--- title: "Kathak Performances by a Professional Artist for Your Event - mytribe" description: "Looking to hire a Kathak dancer? Book authentic Kathak performances by Garvita Sharma, a disciple of Pt. Birju Maharaj. Add grace and culture to your corporate events, weddings, or festivals with a professional artist from the Lucknow Gharana." canonical: https://mytribe.in/garvita.kathak/kathak-performances last_updated: 2026-02-09 --- # Kathak Performances in Delhi By [Garvita Sharma](https://mytribe.in/garvita.kathak) · I perform solo, duet, and group Kathak shows rooted in Lucknow Gharana, with a mix of rhythmic footwork and storytelling for events anywhere in India. ## Locations Performs across India; Based in Delhi & Mumbai ### Travels to - Performs across Mumbai Metropolitan Region (Mumbai Metropolitan Region, Mumbai Metropolitan Area, Maharashtra) - Performs across Delhi NCR (Delhi NCR, National Capital Region) - Travels across India for performances (India, India) ## Pricing guide (estimates) These are indicative prices based on provider's past work. Enquire now to find out final quote. ### Traditional Solo Kathak Recital 45-60 min solo performance by a Doordarshan graded artist featuring technical footwork and expressive storytelling. Typically ₹22-45K per performance (estimate) #### Performance Structure & Repertoire * **Configuration:** Solo performance by the lead artist. * **Duration:** 45 to 60 minutes of continuous performance. * **Opening:** Traditional Mangalacharan or Vandana (Invocation to deities like Krishna, Shiva, or Saraswati). * **Pure Dance (Nritta):** Showcase of technical brilliance featuring Thaat (posturing), Aamad (entry), and high-speed Chakkars (spins). * **Expressional Dance (Abhinaya):** One Thumri or Bhajan focusing on facial expressions to narrate stories, often revolving around Radha-Krishna themes. * **Interactive Element:** Brief verbal explanation (Padhant) by the artist reciting rhythmic syllables before performing them. #### Aesthetics & Logistics * **Costume:** 1 Premium traditional outfit (Angrakha style Anarkali in silk or brocade) with distinct dupatta drape. * **Jewelry:** Authentic temple jewelry or traditional Kundan sets and heavy Ghungroos (100+ bells per leg). * **Music:** High-definition pre-recorded backing tracks provided on a pen drive or link. Live musicians are not included in this range. * **Make-up:** Professional stage makeup designed for heavy stage lighting. ### Thematic Duet or Trio Performance 15-30 min synchronized visual storytelling by 2-3 senior artists focusing on mythological narratives or festivals. Typically ₹40-60K per performance (estimate) #### Choreography & Themes * **Configuration:** Lead artist plus 1 or 2 Senior Co-artists (Professional level). * **Duration:** 15 to 30 minutes (flexible based on event slot). * **Themes:** Specialized narrative compositions including Krishna Leela (Makhan Chori or Raas), Ram Bhakti (Ramayana excerpts), or Festival Specials (Holi, Diwali). * **Visual Appeal:** Focus on symmetry, synchronized spins, and dramatic frozen poses (Murtis). #### Production Value * **Costuming:** Strictly color-coordinated professional costumes (e.g., contrasting pairs or matching pastels) for visual harmony. * **Props:** Use of small hand props if required by the story (Flute, Peacock feather, Pooja Thali, or Flower petals). * **Music:** Pre-edited high-quality audio mix ensuring seamless transitions between rhythmic sections and expressive segments. ### Grand Group Ensemble Performance Large-scale spectacle with 5+ dancers performing synchronized geometric formations and fast-paced Taranas. Typically ₹75K-1.1L per performance (estimate) #### Scale & Composition * **Team Size:** 1 Lead Dancer plus 4 to 6 Trained Ensemble Dancers. * **Choreography Style:** Focus on Samuhik Nritya (Group Dance) involving intricate geometric floor patterns (circles, diagonals, lines). * **Repertoire:** Includes high-energy Tarana (fast rhythmic finale), Sargam compositions, and devotional group Stuti. #### Event Logistics & Requirements * **Costuming:** Identical or thematically matched uniforms for the entire troupe. * **Stage Requirement:** Requires a minimum stage size of 20ft x 15ft to accommodate group movement safely. * **Duration:** 30 to 45 minutes performance time. * **On-Site Management:** Includes a backend coordinator for costume changes and music cues during the show. ## About Kathak Performances I see Kathak as more than dance - it’s my way of connecting with something bigger, something divine. Every time I step on stage, I feel the presence of my gurus, Pandit Birju Maharaj ji and Saswati Sen ji. Their blessings shape every performance I give. ### What My Kathak Brings - My style is rooted in Lucknow Gharana Kathak, known for its grace and subtlety. - I blend technical footwork (nritta) with expressive storytelling (abhinaya). For me, “Katha kahe so Kathak kahave” isn’t just a saying, it’s how I dance. - I perform solo, duet, and group Kathak productions, depending on the event and vibe you want. - My solo Kathak dancer recitals are personal and immersive, while group shows bring big energy and colour. ### Stories I Love to Tell - I often bring to life Krishna Leela, Ram Bhakti, and devotional pieces like Madhurashtakam. - My abhinaya focuses on emotion and narrative, whether it’s the playfulness of Krishna or the devotion of Hanuman. - Rhythm is a big part of my shows - expect complex tukdas, todas, and parans, with lots of chakkars. ### Where I’ve Danced - I’ve performed at places like Ram Mandir (Ayodhya), TedX Delhi University, Sangeet Natak Akademi, and India Habitat Centre. - Based in Delhi and Mumbai, but I travel all over for performances. If you want a Kathak storytelling performance that’s honest and rooted in tradition, I’d love to be part of your event. ## Highlights Browse through Garvita Sharma's best work. ### [Featured](https://mytribe.in/garvita.kathak/kathak-performances/featured) - ![This is the moment my soul feels most alive, in the middle of a chakkar, surrendering to the rhythm on stage. This performance at the CIDCO Auditorium in Navi Mumbai was a truly special experience, connecting with a wonderfully interactive audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d3645beb-fe34-4288-ad84-f730058200e4) - [Video: It was an immense honour to perform at a TEDx event at Delhi University. Here is a snippet of a Tarana in Jhaptaal, a technical composition choreographed by my revered guru, Pt. Birju Maharaj ji, that is incredibly close to my heart.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/efcfd486-3cb5-4c22-867e-5474ae3cc116) - [Video: Here, I present a Paran, a powerful rhythmic composition, set to the 16-beat cycle of Teentaal. Dancing outdoors by the water allows me to connect the movements of Kathak with the natural world, creating a performance that is both grounded and free.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4dbb3e9c-4a20-455b-90fb-f490b2de8f4b) - ![Portraying Radha Rani on stage for the first time was a moment of pure devotion. In this pose, I am trying to capture her divine love and longing, a central theme in many of my abhinaya or expressive performances. I felt truly blessed to wear my guru Saswati didi's costume for this role.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0ce48e1d-ee9d-41e8-aceb-4919f710c62b) - ![This poster represents a production that is a piece of my heart, 'Ramasmaran'. I conceptualized and choreographed this depiction of Ram Bhakti through the eyes of Hanuman. It is an example of how I weave ancient stories into full-length Kathak productions for the stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a90cfec2-56d7-4c11-a9bc-3b18fc299de3) - ![I am deeply humbled and grateful to have received the Rashtriya Achiever Award for my work in Kathak. This recognition fuels my dedication to continue sharing this beautiful art form with the blessings of my gurus.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/507a0be9-ca4d-4800-a80c-c0f2d4932890) - [Video: This is a Krishna Gat Nikas in Rupak Taal, a piece I learned from my guru Saswati didi. It portrays the playful, graceful walk of Lord Krishna. Performing this with my fellow dancers shows the synchronized energy and unity we bring to group productions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/16c6a737-ab8c-419c-9ae7-f05f77503aa6) - ![Every step I take is guided by the blessings of my gurus. This precious moment with my guru, Saswati Sen ji, captures the essence of the 'guru-shishya parampara' that is the foundation of my art and my life. Her faith in me is my greatest strength.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ee4e8ccb-de0f-46cc-9f0e-2bad500e1fb6) ### [Solo Stage Performances](https://mytribe.in/garvita.kathak/kathak-performances/solo-stage-performances) - ![This poster announced my solo Kathak recital at the Delhi Nritya Mahotsav. Performing in my home city of Delhi is always a deeply moving experience, and I am grateful for the opportunity to share my art at such esteemed festivals.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3287e2ff-610d-48e4-8c65-27fb9ef88850) - ![I was humbled to present a solo recital at the Nartbhav Festival in Bengaluru. These opportunities allow me to connect with art lovers across the country and share the rich traditions of the Lucknow Gharana.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a991804d-a27b-4424-aac3-db612f69cd53) - ![Performing a solo recital for Dikshantotsava, organized by Kalashram, was a true honour. It is a blessing to carry forward the legacy of my guru, Pt. Birju Maharaj ji, on the very stage that celebrates his disciples.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ebc7a7f9-d627-4296-904a-92d6748ccf87) - ![On stage, under the lights, I feel a divine connection. This photograph captures a moment of pure expression, where I am completely immersed in the rhythm and emotion of the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/10ecf059-b341-4108-bda6-cbc8fa4497fc) - [Video: This is a short Tukda, a technical piece, set to the 10-beat cycle of Jhaptaal. This was part of my performance for the Indo American Friendship Association at the India Habitat Centre, showcasing the precision and clarity of Kathak footwork.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/883677f3-109d-402c-a3ae-70e6d3cb769b) - [Video: Performing at the historic Neemrana Fort was a magical experience. Here is a glimpse of a Paran in Jhaptaal, where the architecture and ambiance of the fort added a timeless quality to the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/020b9d7a-92fd-4ae2-97d3-7fe9826720e2) - [Video: This is a Tukda in Jhaptaal from my solo presentation at the Delhi Nritya Mahotsava. The performance showcases the intricate footwork and rhythmic patterns that are characteristic of a traditional Kathak recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/39f1e5a8-eb35-4f6f-9143-a0b3fe954a63) - [Video: This Tihai, a rhythmic pattern repeated three times, is set in the 13-beat cycle of Jait Taal. It was part of a special performance where I had the privilege of being accompanied by a full team of live musicians, enhancing the energy of the recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a500577b-6d0b-4f8c-94ad-121790260afc) - [Video: Here I present a Tihai in the 14-beat cycle of Dhamar Taal. This composition was taught to me by Maharaj ji himself, and I cherish his intricate instructions on the nuances of each movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dc9c53ad-35ea-4b0e-aca4-d838a95dc0e1) - ![A quiet moment of 'bhava' or emotion during my performance at the Smriti Festival in Chennai. Abhinaya, the art of expression, is central to my dance, allowing me to convey stories without words.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0cb9cd44-a8d7-4f36-8e17-449d5aca4341) - ![Another glimpse from the Smriti Festival in Chennai. The grace of the Lucknow Gharana is visible in the subtle movements of the hands, eyes, and body, telling a story with every gesture.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2007be77-7b0b-4479-86bc-48cc0b2bb98f) - ![This image captures the delicate hand gestures, or 'mudras', that are a vital part of Kathak storytelling. Each mudra has a specific meaning, helping to build the narrative of the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2ed12b86-a10b-4b34-bfa0-68e717d45f97) - ![A full-length view of my performance at the Smriti Festival. The traditional costume, with its wide flare, is designed to accentuate the beautiful 'chakkars' or spins of Kathak.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4ee0fe8d-2180-470b-8af0-41a6637924d7) - ![A close-up showing the expressive 'abhinaya' aspect of my performance at the CIDCO Auditorium. Connecting with the audience, especially the younger ones, through emotion and storytelling is a joyous part of my art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4ff37199-0b17-4d2e-b5c3-68d510a7eb5e) - ![This capture from my Navi Mumbai show highlights a moment of storytelling. My focus is on conveying the 'rasa' or emotional essence of the piece to the audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d0d81be3-d064-4f0d-aa9b-b43e5d79866d) - ![A smile shared with the audience during my performance at the CIDCO Auditorium. The joy of dance is something I love to share, making each performance an interactive and uplifting experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/90cac6c4-ee99-4750-919f-2e22fc2051c8) - ![A dynamic pose captured during my show in Navi Mumbai. My solo performances are designed to be energetic and engaging, holding the audience's attention from start to finish.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/72693636-8d95-4352-a4ff-45478d79e892) - ![This beautiful capture from the Smriti Festival in Chennai shows the blend of 'rasa' (emotion) and rhythm. The goal is to create a performance that is both technically sound and emotionally resonant.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7a0166fc-da60-4bd5-9b44-590d581d6e38) - [Video: The connection with the audience is palpable. That moment when you hear a heartfelt "Kya baat!" from the crowd is the greatest reward for an artist. This was from my performance at the Nartbhav Festival in Bengaluru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6eb87fc2-9bfe-4996-bcd7-15265b18f025) - [Video: This is a glimpse of a Parmelu in Teentaal, a composition by my Guru Pt. Birju Maharaj ji, from my solo performance at the Nartbhav Festival. I had the privilege of learning this piece from Mamta Maharaj didi.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ec0bf61e-c3f1-47cf-8cb2-871887bddccf) - ![A moment from my performance of Madhurashtakam at Triveni Kala Sangam. This devotional piece describes the sweetness of Lord Krishna in every aspect of his being.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/781df0dd-3628-496f-83a9-7dcc58031efd) - ![Presenting Madhurashtakam, a beautiful ode to Lord Krishna, for my guru Saswati didi's birthday celebration. Performing for my guru is the highest form of offering I can give.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d170b852-b308-4006-ac26-64210ee99b13) - ![This is a 'Nirtat Dhang' pose from my performance at Triveni Kala Sangam. It showcases the pure dance or 'nritta' aspect of Kathak, focusing on rhythm and form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/52cc85d4-fa18-47c8-84cb-54e0ac2cc54d) - ![A candid moment after my first show of the year. Each performance is a new beginning, and I am filled with gratitude for every opportunity to be on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ba20db64-2fde-4368-bea8-5afb648fa29c) - ![The feeling of completing a performance is one of immense gratitude and fulfillment. This picture was taken after a show, capturing the quiet joy of sharing my art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ed0f6db6-05a2-4c0d-b92b-856aa1b2a49b) - ![On stage is where I feel I am living my dream. This photo, in a classic white Kathak costume, was taken during a performance that reminded me how much I cherish this artistic life.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f2469dbe-3994-4c88-9e12-dbdc88d95a13) ### [Devotional Narratives: Krishna & Ram Bhakti](https://mytribe.in/garvita.kathak/kathak-performances/devotional-narratives-krishna-ram-bhakti) - ![A moment of quiet reflection from the production 'Krishna Katha'. Here, I am portraying an emotion from the life of Lord Krishna, using facial expressions and gestures to tell the story.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/691c3a03-2e3f-4a1a-9231-593b7a8ca3bc) - [Video: This duet portrays the classic 'Holi' narrative where Radha questions Krishna about where he has been playing with colors. These thematic productions bring alive the playful and devotional aspects of our mythology.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/36593647-b658-4860-9312-17f0dc4f1075) - [Video: Celebrating the festival of colors through dance. This piece, 'Shyam Sang Hori', depicts Radha's playful anticipation as she waits to celebrate Holi with Lord Krishna.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7ad6b691-42d6-4d50-8b17-5578e3ae6ffc) - [Video: This performance depicts the story of Krishna's playful teasing ('chhed chhad') of the 'sakhis' or friends by the banks of the Yamuna river. Storytelling is the heart of Kathak.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/018fd5d3-9de3-4da2-88ad-581ae1bb8870) - [Video: A glimpse from 'Krishn-Raas', a magical performance presented under the guidance of my guru, Saswati didi. The blue lighting and ethereal backdrop helped create the divine atmosphere of Krishna's celestial dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/16039664-f686-48ef-82eb-0a26c82bf098) - [Video: This piece, 'Sab Ban Than Aai Shyam Pyari', is a beloved composition in the Kathak world. It describes the 'sakhis' dressing up to meet their beloved Krishna, and I am portraying one of them.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dc174a5c-5491-43dc-b4d5-7b5503d16f9f) - ![Portraying Radha Rani for the first time was a deeply spiritual experience. This pose captures her divine essence and her complete surrender in love for Krishna.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a1562b0e-01ff-4cf3-8add-5d2fa2b261a0) - ![Another still from my portrayal of Radha. The costume, which belongs to my guru Saswati didi, made the experience even more special, as if I was wrapped in her blessings.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b1134ca3-4574-4522-94eb-170144663a86) - ![As Radha, every gesture is filled with devotion. Here, the hand mudras and expression convey a specific emotion from the narrative of her divine love story with Krishna.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/69664036-e7e4-4b1a-801d-b5800e48288a) - ![It was a dream come true to perform at the Ram Mandir in Ayodhya for Ram Navmi. This pose, in a traditional male costume, is from my performance there, a moment where I felt truly connected to the temple traditions of Kathak.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/19bd53a0-46c8-4f92-9b4e-bc9e50fadaf9) - !["Kanha, I am colored in Your color." This artistic portrait, taken outdoors, is an expression of my devotion to Krishna, a theme that runs through much of my dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8a1d1992-fba6-4aae-86bc-f0323c29c670) - ![A moment of devotion captured during the auspicious time of Navratri. Dance is my way of honouring the divine feminine, the 'Devi', during this sacred festival.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f3b099a4-b811-4c9c-a566-e0cf5691b097) ### [Rhythm & Technique: The Nritta Showcase](https://mytribe.in/garvita.kathak/kathak-performances/rhythm-technique-the-nritta-showcase) - [Video: Here I present a 'Toda', a technical composition of rhythmic patterns, set in the 16-beat cycle of Teentaal. This piece showcases intricate footwork and graceful movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0fc4e5f3-815d-4aa9-ba36-0df4a9340c2f) - [Video: This is a 'Paran' in Teentaal, performed as a 'haziri' or offering in front of a beautiful mural of my guru, Maharaj ji. His presence is a constant inspiration in my practice of pure dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4847a2cf-ed0f-4cc7-8990-15253082728f) - [Video: This is a 'Parmelu' in Teentaal, a composition by Maharaj ji that blends rhythmic syllables with sounds from nature and instruments. It is a joyful and energetic piece celebrating pure rhythm.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/56f4c9ad-34ab-4537-ad4b-ec5a7b466e60) - [Video: Presenting 'Thaat' in Dhamar Taal, a 14-beat cycle. 'Thaat' is the opening section of a traditional performance, where the dancer introduces the rhythm with subtle, stylized movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8960c37d-d9ba-43c3-b58d-b16b31a4c68b) - [Video: This is an 'Amad' in Dhamar Taal. 'Amad' means arrival, and this composition uses soft, graceful movements to mark the entry of the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0b6bbec0-fa39-4418-afb0-a455365f857e) - [Video: A powerful 'Paran' composition set to the 12-beat cycle of Ektaal. This piece demonstrates the dynamic energy and strong rhythmic command required in Nritta.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f5b2910b-1ecc-47fa-8f35-d62297fe7ca3) - [Video: This is an 'Uthaan' in Teentaal. As the name suggests, it is an introductory piece that 'lifts' the performance, setting the stage with a flourish of movement and rhythm.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5223f890-ad74-4632-bcac-3094c07803f8) - [Video: The 'Nritta Paksh' or pure dance aspect of Kathak is all about technical precision. This is a 'bandish' or composition in Teentaal, highlighting elegant hand movements and refined footwork.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8a4b4fea-dbb2-40fa-a7b9-14dc0d331f4c) - [Video: This is a graceful 'Tukda' from the composition 'Kanha Mai Tose Hari', sung by Maharaj Ji himself. It was an honour to learn this piece directly from my guru, Saswati didi.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9a923cc7-68c3-4d70-bb33-f7967086fbf3) - [Video: Another 'Paran' in Teentaal, showcasing the power and grace of this rhythmic composition. The spins, or 'chakkars', are a hallmark of Kathak's technical beauty.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5951a234-6a70-41eb-90bc-aea81dc4450c) - [Video: This video shows a 'Paran' in Teental, performed within a beautiful architectural archway. The focus here is on the intricate rhythmic patterns and the flow of movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/707686e4-55ab-4c65-a72b-6b829073dfe4) - [Video: A 'Parmelu' set to a 15-beat cycle, showcasing my ability to work with complex and less common rhythmic structures. This was performed at the Urth Movement Studio.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ac0681ce-b41b-4b7e-8223-2fe90c9ecf7c) - [Video: Presenting a 'Sargam', a composition where the dancer performs to melodic notes instead of just rhythmic syllables. This piece blends melody and rhythm beautifully.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/95065895-2b9d-424c-9880-05f999b51762) - [Video: This is a special 'Tihai' in Teentaal that I learned directly from Maharaj Ji. It was a privilege to perform this at the Sangeet Natak Akademi for the book release of 'Kathak Digdarshan'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8e80cba4-6d81-4388-b4d6-1d61ab70fc5a) ### [Collaborative Productions: Duets & Group Choreography](https://mytribe.in/garvita.kathak/kathak-performances/collaborative-productions-duets-group-choreography) - ![This poster is for 'Sangam', a duet Kathak production I performed with Ishwari Kulkarnii. Our performance was a celebration of the union of rhythm and grace, weaving together both pure dance and storytelling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e8c562d1-8064-4ce6-bc52-38f13d749fc8) - [Video: A glimpse from a group performance at the Tagore Theatre for Kala Sameeksha, an event by the Sangeet Natak Akademi. Dancing in sync with my fellow artists is a wonderful experience of unity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/270e6a7b-8c9a-4027-b001-aac7242976fb) - [Video: This 'Paran' was taught to us by Mamta Maharaj didi and performed as part of Vasantotsava. Group choreography requires perfect timing and a deep connection between the dancers.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3891c142-fa5d-4c66-936a-8a0846756634) - [Video: A moment from Vasantotsava '23, a dream lived on stage. The energy of a group performance is electrifying, with each dancer contributing to a larger, beautiful picture.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ef2bae36-5f4a-4937-ae22-a83c1e9d6e48) - [Video: This is a 'Paran' in Taal Ashtamangal, taught to us by our guru Saswati didi. We presented this piece during a Guru Purnima pooja, a beautiful offering of our collective devotion.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2883cfcf-c879-461b-a424-fced80b36fa2) - ![With the blessings of Maharaj ji, I had the good fortune to offer a dance tribute at the feet of Sai Baba in Shirdi. Performing as part of the Kalashram group is always a humbling experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ff6d0208-9e22-456d-88fe-fde688f72ab6) - ![Another moment from our group performance in Shirdi. The photo shows our collective prayer through dance, a powerful expression of our shared devotion and training under our guru.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/000356ab-f3aa-4566-8d8b-27df9aaaf911) ### [Accolades & Milestones](https://mytribe.in/garvita.kathak/kathak-performances/accolades-milestones) - ![I am blessed and overjoyed to be recognized as a Doordarshan Graded Artist. This is a significant milestone in my journey, and it would not have been possible without the blessings of my gurus.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e4875ae2-ae67-45a2-916a-48bc8ebbb104) - ![Another photo celebrating my recognition as a Doordarshan Graded Artist. This encourages me to work even harder and uphold the standards of this beautiful art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/810e0895-511f-475d-af3a-45119642e3c6) - [Video: A short clip of my performance at the Rashtriya Achiever Award ceremony. It was an honour to perform on the same stage where I was being recognized for my dedication to Kathak.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2e4e0f66-76f5-478a-941d-9c1832a02a53) - ![Receiving the Rashtriya Achiever Award. I accept this with a heart full of gratitude for my gurus, whose teachings are the light that guides my path.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6324eac0-289b-4740-84cf-e199dd438eb2) - ![An interactive performance at Vivekananda Education Society's College, where I was invited as a judge. It was heartening to see the enthusiasm of the students.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dd47761b-02b8-4e30-bb42-38105928eb2c) - [Video: A clip from my interactive performance at Vivekananda Education Society’s College in Mumbai. Sharing my art with students and aspiring dancers is a deeply rewarding experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/26696623-4c4a-4922-a307-56521c7d9613) - [Video: Another video from my performance at the college event in Mumbai. The energy of the students was infectious, and it was a joy to share a few movements with them.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/08d954dd-c412-4889-8f38-0c0b5c47781d) - ![A still from my performance at the Vivekananda Education Society's College. The backdrop and stage setup added a wonderful visual element to the event.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/90045060-c620-4714-b871-6849508537f6) - ![Performing in front of a backdrop featuring another artist is a reminder that we are all part of a larger artistic community, each contributing our own voice.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7b285bc9-012e-41b8-9b3b-e847546e4d6f) - [Video: A glimpse of my solo performance at the TEDx event hosted by Vivekananda College, Delhi University. Platforms like TEDx allow classical arts to reach a diverse and modern audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1ea05c70-c3ff-4a77-b80c-de48f6b8149b) ### [The Guru's Legacy](https://mytribe.in/garvita.kathak/kathak-performances/the-guru-s-legacy) - !["The Guru and God are two forms of the same divinity." This moment from a Guru Purnima ceremony, receiving blessings from my guru Saswati didi in front of Maharaj ji's portrait, is a memory I will cherish forever.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a205eb8e-fbf5-48f0-9604-444ac52f07b7) - [Video: I was moved to tears to receive the blessings of the legendary Padma Vibhushan Asha Bhosle Ji after a performance. She remarked on the reflection of my guru's style in my dance, which is the highest compliment I could ever receive.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d338ef5c-c4bf-4b43-a516-086b3171728d) - ![A moment of joy and reverence, dancing in front of the beautiful mural of my guru, Pt. Birju Maharaj ji. His legacy lives on in every beat and every movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2ff6012c-1b16-4203-a2df-c86d02a5f6a9) ### [Additional Work & Artistic Portraits](https://mytribe.in/garvita.kathak/kathak-performances/additional-work-artistic-portraits) - [Video: Namaskar. I am Garvita Sharma. In this video, I share a few words about my production 'Ramasmaran', an offering of love and surrender created with the Love Serve Remember Foundation. I hope you will join me in this prayer in movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/536b50d8-3258-4908-991b-5f92b414b92a) - [Video: On World Dance Day, I celebrate the art form that gives my life meaning. This shoot, set against the backdrop of Delhi's historic Qutub Minar, was my way of thanking dance for choosing me in this lifetime.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/87d5eb53-837e-45c5-9478-8d121cede639) - [Video: A 'Salaam' or traditional salutation in Kathak. This was a candid moment captured after a show, still feeling the joy and energy of the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a3567793-3d69-4c5f-becc-88030ea9808a) - !['Shringaar' means adornment or beauty. This portrait, in a beautiful hand-embroidered saree, captures the grace and elegance that is inherent to the Kathak art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dadf948c-d306-4efd-9196-89c012e0d788) - ![Another portrait from my 'Shringaar' series. The posture and hand gestures reflect the poise and stillness that is as important in Kathak as the dynamic movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fcb91f06-cc16-4169-9db1-6063759736e1) - ![A moment captured during a performance, filled with anticipation. I believe every performance is a precious gift, and I am grateful to share these moments with you.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9ef8e11c-089b-4fd8-9126-cdc38281cc6a) ## Meet your expert [Garvita Sharma](https://mytribe.in/garvita.kathak) ### My story Kathak for me? It’s everything. I learnt under Maharaj ji and Saswati Didi at Kalashram - that place is like my second home. Sometimes I’m in Delhi, sometimes Mumbai, always dancing. Once dreamt of studying at SRCC, but life had other plans - ended up judging a dance show there years later! My Gurus’ blessings, lots of riyaaz (practice), and the stage - that’s my real story. Tasmai Shri Gurave Namah. ### My work - **What I offer**: Solo and group Kathak performances, choreography, regular and special Kathak classes, and I judge dance competitions. - **My Kathak roots**: I belong to the Lucknow Gharana - all my training is under Maharaj ji and Saswati Didi, and I teach the same way. - **How I teach**: All sincere learners welcome, from total newbies to advanced. I focus on both Nritta (technique) and Nritya (expression). - **Performances & choreography**: I’ve performed and choreographed productions like 'Ramasmaran' across India. Connecting with art lovers matters the most. ## More services from Garvita Sharma - [Kathak Choreography](https://mytribe.in/garvita.kathak/kathak-choreography) · ₹3-30K per choreography (estimate) - [Kathak Classes & Workshops](https://mytribe.in/garvita.kathak/kathak-classes-workshops) · ₹500-1,500 per class/workshop (1-1.5 hours) (estimate) - [Dance Competition Judging](https://mytribe.in/garvita.kathak/dance-competition-judging) · ₹5-25K per event/session (estimate) ## Book To book Garvita Sharma, message mytribe on WhatsApp: [Chat on WhatsApp](https://wa.me/916360004054?text=Hi%2C%20I'm%20looking%20for%20Kathak%20Performances%20by%20Garvita%20Sharma.)