120fps) included for slow-motion sequences.
Lighting & Mood
- Lighting Setup: Portable LED light kit (2-3 lights) for creating moody atmospheres, silhouettes, and rim-lighting subjects during Golden Hour.
- Style: Focus on natural light manipulation, utilizing fog or mist and dramatic shadows.
Deliverables
- Footage: Delivery of Raw footage (Log profile) for advanced color grading or basic edited timeline based on agreement.
Documentary & Short Film Production
Production Cinematography
- Primary Camera Unit: Professional Cinema Line or high-end Mirrorless setup suitable for long-form recording.
- Narrative Focus: Run-and-gun style shooting capability to capture candid moments, interviews, and B-roll of local lifestyle.
- Audio Capture: On-camera shotgun mic and basic lapel microphone setup for clear dialogue and interviews.
Advanced Aerial Cinematography
- Dual Drone Capability: Usage of cinematic drones for landscapes and FPV (First Person View) drones for dynamic, fast-paced shots.
- Technical Shots: Top-down shots, orbit shots of structures, and reveal shots utilizing the environment.
Environmental Mastery
- All-Weather Shooting: Readiness to shoot in challenging conditions typical of Karnataka like mist, light rain, or dense forests.
- Location Scouting: Assistance in framing shots based on location geography (Western Ghats and Coastal Karnataka proficiency).
Crew & Support
- Crew: Includes 1 Cinematographer and 1 Assistant to manage gear and batteries during location shifts.
- Data Management: On-site backup of footage to SSDs to ensure data safety during multi-location shoots.
Commercial & TV Serial DOP
Director of Photography Role
- Lead Cinematographer: Puneeth acts as the primary visual director, coordinating lighting, framing, and camera movement.
- Crew Coordination: Includes management of light assistants and camera assistants to ensure smooth set operations.
- Communication: Usage of professional headset communication systems for coordination between camera, control room, and lighting team.
Broadcast Grade Equipment
- Camera Rig: Fully rigged Cinema Camera setup with matte box, follow focus system, and external monitors for director preview.
- Support Systems: Heavy-duty fluid head tripods for stable telephoto shots and sliders or dolly usage for controlled indoor movement.
Studio & Set Lighting
- Lighting Design: Expertise in setting up 3-point lighting for indoor sets, green screen lighting, and dramatic setups using heavy lights.
- Subject Enhancement: Specialized lighting for skin tones (beauty lighting) required for TV actors.
Production Value Add-ons
- FPV Interior Tours: Specialized FPV drone flying indoors for unique perspective shots if the script demands.
- Multi-Cam Ready: Workflow designed to integrate seamlessly with multi-camera setups typical in TV serial production.
About Cinematography for Film & Digital Media
How I See the World
I’m an alemari (wanderer) at heart. My camera and drone are my ways to chase nemdi (peace) and dig deep into jivanada hudukata (the search for life). For me, every frame is a small story - sometimes it’s a big movie, sometimes it’s a simple human smile. My aim is always to catch something raw and real, not just what's in front of the lens.
Projects I Work On
- Music Videos: I’m drawn to the soul of a song. I use natural light and the landscapes around us to create visuals that match the music’s mood. If you want drone cinematography for music videos, I’m all in.
- Short Films & Documentaries: I like being on the ground, capturing people just as they are. From fishermen on the coast to farmers in Mandya, I look for the real stuff. Natural light documentary filmmaking is my comfort zone.
- TV Serials & Movies: I’ve handled full crew madness and know the rhythm of big sets. I get the teamwork and chaos that comes with being a Director of Photography for TV serials or films.
My Style & Tools
- Drones (including FPV) for aerials and action.
- Slow motion, offbeat angles, and moody lighting for that cinematic touch.
- I’ll shoot anywhere - from the dust of Mangalore beaches to the rain in Chikkamagaluru.
Where I Work
Most of my stories begin in Namma Karnataka (Our Karnataka) - Bangalore, Mysore, Coorg, Udupi, wherever. But honestly, if a story calls, I’ll travel. Sibbeku anta idre sikke sigutte (If it’s meant to happen, it will).
Meet your Expert
Puneeth
15 connects in last 3 months
My Story
They call me Alemari. Always roaming, searching for happiness, finding it in every corner of Namma Karnataka. Hemmeya Kannadiga, proud to show off our hills, beaches, temples. Sometimes answers come with the sunset, sometimes in city noise. I travel solo, sometimes with friends. Suttaadu today manasaada kade; yaarigu tilidilla, yaava day masanada kade. My biggest joy? Partha, my nephew. Being his maava is not a job, it's my heart.
My Work
Cinematography & FPV Drone Pilot - I shoot movies, serials, weddings. FPV wedding cinematography is my thing.
Capturing Real Moments - I chase emotion, culture, love. No staged poses, just the real journey wedding video.
Taking Risks for the Shot - Drone attacked by elephant, storms... adventure drone videography is part of my job.
Years in the Game - Said bye to my old drone after 7 years. I believe in myself, new gear, new stories.