--- title: "Solo Bharatanatyam Recitals in Bengaluru by Navyashree" description: "Experience traditional Margam and thematic Bharatanatyam solo recitals performed with live Carnatic music. Book Navyashree for classical dance events in Bengaluru." canonical: https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/on-the-stage-solo-recitals last_updated: 2025-09-08 --- # Solo Bharatanatyam Recitals and Classical Performances Tribe Verified · Trained in the Chithkala School tradition By [Navyashree K N](https://mytribe.in/navya_shree_k_n) · Classes at Naagarabhaavi studio · ₹1,600 per month (estimate) Part of [Bharatanatyam Training & Mentorship](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship). [View full gallery](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/gallery) Bharatanatyam is a spiritual offering, a journey into the divine. I invite you to experience the traditional Margam and thematic storytelling, performed with live Carnatic music. ## Photos and videos - ![A moment of stillness in the Aramandi posture, the foundational half-sitting pose in Bharatanatyam. This posture is central to building the strength and grace required for the art form, and is a key focus for beginners in my classes.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2844876a-fb60-4c5c-a52f-3eb73d019ca5) - ![The fan-like spread of the costume in this pose is not just for aesthetics; it accentuates the geometry and lines of the body. This is from a performance where every detail was guided by my Guru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5439311b-ceb4-4d9a-9ca4-17153ce340bc) - ![A dynamic pose from a performance at Aikyam 2024. The beauty of Bharatanatyam lies in its ability to be simultaneously strong and graceful, a balance we constantly strive for in our practice.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/89c549ce-7997-419b-b08c-052d6815ecac) - [Video: This clip showcases a segment of a solo Bharatanatyam recital. You can see the combination of pure dance sequences and expressive movements that tell a story, a hallmark of the traditional Margam format.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/283584b0-1cac-4de3-b874-335a52ed10b7) - ![A pose from my thematic recital 'Venkatesha Shreesha'. The entire performance was a narrative journey, using the language of dance to express the glory of the Lord of Tirumala.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/37ef96d5-b920-40e3-9efa-39489bb66cb6) - [Video: An excerpt from 'Venkatesha Shreesha', where the lyrics sing of finding fulfillment by seeing the divine form of the Lord. This piece combines intricate footwork with devotional expression.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bedf5539-fd2f-44f0-b842-7f1be824e05b) - ![Two distinct moments from a performance at Aikyam 2024, showing the versatility of movement within a single piece. Each pose and gesture is carefully crafted to align with the music and narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/53485bba-a590-4dd4-aa04-68db70de77fb) - ![This is a physically demanding pose that requires immense flexibility and balance, a result of years of dedicated practice. It is from my performance at Antaranga 2024.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/06af183a-ec3b-45aa-8f40-081ea5b4a30c) - ![Another view of a challenging posture from the Antaranga 2024 performance. Such movements are part of the advanced vocabulary of Bharatanatyam that students can aspire to master over time.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e2ac0cd3-7159-408d-90d4-d53502302640) - ![A moment from the 'Kanasu' festival, where I performed a piece celebrating the joy of dance. The vibrant costume and expressive mudra convey a feeling of blissful offering.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9e438b8a-5838-4bcf-a420-6ee6ca562473) - ![This pose from my performance at the 'Kanasu' festival showcases both flexibility and control. It is through rigorous training in the guru-shishya tradition that we develop the ability to execute such movements with ease.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/eb36ada3-f811-4b12-8605-b37873b44eb2) - [Video: An excerpt from the Varnam 'Nathanai Azhaithu Vaa Sakhiye'. The Varnam is the centerpiece of a Margam, testing a dancer's command over both pure dance (Nritta) and expression (Abhinaya).](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5b33afbf-8e75-4679-b888-c71481464d20) - [Video: This clip is from an Ashtapadi, depicting the longing of Radha for Krishna. Jayadeva's poetry offers immense scope for Abhinaya, allowing a dancer to explore deep emotional landscapes.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/84c9ffac-b6f3-4fe0-990f-5b80471116bc) - [Video: This is an excerpt from the Alarippu, the invocatory piece in a Bharatanatyam recital. It symbolizes the blossoming of the dancer and is one of the first pieces taught to students.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8b946c18-7aa6-4e24-b04e-719ce918335b) - [Video: Performing the Lalitha Sahasranama Dhyana Shloka, an invocation to the Goddess. This piece, set to Raaga Amrithavarshini, is a prayerful beginning to a performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c3ca0a27-42e0-42cb-808f-ff7d62286d00) - [Video: A favorite Korvai (rhythmic sequence) from a Thillana in Valachi raga. The Thillana is a joyous and fast-paced concluding piece in a recital, filled with complex rhythms and dynamic movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9eca3f5b-8f21-4e83-88ba-412a62bac479) - [Video: An excerpt from the Kamboji Varnam, a piece very special to me. My Guru Praveen Kumar's choreography beautifully enhances the composition, making it a joy to perform.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0fbae8bb-c2c7-4c97-a2e0-27a9f8648849) - ![A dynamic pose captured during a performance in Chennai. The outstretched leg and defined posture are characteristic of the precise geometry we train for in Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d7289430-48a0-4da4-9e4d-ee23355efc48) - ![A collage of expressions from a single performance. This shows how a dancer must embody different emotions, from devotion and longing to joy and wonder, to tell a complete story.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bc71dbd2-8e94-4160-8e87-455bd3eb6448) - ![This collage captures the varied hand gestures, or 'hastas', used in storytelling. Each mudra has a specific meaning, and learning this language is a fundamental part of Bharatanatyam training.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c314f4ef-54e6-4824-b338-4c04ca8bbe74) - ![A series of seated expressions, or 'sanchari bhavas', used to elaborate on a story. Even while seated, the dancer's entire being is engaged in conveying the narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/de30d1ba-f749-4ae0-884f-c03c4a2f05f2) - ![A close-up showing the use of a specific hasta, or hand gesture, to convey meaning. This gesture, combined with my expression, depicts the act of smelling a flower, a detail in the story of 'Venkatesha Shreesha'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/03403d81-403a-49ce-bdf1-80ca9326aff6) - ![A moment of grace during a solo recital. The gentle smile and open hand gestures convey a sense of offering and devotion to the divine, which is the core of my dance philosophy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/14ee5d61-dba5-47ea-b013-80cdd24f3ddf) - ![A full-stage view of a dynamic pose. The contrast with the dark background highlights the dancer's form and the vibrant colors of the traditional silk costume.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/24c3c71b-83e2-4d63-b906-d3c8c0a44b44) - ![A gentle, expressive moment captured during a performance. My goal is to connect with the audience by conveying the authentic emotions of the characters and stories I portray.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/24d16fb7-5345-4054-aafa-6135b57d55a8) - ![A close-up from 'Venkatesha Shreesha', capturing a moment of intense emotion and physical exertion. A performance is a physically and emotionally demanding sadhana.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/25aa5a1e-363c-4d06-897c-e0c7ec758d02) - ![Here, I am using a mudra to depict the third eye of Lord Shiva. Understanding the meaning behind each gesture is crucial for both the dancer and the student.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/35e077f3-0dea-4f2f-a343-aa824e40abf4) - ![A seated pose from 'Venkatesha Shreesha', showing a moment of quiet contemplation and prayer. Not all of dance is about dynamic movement; stillness can be just as powerful.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3de237bb-7d16-4322-a3ca-07be72f1e7e1) - ![Performing 'Shivaantaram', a piece dedicated to Lord Shiva. The pose reflects the divine energy and cosmic rhythm associated with the deity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/49af3c58-8b9b-44ba-bb60-6f4049058b19) - ![This image captures the grace and poise that is central to the Bharatanatyam aesthetic. Every performance is an opportunity to live the art form, with the blessings of my Guru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/56157cf3-afcf-4593-9d1e-fdbf8f1b9654) - ![An expressive moment from my solo recital. The eyes and hands work in perfect harmony to communicate the story to the audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5d19e7a1-87d6-4c62-9838-684e7bdbef1d) - ![A pose of offering, with hands held in Anjali mudra above the head. This gesture of reverence is fundamental to the devotional path of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62731ab0-bde4-4781-a214-6d47ec6b0528) - ![A close-up capturing a subtle expression of humility and devotion. It is in these small, internalised moments that the true spirit of the dance is found.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62772830-5d6b-46b9-8b01-b7977de4f166) - ![A moment of prayerful offering. The connection between the dancer and the divine is the central theme of many Bharatanatyam performances.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/684ff06f-75f6-4672-a5a8-d7db80289098) - ![A seated pose, showing the beautiful details of the traditional temple jewelry and silk costume, which are integral parts of a Bharatanatyam performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7658b2fb-54bd-4ea9-a824-40b3240fc303) - ![Performing at the Ninada Nruthyotsava. The hand gesture here, Katakamukha, is one of the most versatile hastas, used to depict holding flowers, playing an instrument, or speaking.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7e5450ca-2851-4ecf-925c-f4018799c4a1) - ![A close-up on expression during the 'Venkatesha Shreesha' recital. The eyes are trained to be highly expressive, conveying a wide range of emotions, or 'rasas'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/885253de-d1d4-4bc9-abb0-948846711145) - ![A gentle pose conveying a sense of peace and contentment. This is from a piece where I explored the softer, more lyrical aspects of the dance form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8b414750-bb53-4698-8a91-3308b13b1448) - ![This is a classic Bharatanatyam pose, showcasing the angularity and symmetry that defines the Nritta aspect of the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8debac38-5d90-4163-aa3a-bfd76fb3fb47) - ![A moment from my performance at the 'Kanasu' festival. The expression and gesture here depict a question, as the character in the story interacts with the divine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9518647b-afa7-4841-808e-d1aee1fc5323) - ![This photo captures a moment of quiet grace. As a teacher, I emphasize that the journey in dance is not just about learning steps, but about embodying the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b1b4a511-9d23-4a57-8752-1fe1bb029533) - ![An intimate moment of prayer during a performance. The connection to the divine is what gives Bharatanatyam its spiritual depth.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b498b2f5-4964-4b40-abba-02deec5c2531) - ![The hand gesture here, combined with the facial expression, conveys a specific part of the story. Learning this vocabulary of mudras is like learning a new language.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b5866de8-cd3b-4c3c-afe6-b5cc66fb232f) - ![A close-up capturing a dynamic expression. The ability to shift between different emotions is a key skill for a dancer, developed through dedicated practice of Abhinaya.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bb98f79f-1460-48c9-b902-c28a5326cc0e) - ![The full Aramandi pose, showcasing the symmetrical lines of the body and the vibrant costume. This is a foundational element of Bharatanatyam training.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d87f1a78-1fa2-4562-9a69-51f41c8a0001) - ![A close-up capturing a moment of introspection and devotion. It is in these quiet moments on stage that I feel most connected to my art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/df1024ee-4760-49f1-a3a6-da4a053cf1ba) - ![A graceful pose showing the elegance of the traditional costume and jewelry. Every element of the presentation is carefully considered to create a complete aesthetic experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e6670712-5f0c-4b5f-a1c1-17b8949674c0) - ![A powerful pose from 'Venkatesha Shreesha', depicting a moment of awe and reverence. The dancer's body becomes a conduit for the story and its emotions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e69f48b3-05f4-4c6f-a9fa-a6e40f91d40a) - ![The lighting in this photo highlights a moment of deep, personal offering. The interplay of light and shadow is an important part of stagecraft in a live performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e755a6b8-fd00-4180-b79d-9c0eef891775) - ![A frontal pose inviting the audience into the world of the story. The direct gaze and open gestures are a form of communication.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ee3ee3fe-3193-42cd-9f53-ca256f91ca73) - ![A dynamic pose showing the energy and flow of movement. This is from a pure dance sequence, or Nritta, where the focus is on rhythm and form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ef98dfa1-21fa-4239-b5f4-95aa9b4a2b6c) - ![A black and white photo from my performance at Kalāmārga 2024. Even without color, the form, expression, and devotion of the dance shine through.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f2aa571f-52f4-46ff-883b-2ebd276d8e89) - ![A pose from 'Shivaantaram', where the body creates a strong, defined line. This showcases the geometric precision that is a key feature of the dance style I practice and teach.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f93c7a7f-f89d-4399-bc00-ab9428c81ef8) - ![The classic Aramandi pose, with the costume's fan fully displayed. This is one of the most recognizable and beautiful silhouettes in Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fa4fa118-a597-4811-95a1-aeead0ba91fe) ## About On the Stage: Solo Recitals Every recital I perform is a collaboration with a live Carnatic ensemble, including vocal, mridangam, and flute. This live interaction allows me to interpret the music in the moment, ensuring that the Nritta and Abhinaya remain a spontaneous and authentic dialogue between the dancer and the musicians, rather than a pre-recorded routine. My approach to the solo Margam is deeply influenced by the Chithkala School of Dance and the guidance of my Guru, Sri P. Praveen Kumar. A solo recital requires a mastery over both the physical rigor of pure dance (Nritta) and the subtle nuance of emotional expression (Abhinaya). Whether I am performing a traditional repertoire or a thematic work like 'Venkatesha Shreesha,' my focus is on maintaining the integrity of the Thanjavur Bani style. ### Thematic Storytelling Beyond the traditional format, I explore narratives that connect mythology to the human experience. Researching the Sahitya (lyrics) and the mythological context allows me to bring depth to the performance. This is not just about executing steps; it is about conveying the essence of the composition to the audience. ### Live Ensemble Synergy Performance is a collective energy. The musicians accompanying me are an integral part of the stage presence. From the intricate footwork that must align perfectly with the Mridangam to the emotive capacity required for Padams, the ensemble creates the atmosphere that allows for total immersion. ### Preparation and Sadhana What you see on stage is the result of rigorous daily Sadhana. From the foundational Aramandi posture to the advanced Manodharma (improvisation) used in Varnams, every detail is refined over months of rehearsal. For those interested in hosting these recitals, whether for cultural events or private gatherings, I ensure the presentation is technically precise and aesthetically aligned with classical traditions. ## About Navyashree K N I am a disciple of Guru Sri P. Praveen Kumar, and my dance is my daily offering. Through Bharathadyuthi, I bring the traditional Margam and thematic stories to life on stage, always maintaining the sanctity of our guru-shishya lineage. [See all of Navyashree K N's services](https://mytribe.in/navya_shree_k_n) ## More from Bharatanatyam Training & Mentorship by Navyashree K N - [Featured](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/featured) - [Nurturing the Next Generation: Student Journeys](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/nurturing-the-next-generation-student-journeys) - [The Guru-Shishya Parampara: My Lineage](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/the-guru-shishya-parampara-my-lineage) - [The Process: Practice and Rehearsals](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/the-process-practice-and-rehearsals) - [In the Press: Recognition and Reviews](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/in-the-press-recognition-and-reviews) - [Announcements and My Story](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/announcements-and-my-story) ## More services by Navyashree K N - [Bharatanatyam Performance](https://mytribe.in/navya_shree_k_n/bharatanatyam-performance) ## Similar work from other experts - [Solo Bharatanatyam Performances for Events](https://mytribe.in/shreema_upadhyaya/live-dance-performances/on-the-stage-solo-performances) by Shreema Upadhyaya · Live Dance Performances · Performs in Bengaluru, Chennai & across India - [Solo Bharatanatyam Recitals and Traditional Margam](https://mytribe.in/adithya.pv/bharatanatyam-performances/solo-recitals-the-classical-repertoire) by Adithya · Bharatanatyam Performances · Performs across Bengaluru & India - [Solo Bharatanatyam Recitals: The Margam and Beyond](https://mytribe.in/parshwanath_upadhye/dance-performances-productions/solo-recitals-the-margam-beyond) by Parshwanath Upadhye · Dance Performances & Productions · Performances at Punyah Theatre in Kalkere; Travels across India for shows - [Solo Bharatanatyam Recitals: The Traditional Margam](https://mytribe.in/indirakadambi/bharatanatyam-performance-choreography/solo-recitals-the-art-of-margam) by Indira Kadambi · Bharatanatyam Performance & Choreography · Based in Jigani, Bengaluru; Travels across India for shows - [Solo Bharatanatyam Stage Recitals](https://mytribe.in/divya_takatarikitatom/bharatanatyam-performances/solo-stage-recitals) by Divya Srikanth · Bharatanatyam Performances · Performs across Mumbai, Chennai, Bengaluru, Hyderabad, and Kerala - [Professional Bharatanatyam Solo Performances by Sushmitha Suresh](https://mytribe.in/sushmithasuresh93/bharatanatyam-performance-choreography/solo-performances) by Sushmitha Suresh · Bharatanatyam Performance & Choreography · Travels for performances in Bengaluru & Chennai; Online choreography available ## Guides - [Bharatanatyam and Kathak classes for adults](https://mytribe.in/guides/bharatanatyam-and-kathak-classes-for-adults-in-bengaluru): Whether it's too late, which of the two to learn, what the first day costs and how long to the stage. ₹2,000 a month for two classes a week at one school. ## Book To book Navyashree K N, message mytribe on WhatsApp: [Chat on WhatsApp](https://wa.me/916360004054?text=Hi%2C%20I'm%20looking%20for%20Bharatanatyam%20Training%20%26%20Mentorship%20by%20Navyashree%20K%20N.) 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