--- title: "Bharatanatyam Training & Expert Dance Mentorship in Bangalore - mytribe" description: "Looking for authentic Bharatanatyam training? Learn Indian classical dance from a renowned guru. We offer beginner classes to advanced Arangetram preparation. Start your dance journey with expert mentorship and unlock your potential. Inquire today!" canonical: https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship last_updated: 2025-09-08 --- # Bharatanatyam Training & Mentorship in Bengaluru By [Navyashree K N](https://mytribe.in/navya_shree_k_n) · I teach Bharatanatyam the traditional way, guiding you from basics to stage performance with personal mentorship and focus on meaning behind each step. Typically ₹1,600-7,500 per month (estimate) ## Locations Classes at Naagarabhaavi studio ### Visit at - Classes at Bharathadyuthi Arts Center, Naagarabhaavi (close to Chandra Layout, Vijayanagar, Rajarajeshwari Nagar, Nayandahalli Metro Station, Bangalore University) ## Pricing guide (estimates) These are indicative prices based on provider's past work. Enquire now to find out final quote. ### Standard In-Studio Group Classes 8 sessions per month covering Adavus, theory, and yoga conditioning in small batches of 5-10 students. Typically ₹1,600-2,500 per month (estimate) #### Class Structure * **Frequency:** 8 sessions per month (held twice a week). * **Duration:** 60 to 75 minutes per session. * **Batch Size:** Small groups (5-10 students) to ensure individual attention. #### Curriculum & Technique * **Practical:** Training in Adavus (steps), Jathis, and full Margam items based on proficiency. * **Theory:** Instruction in Shlokas, Hastas (gestures), and Viniyogas adhering to Natyashastra texts. * **Conditioning:** Mandatory warm-ups including Yoga postures (Surya Namaskar) and stamina exercises. #### Facility Standards * **Location:** Conducted at 'Shree Nilaya' home studio. * **Infrastructure:** Dedicated dance flooring and wall-to-wall mirrors for posture correction. * **Discipline:** Strict adherence to traditional dress code and etiquette. ### 1-on-1 Private & Online Mentorship Customized individual sessions (4-8/month) focusing on advanced Abhinaya, technical corrections, and flexible timings. Typically ₹4,000-7,500 per month (estimate) #### Engagement Model * **Format:** Private 1-on-1 sessions or semi-private groups (max 2). * **Mode:** Online (Skype/Zoom) or In-person private slots. * **Volume:** 4 to 8 classes per month, customizable based on goals. #### Advanced Coaching * **Repertoire:** In-depth training on complex items (Varnams, Padams) and Manodharma (improvisation). * **Technical Detail:** Frame-by-frame analysis of Angashuddhi (body lines) and Abhinaya (expressions). * **Theory:** Deep dive into the mythological context and Sahitya (lyrics) of compositions. #### Flexibility * **Scheduling:** Timings tailored for working professionals or international time zones. * **Support:** Direct access for doubt clearing and progress tracking outside class hours. ### Arangetram (Debut) Artistic Direction Comprehensive professional fee for 3-6 months of intensive prep, choreography, and live Nattuvangam conducting on event day. Typically ₹50-85K per project (estimate) #### Direction & Performance * **Nattuvangam:** Navyashree K.N. personally conducts the orchestra and plays cymbals for the 2-3 hour recital. * **Choreography:** Custom composition or setting of traditional pieces suited to student capability. * **Coordination:** Managing rehearsals with professional live musicians (Vocal, Mridangam, Flute, Violin). #### Intensive Preparation * **Bootcamp:** 3 to 6 months of extra rehearsal hours leading up to the debut. * **Aesthetics:** Consultation on costume design, jewelry selection, and stage decor. * **Tech Run:** Full dress rehearsals and stage positioning checks at the venue. #### Scope Note * **Coverage:** This fee covers the Guru's professional services and training only. * **Exclusions:** Venue rental, musician payments, photography, and costumes are external costs. ## About Bharatanatyam Training & Mentorship ### Dance as a Devotional Path For me, Bharatanatyam is more than just movement. Every adavu (step) I teach is a small prayer, shaped by my own journey with my Guru, Sri P. Praveen Kumar. The heart of my teaching is helping you connect dance to something bigger, something spiritual, not just technical. ### Rooted in Tradition I’m part of the Chithkala School’s guru-shishya tradition dance training. Everything I pass on comes from that authentic foundation - not shortcuts, just real, time-tested methods. If you’re looking for authentic Bharatanatyam classes in Bangalore, my approach stays true to the roots. ### Your Learning Journey Whether you’re completely new or already dancing: - Beginners work on strong basics - aramandi, hastas, footwork, and rhythm - I teach the meaning behind each mudra (gesture), not just the steps - For those dreaming of their stage debut, I guide you through every bit of Rangabhivandane (your first solo performance) with focused mentorship ### Beyond Just Steps Learning here isn’t only in class. Every year, we put together ‘Nruthya Manjari’ where you’ll get to perform on a real stage, live music and all. I handle the nattuvangam myself so you get the full experience. I won’t sugarcoat it - Bharatanatyam takes patience, lots of practice, and sometimes sore legs. But I feel truly dhanyanaaguve (blessed) seeing students grow, and I’m right there with you at every leap and stumble. ## Highlights Browse through Navyashree K N's best work. ### [Featured](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/featured) - ![This is the essence of Bharatanatyam for me, a moment of complete surrender to the rhythm and story. This pose captures the energy and grace that my Guru, Sri P. Praveen Kumar, has instilled in me through his teachings.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/359bde7b-6d7a-4281-b10f-6b80ca7a96b2) - [Video: The Trikala Jati is a thrilling challenge, where we perform rhythmic patterns in three speeds. I find immense joy in the precision of these traditional adavus, a core part of the authentic Bharatanatyam training I offer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/560bf8e6-a868-4d0a-8894-5f17ff300134) - ![I am forever blessed to be the disciple of my Guru, Sri P. Praveen Kumar. His guidance shapes every aspect of my dance, from the choreography and aesthetics to the very spirit of my performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/002481dd-cde9-4fe1-8d5c-e6805ec7d143) - ![A cherished moment from my student's Rangabhivandane, where I had the honor of performing the Nattuvangam. Guiding a student to their stage debut with a live orchestra is a profound part of my mentorship.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0ffdc101-e665-474b-867a-d11195332247) - ![Abhinaya, or facial expression, is where dance transcends movement and becomes storytelling. In this piece, 'Venkatesha Shreesha', I sought to convey the deep devotion and emotion of a devotee's prayer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1a48143f-19ec-46c2-b717-a23fc21e3836) - [Video: I was given this opportunity to share a personal story about how dance can heal. I truly believe that this art form has the power to build resilience, a lesson from my Guru that I carry with me always.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/87e73e65-29ca-43e6-a8f5-55199ef2d1a8) - ![My heart swells with pride seeing my students from Bharathadyuthi Arts Center perform at the 'Mukula Nrithyothsava'. This is what we work towards: sharing the joy of dance together on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/13adb2bf-00d8-4484-b316-3e90fffb5e22) - ![I was humbled to be featured in Ananya Kalasinchana's 'Yuva Nota'. In this interview, I shared my thoughts on my learning experience and the qualities I admire in my Guru, which form the foundation of my own teaching.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cec31b71-3f79-48ed-9032-5fd4fc2fd3f2) ### [On the Stage: Solo Recitals](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/on-the-stage-solo-recitals) - ![A moment of stillness in the Aramandi posture, the foundational half-sitting pose in Bharatanatyam. This posture is central to building the strength and grace required for the art form, and is a key focus for beginners in my classes.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2844876a-fb60-4c5c-a52f-3eb73d019ca5) - ![The fan-like spread of the costume in this pose is not just for aesthetics; it accentuates the geometry and lines of the body. This is from a performance where every detail was guided by my Guru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5439311b-ceb4-4d9a-9ca4-17153ce340bc) - ![A dynamic pose from a performance at Aikyam 2024. The beauty of Bharatanatyam lies in its ability to be simultaneously strong and graceful, a balance we constantly strive for in our practice.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/89c549ce-7997-419b-b08c-052d6815ecac) - [Video: This clip showcases a segment of a solo Bharatanatyam recital. You can see the combination of pure dance sequences and expressive movements that tell a story, a hallmark of the traditional Margam format.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/283584b0-1cac-4de3-b874-335a52ed10b7) - ![A pose from my thematic recital 'Venkatesha Shreesha'. The entire performance was a narrative journey, using the language of dance to express the glory of the Lord of Tirumala.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/37ef96d5-b920-40e3-9efa-39489bb66cb6) - [Video: An excerpt from 'Venkatesha Shreesha', where the lyrics sing of finding fulfillment by seeing the divine form of the Lord. This piece combines intricate footwork with devotional expression.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bedf5539-fd2f-44f0-b842-7f1be824e05b) - ![Two distinct moments from a performance at Aikyam 2024, showing the versatility of movement within a single piece. Each pose and gesture is carefully crafted to align with the music and narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/53485bba-a590-4dd4-aa04-68db70de77fb) - ![This is a physically demanding pose that requires immense flexibility and balance, a result of years of dedicated practice. It is from my performance at Antaranga 2024.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/06af183a-ec3b-45aa-8f40-081ea5b4a30c) - ![Another view of a challenging posture from the Antaranga 2024 performance. Such movements are part of the advanced vocabulary of Bharatanatyam that students can aspire to master over time.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e2ac0cd3-7159-408d-90d4-d53502302640) - ![A moment from the 'Kanasu' festival, where I performed a piece celebrating the joy of dance. The vibrant costume and expressive mudra convey a feeling of blissful offering.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9e438b8a-5838-4bcf-a420-6ee6ca562473) - ![This pose from my performance at the 'Kanasu' festival showcases both flexibility and control. It is through rigorous training in the guru-shishya tradition that we develop the ability to execute such movements with ease.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/eb36ada3-f811-4b12-8605-b37873b44eb2) - [Video: An excerpt from the Varnam 'Nathanai Azhaithu Vaa Sakhiye'. The Varnam is the centerpiece of a Margam, testing a dancer's command over both pure dance (Nritta) and expression (Abhinaya).](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5b33afbf-8e75-4679-b888-c71481464d20) - [Video: This clip is from an Ashtapadi, depicting the longing of Radha for Krishna. Jayadeva's poetry offers immense scope for Abhinaya, allowing a dancer to explore deep emotional landscapes.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/84c9ffac-b6f3-4fe0-990f-5b80471116bc) - [Video: This is an excerpt from the Alarippu, the invocatory piece in a Bharatanatyam recital. It symbolizes the blossoming of the dancer and is one of the first pieces taught to students.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8b946c18-7aa6-4e24-b04e-719ce918335b) - [Video: Performing the Lalitha Sahasranama Dhyana Shloka, an invocation to the Goddess. This piece, set to Raaga Amrithavarshini, is a prayerful beginning to a performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c3ca0a27-42e0-42cb-808f-ff7d62286d00) - [Video: A favorite Korvai (rhythmic sequence) from a Thillana in Valachi raga. The Thillana is a joyous and fast-paced concluding piece in a recital, filled with complex rhythms and dynamic movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9eca3f5b-8f21-4e83-88ba-412a62bac479) - [Video: An excerpt from the Kamboji Varnam, a piece very special to me. My Guru Praveen Kumar's choreography beautifully enhances the composition, making it a joy to perform.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0fbae8bb-c2c7-4c97-a2e0-27a9f8648849) - ![A dynamic pose captured during a performance in Chennai. The outstretched leg and defined posture are characteristic of the precise geometry we train for in Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d7289430-48a0-4da4-9e4d-ee23355efc48) - ![A collage of expressions from a single performance. This shows how a dancer must embody different emotions, from devotion and longing to joy and wonder, to tell a complete story.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bc71dbd2-8e94-4160-8e87-455bd3eb6448) - ![This collage captures the varied hand gestures, or 'hastas', used in storytelling. Each mudra has a specific meaning, and learning this language is a fundamental part of Bharatanatyam training.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c314f4ef-54e6-4824-b338-4c04ca8bbe74) - ![A series of seated expressions, or 'sanchari bhavas', used to elaborate on a story. Even while seated, the dancer's entire being is engaged in conveying the narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/de30d1ba-f749-4ae0-884f-c03c4a2f05f2) - ![A close-up showing the use of a specific hasta, or hand gesture, to convey meaning. This gesture, combined with my expression, depicts the act of smelling a flower, a detail in the story of 'Venkatesha Shreesha'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/03403d81-403a-49ce-bdf1-80ca9326aff6) - ![A moment of grace during a solo recital. The gentle smile and open hand gestures convey a sense of offering and devotion to the divine, which is the core of my dance philosophy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/14ee5d61-dba5-47ea-b013-80cdd24f3ddf) - ![A full-stage view of a dynamic pose. The contrast with the dark background highlights the dancer's form and the vibrant colors of the traditional silk costume.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/24c3c71b-83e2-4d63-b906-d3c8c0a44b44) - ![A gentle, expressive moment captured during a performance. My goal is to connect with the audience by conveying the authentic emotions of the characters and stories I portray.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/24d16fb7-5345-4054-aafa-6135b57d55a8) - ![A close-up from 'Venkatesha Shreesha', capturing a moment of intense emotion and physical exertion. A performance is a physically and emotionally demanding sadhana.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/25aa5a1e-363c-4d06-897c-e0c7ec758d02) - ![Here, I am using a mudra to depict the third eye of Lord Shiva. Understanding the meaning behind each gesture is crucial for both the dancer and the student.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/35e077f3-0dea-4f2f-a343-aa824e40abf4) - ![A seated pose from 'Venkatesha Shreesha', showing a moment of quiet contemplation and prayer. Not all of dance is about dynamic movement; stillness can be just as powerful.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3de237bb-7d16-4322-a3ca-07be72f1e7e1) - ![Performing 'Shivaantaram', a piece dedicated to Lord Shiva. The pose reflects the divine energy and cosmic rhythm associated with the deity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/49af3c58-8b9b-44ba-bb60-6f4049058b19) - ![This image captures the grace and poise that is central to the Bharatanatyam aesthetic. Every performance is an opportunity to live the art form, with the blessings of my Guru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/56157cf3-afcf-4593-9d1e-fdbf8f1b9654) - ![An expressive moment from my solo recital. The eyes and hands work in perfect harmony to communicate the story to the audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5d19e7a1-87d6-4c62-9838-684e7bdbef1d) - ![A pose of offering, with hands held in Anjali mudra above the head. This gesture of reverence is fundamental to the devotional path of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62731ab0-bde4-4781-a214-6d47ec6b0528) - ![A close-up capturing a subtle expression of humility and devotion. It is in these small, internalised moments that the true spirit of the dance is found.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62772830-5d6b-46b9-8b01-b7977de4f166) - ![A moment of prayerful offering. The connection between the dancer and the divine is the central theme of many Bharatanatyam performances.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/684ff06f-75f6-4672-a5a8-d7db80289098) - ![A seated pose, showing the beautiful details of the traditional temple jewelry and silk costume, which are integral parts of a Bharatanatyam performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7658b2fb-54bd-4ea9-a824-40b3240fc303) - ![Performing at the Ninada Nruthyotsava. The hand gesture here, Katakamukha, is one of the most versatile hastas, used to depict holding flowers, playing an instrument, or speaking.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7e5450ca-2851-4ecf-925c-f4018799c4a1) - ![A close-up on expression during the 'Venkatesha Shreesha' recital. The eyes are trained to be highly expressive, conveying a wide range of emotions, or 'rasas'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/885253de-d1d4-4bc9-abb0-948846711145) - ![A gentle pose conveying a sense of peace and contentment. This is from a piece where I explored the softer, more lyrical aspects of the dance form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8b414750-bb53-4698-8a91-3308b13b1448) - ![This is a classic Bharatanatyam pose, showcasing the angularity and symmetry that defines the Nritta aspect of the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8debac38-5d90-4163-aa3a-bfd76fb3fb47) - ![A moment from my performance at the 'Kanasu' festival. The expression and gesture here depict a question, as the character in the story interacts with the divine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9518647b-afa7-4841-808e-d1aee1fc5323) - ![This photo captures a moment of quiet grace. As a teacher, I emphasize that the journey in dance is not just about learning steps, but about embodying the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b1b4a511-9d23-4a57-8752-1fe1bb029533) - ![An intimate moment of prayer during a performance. The connection to the divine is what gives Bharatanatyam its spiritual depth.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b498b2f5-4964-4b40-abba-02deec5c2531) - ![The hand gesture here, combined with the facial expression, conveys a specific part of the story. Learning this vocabulary of mudras is like learning a new language.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b5866de8-cd3b-4c3c-afe6-b5cc66fb232f) - ![A close-up capturing a dynamic expression. The ability to shift between different emotions is a key skill for a dancer, developed through dedicated practice of Abhinaya.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bb98f79f-1460-48c9-b902-c28a5326cc0e) - ![The full Aramandi pose, showcasing the symmetrical lines of the body and the vibrant costume. This is a foundational element of Bharatanatyam training.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d87f1a78-1fa2-4562-9a69-51f41c8a0001) - ![A close-up capturing a moment of introspection and devotion. It is in these quiet moments on stage that I feel most connected to my art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/df1024ee-4760-49f1-a3a6-da4a053cf1ba) - ![A graceful pose showing the elegance of the traditional costume and jewelry. Every element of the presentation is carefully considered to create a complete aesthetic experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e6670712-5f0c-4b5f-a1c1-17b8949674c0) - ![A powerful pose from 'Venkatesha Shreesha', depicting a moment of awe and reverence. The dancer's body becomes a conduit for the story and its emotions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e69f48b3-05f4-4c6f-a9fa-a6e40f91d40a) - ![The lighting in this photo highlights a moment of deep, personal offering. The interplay of light and shadow is an important part of stagecraft in a live performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e755a6b8-fd00-4180-b79d-9c0eef891775) - ![A frontal pose inviting the audience into the world of the story. The direct gaze and open gestures are a form of communication.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ee3ee3fe-3193-42cd-9f53-ca256f91ca73) - ![A dynamic pose showing the energy and flow of movement. This is from a pure dance sequence, or Nritta, where the focus is on rhythm and form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ef98dfa1-21fa-4239-b5f4-95aa9b4a2b6c) - ![A black and white photo from my performance at Kalāmārga 2024. Even without color, the form, expression, and devotion of the dance shine through.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f2aa571f-52f4-46ff-883b-2ebd276d8e89) - ![A pose from 'Shivaantaram', where the body creates a strong, defined line. This showcases the geometric precision that is a key feature of the dance style I practice and teach.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f93c7a7f-f89d-4399-bc00-ab9428c81ef8) - ![The classic Aramandi pose, with the costume's fan fully displayed. This is one of the most recognizable and beautiful silhouettes in Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fa4fa118-a597-4811-95a1-aeead0ba91fe) ### [Nurturing the Next Generation: Student Journeys](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/nurturing-the-next-generation-student-journeys) - ![An invitation to the Rangabhivandane of my student, a culmination of years of her hard work and my Guru's blessings. Mentoring a student for their solo debut is a deeply rewarding responsibility.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/abd198e7-00f9-43c9-b8b5-07ca7bb46016) - ![A moment of prayerful gratitude from my student's Rangabhivandane. Seeing a disciple complete their first full solo performance is a moment of immense pride and fulfillment for a teacher.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9e925c74-7af0-4f97-bfac-741ec66478aa) - ![My student performing on stage during her debut. My goal as a mentor is to equip students with strong fundamentals and the confidence to express themselves through the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/43cc45b5-4de5-4af4-b693-e212dedbe235) - ![Here I am performing the Nattuvangam, conducting the recital with rhythmic syllables, for my student's debut. This is a vital part of the live performance experience I provide for my students.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/41bd5dea-0b08-42f6-bc44-4f5f944ce9f4) - ![A candid moment on stage during my student's Rangabhivandane. The live musical ensemble is essential for a complete performance, and I ensure my students have this opportunity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9f27c7fd-9be6-4130-b999-a3f51830b055) - [Video: An invitation to 'Nruthya Manjari', the annual showcase for my school, Bharathadyuthi Arts Center. This video shows my students in class, preparing for their big day on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/99efe6c4-51ae-44af-8acf-0af6f23a6da6) ### [The Guru-Shishya Parampara: My Lineage](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/the-guru-shishya-parampara-my-lineage) - ![With my Guru, Sri P. Praveen Kumar. His teachings are the foundation of my dance and my life. I am ever grateful for his belief in me and his constant guidance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/957d8ad1-c1ea-4c3b-9df3-823ed64398c2) - ![Performing as part of the Chithkala ensemble alongside my Guru. Dancing with him on stage is an invaluable learning experience, deepening my understanding of the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/09ae6bb2-2677-46a0-a5d2-013cc44a7a40) - ![A moment from a duet performance with my Guru, celebrating Ramanavami. Sharing the stage with him is the greatest honor and blessing.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e708e988-ccba-425d-b38a-93f1ff0536ea) - ![With my Guru and other esteemed artists at the Soorya Festival. Being part of such gatherings is a reminder of the rich community and tradition I am fortunate to belong to.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f1495bb0-2433-41ce-a8bf-a08a4693863e) ### [The Process: Practice and Rehearsals](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/the-process-practice-and-rehearsals) - [Video: A rehearsal clip from before a performance, with the energy of live musicians in the room. This is where the dance, music, and rhythm come together before we take the stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/17e488bc-cd4a-485b-b70c-a9437eeea601) - [Video: Rehearsing for a performance in Chennai. Practice is a continuous process of refinement, ensuring that every movement is precise and every expression is authentic.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c0aa99ef-f2d2-43f5-8846-30fe660b5ff2) - [Video: A glimpse into the rehearsal for 'Venkatesha Shreesha'. Practicing with the full musical ensemble is crucial to achieving perfect synchronization and bringing the choreography to life.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8d0bcdf5-77d8-4d15-9670-4c3864622642) - [Video: A short clip announcing an upcoming solo margam. Even a simple announcement is an opportunity to be in the dance space, which is my place of peace and focus.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d054d471-ef56-488b-a78d-f236f8083937) - [Video: Finding joy in my practice space. A Jatiswaram, which is a pure dance piece, is wonderful for building stamina and finding happiness in the rhythm itself.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dc8cacf3-7953-4897-86bc-f9ccaf08e026) ### [In the Press: Recognition and Reviews](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/in-the-press-recognition-and-reviews) - ![A screenshot of the review of my performance in Mangaluru, featured in The Hindu. I am grateful for the critic's words on my footwork and depiction of the narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/69911ca3-42b9-4c3f-932e-467c8a32566d) - ![An excerpt from The Hindu's review, detailing the pieces I performed. It is rewarding when the nuances of the choreography and the depth of the story are appreciated.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1e06f1c7-5e5b-4da8-8761-2a8fd4b85d5b) - ![Another section of the review from my Mangaluru performance. The critic's detailed description of the abhinaya section shows a deep understanding of the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7eb66346-525f-4a93-84dc-e756d167b427) - ![A review of my performance published on Narthaki.com, a leading portal for Indian dance. Receiving recognition from such a respected platform is truly an honor.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/65ed58ff-eded-481e-9488-90d8a8a88e54) - ![An excerpt from the Narthaki review, describing the opening invocatory piece of my performance. The Dhyana Shloka sets the devotional tone for the entire recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a9369091-2964-40fb-a6b4-86c61fa5b04a) - ![This part of the review describes the central piece of my performance, the Varnam. The critic highlights my Guru's innovative choreography and its role in the storytelling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/06a17254-5594-41f3-8df4-97cac1aafbc8) - ![The review discusses my portrayal of Radha's longing in an Ashtapadi. Embodying the emotional depth of such a classic character is a challenge I embrace as a dancer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3ebf4fc0-1ba9-4cb5-8a3d-7d5562b35a14) - ![Another excerpt from the Narthaki review, focusing on the emotional narrative of the Ashtapadi. I am grateful that the artistry and emotional depth of the piece was conveyed.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e71b4e2c-e112-4447-a41f-ab6b685d52b7) - ![This review describes a playful piece about Lord Krishna and Yashoda. It is a joy to switch between different moods and showcase the versatility of Bharatanatyam storytelling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b927e309-f71f-42e3-9004-8e5f0861f572) - ![A review of my Varnam performance. I am thankful for the acknowledgement of the choreography's role in showcasing both technical skill and emotional expression.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/632fedb1-9aed-4d7d-8323-15dccf0eb163) ### [Announcements and My Story](https://mytribe.in/navya_shree_k_n/bharatanatyam-training-mentorship/announcements-and-my-story) - [Video: An invitation to my Bharatanatyam Margam for the Ninada Nrityotsava. I am always grateful for the opportunity to present the choreographies of my Guru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0813c677-1b0e-4702-ba4d-5f4d37cf61dd) - ![The official announcement for a 'Double Bill' performance in Mangaluru. Sharing the stage with another artist is a wonderful experience of artistic exchange.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/186d364d-437d-47c0-a7c0-f862d96a1a9c) ## Meet your expert [Navyashree K N](https://mytribe.in/navya_shree_k_n) ### My story Namaskaram! I’m Navyashree. My world is Bharatanatyam, music, yoga—everything that makes me feel alive and connected. I owe so much to my Guru, Sri P Praveen Kumar. His blessings guide me, always. Dance for me is bhakti, not just art. Directing Bharathadyuthi, I help students with their Rangabhivandane (stage debut). Digging into stories, like how Balaji got his name, and bringing them alive on stage with musicians from namma Bengaluru—that’s my bliss. ### My work - **Bharatanatyam Performances & Instruction**: I offer solo and group Bharatanatyam shows, plus mentorship and dance classes at Bharathadyuthi. - **Guru Parampara & Mentorship**: My dance follows the lineage of Sri P Praveen Kumar. I guide students through their own Rangabhivandane stage debut. - **Thematic Solo Recitals**: I create researched solo acts—like Venkatesha Shreesha thematic recital—mixing storytelling and choreography. - **Live Ensemble Experience**: Performing with live Carnatic ensemble—vocal, Nattuvangam, Mridangam, Veena, Flute—makes each show immersive. ## More services from Navyashree K N - [Bharatanatyam Performance](https://mytribe.in/navya_shree_k_n/bharatanatyam-performance) · ₹18-58K per performance (estimate) ## Experts similar to Navyashree K N on mytribe - [Bharatanatyam Dance Classes by Nrithyakuteera](https://mytribe.in/nrithyadeepa/bharatanatyam-dance-classes) · ₹1,600-3,200 per month (estimate) · Nrithya Kuteera - [Indian Classical Arts Training by Indira Kadambi](https://mytribe.in/indirakadambi/indian-classical-arts-training) · ₹15-45K per course (estimate) · Ambalam Foundation - [Bharatanatyam Classes & Workshops by Divya Hoskere](https://mytribe.in/divthedancer/bharatanatyam-classes-workshops) · ₹2,500-6,000 per month (estimate) · Mandala Cultural Centre - [Bharatanatyam Classes by Sreejaya’s School of Classical Dance](https://mytribe.in/sreejayas-school-of-classical-dance/bharatanatyam-classes) · ₹1,700-4,200 per month (estimate) · SSCD - Sreejaya's School Of Classical Dance HSR Layout - Bharatnatyam Dance classes in HSR Layout - [Bharatanatyam & Carnatic Music Classes by Natesha Nrithyalaya](https://mytribe.in/natesha-nrithyalaya/bharatanatyam-carnatic-music-classes) · ₹1,500-2,800 per month (estimate) · Natesha Nrithyalaya, School of Classical Dance - Bangalore - [Bharatanatyam Training by Sushmitha Suresh](https://mytribe.in/sushmithasuresh93/bharatanatyam-training) · ₹3,000-8,500 per month (estimate) · Vivartana - the art studio - [Bharatanatyam Dance Classes by Preetha Arun](https://mytribe.in/preetha_dance/bharatanatyam-dance-classes) · ₹2,800-3,800 per month (estimate) · Samarpana Dance Academy - [Dance Training Programs by Nirupama Rajendra](https://mytribe.in/nirupama_rajendra/dance-training-programs) · ₹3,500-5,500 per month (estimate) · Abhinava Dance Company - [Classical Indian Dance Classes by Rhythmotion](https://mytribe.in/rhythmotionindia/classical-indian-dance-classes) · ₹2,200-3,800 per month (estimate) · Rhythmotion | Best Dance and Music Classes | Bangalore ## Book To book Navyashree K N, message mytribe on WhatsApp: [Chat on WhatsApp](https://wa.me/916360004054?text=Hi%2C%20I'm%20looking%20for%20Bharatanatyam%20Training%20%26%20Mentorship%20by%20Navyashree%20K%20N.) 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