--- title: "Solo Sitar Recitals in Delhi | Authentic Indian Classical Music" description: "Experience the technical artistry of Hindustani classical music. Book Dhruv Bedi for authentic solo Sitar recitals and Raga performances across Delhi and India." canonical: https://mytribe.in/dhruv_bedi/music-education-workshops/exploring-raags-solo-sitar-recitals last_updated: 2025-09-22 --- # Exploring Indian Ragas: Solo Sitar Recitals Tribe Verified · Authentic Hindustani classical Raga recitals By [Dhruv Bedi](https://mytribe.in/dhruv_bedi) · Online sessions available; Studio in West Patel Nagar, New Delhi; Travels across India for workshops · ₹1,499 per course (estimate) Part of [Music Education & Workshops](https://mytribe.in/dhruv_bedi/music-education-workshops). [View full gallery](https://mytribe.in/dhruv_bedi/music-education-workshops/gallery) A window into the discipline of my daily practice, showcasing the technical beauty and emotional spectrum of Hindustani classical music. ## Photos and videos - [Video: A rendition of Raag Shyam Kalyan in Vilambit Teentaal, a slow 16-beat cycle. This Raag is typically performed in the evening and has a serene, meditative quality.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fbac1bbf-6100-4c04-995c-d66fc4a33d2f) - [Video: Welcoming the monsoon with the beautiful strains of Raag Gaud Malhar. This is a traditional monsoon Raag, and its notes are meant to evoke the feeling of rain.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/85f1c5ca-23ec-4bfe-a85a-655273f02953) - [Video: Presenting a composition I created in Raag Gawati, set to Teentaal. Composing within the strict framework of a Raag is a deeply creative and fulfilling process.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/855d4e68-77bf-49ba-94d2-070d8dae7a87) - [Video: Practicing fast 'taans' in Raag Yaman from my home studio. This kind of rigorous practice, or 'riyaz', is essential for maintaining speed and clarity in performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/52c77906-13ca-4374-990e-ad499a07952b) - [Video: A short performance of Raag Alhaiya Bilawal, a morning Raag known for its bright and devotional mood. The composition is set in the 16-beat cycle of Teentaal.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/792f08e0-18af-429f-846e-ee0b5c889f59) - [Video: Playing a 'drut bandish' or fast composition in Raag Bihag. This late-night Raag is romantic and expressive, building to a powerful climax.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/51d4dde5-43fa-463a-9708-4e23baaa82f1) - [Video: An excerpt of Raag Malkauns, a profound and meditative midnight Raag. Its melody is ancient and carries a deep sense of introspection.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c72c5549-e552-4b8a-b661-c9da23977db2) - [Video: Demonstrating the 'Jod' and 'Jhala' sections of Raag Shyam Kalyan. These sections follow the 'Alaap' and build rhythmic momentum before the Tabla enters.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e4846ca1-262c-4aa3-a7c2-611b9efec353) - [Video: A practice session focusing on the intricate melodic phrases of Raag Puriya. This evening Raag requires precise control and emotional depth.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/263c755f-d037-4827-998d-d51b34c665f8) - [Video: A quiet moment of practice, exploring the phrases of Raag Shyam Kalyan. This is where the foundation of a performance is built, through hours of dedicated 'riyaz'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/81336708-5fe1-4a3f-a36f-296259ca866c) - [Video: Continuing the exploration of Raag Shyam Kalyan. Each phrase is an opportunity to delve deeper into the Raag's character.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9ab9268e-f687-418e-81ec-d688e55fd36a) - [Video: A performance of the 'Alaap' in Raag Shyam Kalyan. The Alaap is the un-rhythmic, introductory section where the artist slowly reveals the mood and notes of the Raag.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3bc3db0d-906f-4072-9203-3f7ccb5a163e) - [Video: A rendition of Raag Bhairvi, performed on the final day of Navaratri. Bhairvi is a morning Raag but is often used to conclude a concert due to its emotional range.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0e468120-42a3-4638-8af0-ed469f12a959) - [Video: Playing Raag Gauri, a complex and profound evening Raag. It is one of the many melodies I shared during my nine-day Navaratri music series.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d795e682-04f9-4839-82d5-6eac4c408ade) - [Video: A performance of Raag Durga, a powerful and celebratory Raag, perfect for the festival of Durga Puja.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aa8f9419-8cd1-4d45-adfc-4790b49af33d) - [Video: The soulful and poignant melody of Raag Shivranjini. It is a light classical Raag, known for its ability to convey a sense of longing.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3d2c27ab-9b2f-4d10-a770-eff5607b5978) - [Video: Presenting Raag Saraswati, named after the Goddess of knowledge and arts. This Raag is intricate and requires technical dexterity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/886ffc4b-df34-4fd1-a259-2a812d39df6e) - [Video: An exploration of Raag Kalawati, a beautiful pentatonic Raag often played in the late evening.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c6b574cc-7df8-4e93-9082-2346ae583650) - [Video: Playing Raag Rageshree, a popular late-night Raag with a romantic and pleasing character.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d0800aa6-09ee-4354-b84c-bbff906bf1e8) - [Video: A performance of Raag Kalyani, also known as Yaman. It is one of the first Raags taught to students and is fundamental to Hindustani music.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6d4779e4-e414-4814-8cbd-bd7f85da433d) - [Video: The opening piece from my Navaratri series, Raag Bageshree. This is a classic late-night Raag, expressing the emotion of waiting for a loved one.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b48e89a3-6550-4835-bd92-b2ccd4034749) - [Video: A composition in Raag Chhayanat, a majestic evening Raag. The piece is 'Jhanana Jhanana Jhana', a well-known bandish in the classical repertoire.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2311f39d-df61-4f9e-9f83-4d99a3456200) - [Video: Playing the 'Alaap' of Raag Shuddha Sarang, an afternoon Raag that is bright and full of energy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f5a95b46-118d-45e0-83e9-1ca823d1ee88) - [Video: Another practice session focusing on Raag Puriya, demonstrating the discipline required to master the subtle nuances of Hindustani classical music.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b5060282-0d0e-49ec-8958-d537bc8950bf) ## About Exploring Raags: Solo Sitar Recitals In these solo recitals, I document my *riyaaz* (practice) and explorations of specific Ragas. Whether it is the meditative depth of Malkauns or the celebratory energy of Durga, each performance focuses on the structural nuances—the *alaap* for mood setting and the rhythmic complexity of *teentaal*. The journey of learning and performing the Sitar is one of constant refinement. In this cluster, I share the process behind a performance, focusing on the *Imdadkhani Gharana* style, which emphasizes *gayaki ang* (vocal-like phrasing). Each Raga serves a distinct purpose: * **Mood and Timing:** Ragas like Malkauns are introspective and nocturnal, while morning Ragas like Alhaiya Bilawal bring a brighter, devotional quality. Understanding this temporal placement is essential to the impact of the recital. * **Technical Progression:** A traditional performance typically moves from the slow, unmetered *alaap*, which introduces the Raga's grammar, through the rhythmic pulse of *jod*, and finally into the fast-paced *jhala*. * **Rhythmic Framework:** While these videos are solo, my work often integrates the 16-beat *teentaal* cycle, requiring precise timing and control. My practice sessions are not just about technical speed; they are about maintaining the emotional integrity of the notes. I believe that an audience appreciates the depth of the music when the artist explains the narrative behind the Raga. If you are looking for a classical recital that blends performance with a brief insight into the Raga's history and structure, these recitals provide a glimpse into that approach. I am based in West Patel Nagar, New Delhi, and available for bookings across India for private baithaks, corporate events, and cultural programs. ## About Dhruv Bedi I have dedicated my life to the Sitar, following the traditions of the Imdadkhani Gharana. For me, music is not just performance; it is a discipline that connects the artist to the listener through the eternal language of Ragas. 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