Concert & Live Music Photography
Available across Mumbai
I shoot concerts, DJ nights, and backstage moments with real colours and energy, giving you high-res photos that look and feel like the actual gig.
Pricing Guide
Single Set Performance Photography
Coverage Details
- Duration: Up to 3 hours covering setup, soundcheck, and the main performance set.
- Focus: Strictly focused on the performing artist and immediate stage area.
- Location: Valid for clubs and gig venues within Mumbai city limits.
Image Specifications
- Quantity: 25 to 40 fully edited high-resolution images.
- Style: Moody, high-contrast aesthetic preserving authentic skin textures and club atmosphere.
- Composition: Mix of close-up hero shots and wide silhouettes utilizing stage lighting.
Delivery & Formats
- Speed: 5-10 preview shots delivered within 24 hours for immediate posting.
- Final Set: Full digital gallery delivered via cloud link within 3-4 days.
- Files: Optimized JPEGs provided in 4:5 ratio for social media and high-res for print.
Full Night Event Coverage + Social Reel
Comprehensive Scope
- Duration: 4 to 6 hours capturing the full event lifecycle from warm-up acts to post-show cool down.
- Coverage: Includes headliners, crowd energy, venue branding, and backstage candid moments.
- Access: Fly-on-the-wall documentation of green room preparation and interaction.
Visual Content
- Photography: 70 to 100 high-resolution edited images featuring vibrant color and gritty black & white styles.
- Video: One professionally edited 15-30 second vertical reel set to trending audio or artist track.
- Lighting: Utilization of off-camera flash to illuminate crowd shots while maintaining venue vibe.
Premium Deliverables
- Instant Updates: 3-5 key shots transferred immediately after the set for live updates.
- Timeline: Full gallery delivery within 3-5 days.
- Rights: Includes usage rights for social media promotion, flyers, and press kits.
About Concert & Live Music Photography
Why I Shoot Gigs
For me, concert photos should hit you with the same energy as the music. I’m not just there to show what happened, but to make you feel the chaos, the sweat, the crowd. Photos lene ki sensation (the thrill of taking photos) is what I chase every time I’m in the pit.
How I Work in the Madness
Live shows are wild - lights keep changing, artists never stand still. I don’t follow a formula. I use whatever the stage throws at me, whether it’s dramatic silhouettes from stage lighting or a quick flash to catch that one epic jump. My camera settings are always shifting to freeze those high-energy concert shots, and honestly, no two gigs ever look the same.
What I Shoot
- Concerts, from tiny indie gigs to big stage shows
- DJ night event photography, especially in clubs with crazy lights
- Candid backstage moments, not just the on-stage stuff
The Final Photos
I keep my edits real. No plastic skin, no fake vibes. You’ll get a mix of punchy colours and classic black & whites, all high-res and ready for your socials or promos. If you want photos that actually feel like the night, not just show it, I’m your guy.
Meet your Expert
Aakash
41 connects in last 3 months
My Story
Hey, I’m Aakash. I shoot hoomans, not mannequins. I hate those stiff, plastic photos – feels fake, na? I’m all about catching the real vibe, whether it’s outdoors with Bombay beach light or just chilling on the street. Sometimes I go dramatic in a dark room, single flash, movie-style. Lately, I’ve been showing folks how I work, helping other photographers skip the awkward posing and over-editing trap. It’s all about the mood, not just the click.
My Work
Fashion, Portraits & Events - I shoot fashion, model portfolios, editorial, cinematic portraits, pre-wedding, couple, and concerts.
Story Over Pose - We build a story together. I’ll guide you so you never feel stiff or awkward.
Natural Light & Cinematic Mood - I love natural light, but I also play with flash and single-light for cinematic portrait shoot.
Minimal Photo Editing - I edit in Photoshop, but only to enhance the vibe. No plastic skin, just real and raw.
