---
title: "Solo Kathak Performances for Events | Traditional Lucknow Gharana"
description: "Book an authentic solo Kathak recital rooted in the Lucknow Gharana. Expert classical dance performance for events, festivals, and cultural programs."
canonical: https://mytribe.in/garvita.kathak/kathak-performances/solo-stage-performances
last_updated: 2026-02-09
---

# Solo Kathak Stage Performances

Tribe Verified · Trained at Kalashram under Birju Maharaj

By [Garvita Sharma](https://mytribe.in/garvita.kathak) · Performs across India; Based in Delhi & Mumbai · ₹22K per performance (estimate)

Part of [Kathak Performances](https://mytribe.in/garvita.kathak/kathak-performances). [View full gallery](https://mytribe.in/garvita.kathak/kathak-performances/gallery)

A solo recital is a dialogue between the dancer and the divine. My performances are rooted in the Lucknow Gharana, blending the intricate rhythm of Nritta with the emotive storytelling of Abhinaya to bring a piece of tradition to your stage.

## Photos and videos

- ![This poster announced my solo Kathak recital at the Delhi Nritya Mahotsav. Performing in my home city of Delhi is always a deeply moving experience, and I am grateful for the opportunity to share my art at such esteemed festivals.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3287e2ff-610d-48e4-8c65-27fb9ef88850)
- ![I was humbled to present a solo recital at the Nartbhav Festival in Bengaluru. These opportunities allow me to connect with art lovers across the country and share the rich traditions of the Lucknow Gharana.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a991804d-a27b-4424-aac3-db612f69cd53)
- ![Performing a solo recital for Dikshantotsava, organized by Kalashram, was a true honour. It is a blessing to carry forward the legacy of my guru, Pt. Birju Maharaj ji, on the very stage that celebrates his disciples.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ebc7a7f9-d627-4296-904a-92d6748ccf87)
- ![On stage, under the lights, I feel a divine connection. This photograph captures a moment of pure expression, where I am completely immersed in the rhythm and emotion of the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/10ecf059-b341-4108-bda6-cbc8fa4497fc)
- [Video: This is a short Tukda, a technical piece, set to the 10-beat cycle of Jhaptaal. This was part of my performance for the Indo American Friendship Association at the India Habitat Centre, showcasing the precision and clarity of Kathak footwork.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/883677f3-109d-402c-a3ae-70e6d3cb769b)
- [Video: Performing at the historic Neemrana Fort was a magical experience. Here is a glimpse of a Paran in Jhaptaal, where the architecture and ambiance of the fort added a timeless quality to the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/020b9d7a-92fd-4ae2-97d3-7fe9826720e2)
- [Video: This is a Tukda in Jhaptaal from my solo presentation at the Delhi Nritya Mahotsava. The performance showcases the intricate footwork and rhythmic patterns that are characteristic of a traditional Kathak recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/39f1e5a8-eb35-4f6f-9143-a0b3fe954a63)
- [Video: This Tihai, a rhythmic pattern repeated three times, is set in the 13-beat cycle of Jait Taal. It was part of a special performance where I had the privilege of being accompanied by a full team of live musicians, enhancing the energy of the recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a500577b-6d0b-4f8c-94ad-121790260afc)
- [Video: Here I present a Tihai in the 14-beat cycle of Dhamar Taal. This composition was taught to me by Maharaj ji himself, and I cherish his intricate instructions on the nuances of each movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dc9c53ad-35ea-4b0e-aca4-d838a95dc0e1)
- ![A quiet moment of 'bhava' or emotion during my performance at the Smriti Festival in Chennai. Abhinaya, the art of expression, is central to my dance, allowing me to convey stories without words.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0cb9cd44-a8d7-4f36-8e17-449d5aca4341)
- ![Another glimpse from the Smriti Festival in Chennai. The grace of the Lucknow Gharana is visible in the subtle movements of the hands, eyes, and body, telling a story with every gesture.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2007be77-7b0b-4479-86bc-48cc0b2bb98f)
- ![This image captures the delicate hand gestures, or 'mudras', that are a vital part of Kathak storytelling. Each mudra has a specific meaning, helping to build the narrative of the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2ed12b86-a10b-4b34-bfa0-68e717d45f97)
- ![A full-length view of my performance at the Smriti Festival. The traditional costume, with its wide flare, is designed to accentuate the beautiful 'chakkars' or spins of Kathak.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4ee0fe8d-2180-470b-8af0-41a6637924d7)
- ![A close-up showing the expressive 'abhinaya' aspect of my performance at the CIDCO Auditorium. Connecting with the audience, especially the younger ones, through emotion and storytelling is a joyous part of my art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4ff37199-0b17-4d2e-b5c3-68d510a7eb5e)
- ![This capture from my Navi Mumbai show highlights a moment of storytelling. My focus is on conveying the 'rasa' or emotional essence of the piece to the audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d0d81be3-d064-4f0d-aa9b-b43e5d79866d)
- ![A smile shared with the audience during my performance at the CIDCO Auditorium. The joy of dance is something I love to share, making each performance an interactive and uplifting experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/90cac6c4-ee99-4750-919f-2e22fc2051c8)
- ![A dynamic pose captured during my show in Navi Mumbai. My solo performances are designed to be energetic and engaging, holding the audience's attention from start to finish.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/72693636-8d95-4352-a4ff-45478d79e892)
- ![This beautiful capture from the Smriti Festival in Chennai shows the blend of 'rasa' (emotion) and rhythm. The goal is to create a performance that is both technically sound and emotionally resonant.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7a0166fc-da60-4bd5-9b44-590d581d6e38)
- [Video: The connection with the audience is palpable. That moment when you hear a heartfelt "Kya baat!" from the crowd is the greatest reward for an artist. This was from my performance at the Nartbhav Festival in Bengaluru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6eb87fc2-9bfe-4996-bcd7-15265b18f025)
- [Video: This is a glimpse of a Parmelu in Teentaal, a composition by my Guru Pt. Birju Maharaj ji, from my solo performance at the Nartbhav Festival. I had the privilege of learning this piece from Mamta Maharaj didi.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ec0bf61e-c3f1-47cf-8cb2-871887bddccf)
- ![A moment from my performance of Madhurashtakam at Triveni Kala Sangam. This devotional piece describes the sweetness of Lord Krishna in every aspect of his being.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/781df0dd-3628-496f-83a9-7dcc58031efd)
- ![Presenting Madhurashtakam, a beautiful ode to Lord Krishna, for my guru Saswati didi's birthday celebration. Performing for my guru is the highest form of offering I can give.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d170b852-b308-4006-ac26-64210ee99b13)
- ![This is a 'Nirtat Dhang' pose from my performance at Triveni Kala Sangam. It showcases the pure dance or 'nritta' aspect of Kathak, focusing on rhythm and form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/52cc85d4-fa18-47c8-84cb-54e0ac2cc54d)
- ![A candid moment after my first show of the year. Each performance is a new beginning, and I am filled with gratitude for every opportunity to be on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ba20db64-2fde-4368-bea8-5afb648fa29c)
- ![The feeling of completing a performance is one of immense gratitude and fulfillment. This picture was taken after a show, capturing the quiet joy of sharing my art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ed0f6db6-05a2-4c0d-b92b-856aa1b2a49b)
- ![On stage is where I feel I am living my dream. This photo, in a classic white Kathak costume, was taken during a performance that reminded me how much I cherish this artistic life.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f2469dbe-3994-4c88-9e12-dbdc88d95a13)

## About Solo Stage Performances

Every solo recital I present is designed to be an immersive experience. I carefully curate the balance between technical Nritta, where you see the speed and precision of the Lucknow Gharana, and Abhinaya, where the narrative of the story takes centre stage. Whether it is a traditional Vandana to begin or the complex Parans that follow, the performance is structured to engage your audience from the first Tihai to the final pose.

When you book a solo Kathak performance, you are not just booking a dancer; you are inviting a tradition into your event. My recitals typically span 45 to 60 minutes, a duration I have found allows for a meaningful journey through the art form. We begin with a Mangalacharan or Vandana, an invocation that sets a calm, respectful tone for the proceedings. From there, I move into the pure dance aspect, focusing on Thaat and Aamad, where the grace of the Lucknow Gharana is most visible. 

I rely on high-definition pre-recorded audio tracks for my performances, which ensures consistent sound quality regardless of the venue's setup. This allows for seamless transitions between the rapid-fire footwork of a Jhaptaal or Teentaal composition and the slower, more melodic sections of a Thumri or Bhajan. My costumes—typically traditional Angrakha style Anarkalis in silk or brocade—are chosen for both visual elegance and the functional need to accentuate spins and footwork. 

If you have specific themes in mind, such as Krishna Leela or Ram Bhakti, I can adapt the Abhinaya (expressional) section to align with the narrative of your event. Please note that these packages are designed for solo recitals; if you are looking for a larger production with live musicians or ensemble dancers, those require different logistical planning and can be arranged upon request.

## About Garvita Sharma

I am Garvita, and Kathak is not just my profession; it is the prayer I offer every time I step onto the stage. Having trained under the guidance of Pt. Birju Maharaj ji and Saswati Didi at Kalashram, I strive to keep the grace and discipline of the Lucknow Gharana alive in every performance.

[See all of Garvita Sharma's services](https://mytribe.in/garvita.kathak)

## More from Kathak Performances by Garvita Sharma

- [Featured](https://mytribe.in/garvita.kathak/kathak-performances/featured)
- [Devotional Narratives: Krishna & Ram Bhakti](https://mytribe.in/garvita.kathak/kathak-performances/devotional-narratives-krishna-ram-bhakti)
- [Rhythm & Technique: The Nritta Showcase](https://mytribe.in/garvita.kathak/kathak-performances/rhythm-technique-the-nritta-showcase)
- [Collaborative Productions: Duets & Group Choreography](https://mytribe.in/garvita.kathak/kathak-performances/collaborative-productions-duets-group-choreography)
- [Accolades & Milestones](https://mytribe.in/garvita.kathak/kathak-performances/accolades-milestones)
- [The Guru's Legacy](https://mytribe.in/garvita.kathak/kathak-performances/the-guru-s-legacy)
- [Additional Work & Artistic Portraits](https://mytribe.in/garvita.kathak/kathak-performances/additional-work-artistic-portraits)

## More services by Garvita Sharma

- [Kathak Choreography](https://mytribe.in/garvita.kathak/kathak-choreography)
- [Kathak Classes & Workshops](https://mytribe.in/garvita.kathak/kathak-classes-workshops)
- [Dance Competition Judging](https://mytribe.in/garvita.kathak/dance-competition-judging)

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- [Solo Bharatanatyam Performances for Events](https://mytribe.in/shreema_upadhyaya/live-dance-performances/on-the-stage-solo-performances) by Shreema Upadhyaya · Live Dance Performances · Performs in Bengaluru, Chennai & across India

## Book

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