---
title: "Dance Production & Choreography for your Conceptual Stage Performance - mytribe"
description: "Need conceptual dance production & choreography? Hire Tanya Saxena in Delhi for stunning thematic Bharatanatyam and stage performances. From idea to execution, bring your unique story to life through dance. Book a visionary choreographer on Tribe today."
canonical: https://mytribe.in/delhidancer/dance-production-choreography
last_updated: 2025-09-22
---

# Dance Production & Choreography in Delhi Ncr

By [Tanya Saxena](https://mytribe.in/delhidancer) · I create dance productions from concept to final show, blending Bharatanatyam with other styles and live music, and work with you to tell real stories through choreography.

## Locations

Takes projects across Delhi NCR and pan-India

### Travels to

- Takes projects across Delhi NCR (National Capital Region, National Capital Region)
- Takes projects across India (India, India)

## Pricing guide (estimates)

These are indicative prices based on provider's past work. Enquire now to find out final quote.

### Solo or Duet Choreography Design

Includes 6 hours of research, custom movement design, and 10 hours of studio instruction for a 5-7 minute piece.

Typically ₹45-65K per piece (5-7 mins) (estimate)

#### Concept & Artistic Direction
* Thematic research into literature (e.g. Sangam poetry, Tagore) for intellectual depth.
* Narrative scripting and storyboard development for the piece.
* Selection and professional editing of classical tracks including audio mixing.

#### Choreography & Instruction
* Creation of original Nritta (pure dance) and Abhinaya (expressive dance) sequences.
* 8 to 10 hours of in-person contact classes at the Gurgaon studio.
* Reference video provision of the choreography for home practice.

#### Performance Coaching
* Specific training on eye expressions (Netra Abhinaya) and body geometry.
* Consultation on historically accurate costumes and jewelry.

### Live Classical Ensemble Performance

A 20-30 minute stage performance featuring Tanya Saxena and 3 senior dancers with premium costumes and audio.

Typically ₹95K-1.4L per performance (estimate)

#### The Performance
* Repertoire of 3-4 high-impact pieces (e.g. Thillanas or excerpts from signature works).
* 20 to 30 minutes of stage time.
* Tanya Saxena (Lead) plus 2 to 3 Senior Ensemble Dancers.
* High-definition pre-recorded backing tracks.

#### Production Standards
* Premium, color-coordinated Kanjeevaram silk costumes with temple jewelry.
* Uniform professional stage makeup and hair styling for all artists.
* Detailed lighting plan provided to the venue technical team.

#### On-Site Execution
* Team arrival 2 hours prior for stage spacing and floor checks.
* Scripted introduction in English or Hindi to provide context to the audience.

### Original Dance Production Commission

Complete creation of a 45-60 minute original dance-drama including original music score, script, and bespoke costumes.

Typically ₹3.5-5.5L per production (estimate)

#### Creative Development
* Development of a unique theme rooted in academic research and subject matter consultation.
* Composition and studio recording of a brand-new musical soundtrack featuring live instruments.

#### Choreography & Rehearsal
* Complex group formations and spatial arrangements for 5-8 dancers.
* 4-6 weeks of rehearsal process at the Gurgaon studio.
* Casting and training of professional Bharatanatyam dancers.

#### Visual & Stagecraft
* Design and tailoring of a fresh set of bespoke costumes.
* Creation of thematic props and set elements.
* Full artistic direction on the premiere day, including light and sound cueing.

## About Dance Production & Choreography

### Why I Dance

Dance, for me, is more than just movement. I use it to ask questions, tackle real issues, and tell stories that go deeper than the surface. Every production starts with a spark - sometimes a concept, sometimes a dilemma, sometimes a personal experience. I’m drawn to themes that matter, from climate change (like my “Ikshana” production with Bharatanatyam) to exploring identity in “Pehchaan”. I’ve even mixed in boatman songs (*Bhatiyali*) from Bengal and dived into the worlds of Ibsen and Tagore.

### My Approach

- If you’re coming with a ready idea or just a rough thought, I can help shape it from scratch.
- I take care of everything: concept, artistic direction, original choreography for solos, duets, or large ensembles, and even full show production.
- My base is Bharatanatyam, but I love experimenting - sometimes I bring in Nijinsky’s style or Western classical music. I’m all about fusion classical dance that tells a story.

### Collaborations That Matter

Art doesn’t happen in a vacuum. I team up with scholars, writers, theatre directors, photographers, and musicians (Indian and Western). A live orchestra? Always. It adds a punch you just can’t get otherwise. Multidisciplinary dance production is my jam.

### How It Works

Whether we work online or in-person at my Gurgaon studio, I keep the process flexible. For group projects, technology helps us stay synced until final rehearsals, so we focus on chemistry, not just steps. If you want a collaborative dance project that feels real, not just rehearsed, I’m here.

## Highlights

Browse through Tanya Saxena's best work.

### [Featured](https://mytribe.in/delhidancer/dance-production-choreography/featured)

- ![A moment of synchronized grace from my production 'Ikshana', a large-scale ensemble piece that uses Bharatanatyam to explore the narrative of climate change. This is an example of how I approach full-show production, from concept to stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3d7c8534-3a09-488c-93fc-2f0d27e787ad)
- ![The core of my production 'Pehchaan' is an exploration of identity. This solo performance moment captures the intensity of using abhinaya, or expressive storytelling, to ask complex questions about who we are as artists and individuals.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f345054a-7ebd-43af-98e6-5d4f6199b5bb)
- [Video: Fusing Bharatanatyam with Western classical music, this collaboration with flautist Samuel Bricault explores the parallels between Greek and Indian mythology. This piece, inspired by Debussy's 'Syrinx', shows my passion for multidisciplinary and experimental dance projects.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/19de6e60-7684-4e2e-a28b-7a4773295af1)
- ![Art as inquiry. This is a shot from my photo-narrative 'The Creation of a Goddess', which examines the process of idol making in Kumartuli and its parallels with the construction of female identity. It reflects my approach to using dance and performance for philosophical exploration.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6bc563aa-2ff5-4f79-954d-8e6e96287cf2)
- [Video: Beyond the stage, I engage in academic discourse. Here, I was invited by the National Institute of Disaster Management and Sangeet Natak Akademi to speak on using performing arts for climate action, sharing the research and process behind 'Ikshana'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c6f6bc5e-44de-4ed3-a266-01439baa9efe)
- [Video: A glimpse into the global music album 'Sounds of Kumbha', a project that blended spiritual sounds with classical dance. My choreography for this collaboration aimed to capture the essence of a deeply cultural event through movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d59715cf-8108-483a-b431-8c5c33b7e596)
- ![The heart of my work is collaboration. This is a moment of shared joy and creativity with my team in the studio. I believe the best art is born from a process that is both rigorous and deeply connected.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cb696f86-0b04-4c28-a356-6364b29aceaa)

### [Ikshana: Dance for Climate Action](https://mytribe.in/delhidancer/dance-production-choreography/ikshana-dance-for-climate-action)

- [Video: The official promo for 'Ikshana', a Bharatanatyam dance drama that narrates the story of climate change. The production examines the crisis from scientific, humanitarian, and psychological perspectives, showing how dance can be a powerful medium for social awareness.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ed08a892-704f-4018-a9fb-dc579b69c2b3)
- ![A dynamic scene from the 'Ikshana' stage performance. This highlights the ensemble choreography, where each dancer contributes to a larger, unfolding story about our planet's struggle and resilience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9c646c73-9c86-48cb-8cb0-355c8db725cc)
- ![A close-up from 'Ikshana' depicting a moment of narrative tension. My choreography focuses on using detailed abhinaya and character interaction to convey complex emotional arcs within the larger theme of environmental consciousness.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dd527953-5679-46a2-b604-0845bc14ff47)
- ![This tableau from 'Ikshana' represents the interconnectedness of humanity and nature. Creating such formations is a key part of my choreographic process for group productions, aiming for visual impact and narrative clarity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bd2ce8e4-56ea-45ed-864f-a2479e0e30be)
- ![A powerful formation from 'Ikshana' showcasing the use of symmetry and levels in my ensemble choreography. The lighting and composition are integral to the storytelling, creating a distinct mood for each segment of the production.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/31e164ec-912d-4a03-b8d6-f82465fc5aa2)
- [Video: A behind the scenes interview where I answer key questions about 'Ikshana'. I explain the concept, the tour details, and my vision for making the performance accessible to a wide audience, reflecting my commitment to art for social impact.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f7a3cff7-589a-4c5f-bbbf-bd878ab5f385)
- [Video: As the Artistic Director, I explain the intellectual framework of 'Ikshana'. The production uses Bharatanatyam and folk influences to explore the economic, social, and environmental facets of the climate crisis.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/94730855-1ce0-4762-9559-4dccb5abd35e)
- [Video: This teaser for 'Ikshana' captures the emotional core of the production. It shows glimpses of the dancers in rehearsal, conveying the passion and dedication that goes into creating a touring dance drama.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0d968c94-802f-4f03-ae48-3b403531f97b)
- [Video: This clip from 'Ikshana' uses symbolic movement to represent melting glaciers and rising sea levels. My choreography often translates abstract scientific concepts into tangible, evocative dance sequences.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9f8bf95a-eb8a-47f4-94d5-f6494d90fb9a)
- [Video: A short, impactful video for 'Ikshana' with the message to break free from pollution. This shows how I use digital media to extend the production's message beyond the stage, engaging a wider audience online.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0680a818-17f1-4337-8967-5b5639624aeb)
- ![The official HCL Concerts tour poster for 'Ikshana'. This demonstrates my experience with large-scale, sponsored tours across major Indian cities, including Pune, Bengaluru, Chennai, and Delhi.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0be25746-88f1-4cb6-8da0-f517e173881a)
- ![Another version of the 'Ikshana' tour poster, detailing the premiere. Managing a multi-city tour involves extensive planning and coordination, a key part of my production services.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/20e796dd-9e75-48b1-815f-f2826255d104)
- ![A promotional graphic for the Pune premiere of 'Ikshana'. This highlights my ability to market and generate interest for performances, resulting in successful, well-attended shows.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/85be3cdd-420c-4a46-96d5-ff8d7265607f)
- ![This graphic celebrates a 'Houseful' show for 'Ikshana' in Pune. It stands as a testament to the production's ability to connect with audiences and the success of our outreach efforts.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aec892ca-b897-4527-87c1-2a915914f413)
- ![An 'Artist Spotlight' graphic featuring me for the 'Ikshana' production. This is part of the promotional strategy I employ to introduce the artists and build a personal connection with the audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c5db9f99-fda5-4786-8af5-56f5746b0074)

### [Pehchaan: Exploring Identity Through Art](https://mytribe.in/delhidancer/dance-production-choreography/pehchaan-exploring-identity-through-art)

- [Video: A clip from my solo performance 'Pehchaan', which explores the theme of identity in art. The choreography is set to original Hindi poetry, showcasing my interest in creating new lyrical works for the Bharatanatyam repertoire.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/033cbe3b-1f85-400d-a9ef-c571acf050ed)
- ![A moment of contemplation from 'Pehchaan'. My solo work often grapples with the idea that art is not just something I do, but something that gives me purpose and shapes my identity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9669eb06-c982-4a09-bf90-fcb4027807cd)
- ![This image captures a moment of imbalance, reflecting the internal struggle between comfort and growth as an artist. 'Pehchaan' was an exploration of these very moments of vulnerability and strength.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/210861e7-f2a9-4eb6-b6d4-5d338cafcc8d)
- ![A joyful pose from 'Pehchaan'. The performance chronicles the journey of an artist, from surrendering to the form to finding a unique voice within it.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/93b84547-40a8-4d78-a921-12767a5b2332)
- ![An expressive moment from 'Pehchaan', where I use abhinaya to convey the internal symphony of an artist's soul. The lighting design is crucial in my productions to enhance the emotional landscape of the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/21eda49d-ea2b-410b-999f-0ff8e375b9f1)
- [Video: This promotional video for 'Pehchaan' uses the metaphor of the Ship of Theseus to question the nature of identity. It reflects the philosophical inquiry that forms the foundation of my conceptual work.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5c3fedc8-fdce-4f86-bcdf-20358c416fb5)
- [Video: The process of 'becoming' the dancer, or aharya, is a central theme in 'Pehchaan'. This video explores how the act of getting ready for a performance is a transformation in itself.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dbe5ca95-5cae-434d-9032-015d6eb98c9a)
- [Video: In this video, I discuss the concept of 'Surrender' in 'Pehchaan'. I explore how an artist must first surrender to the form before they can reconcile their personal identity with their artistic one.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fbaf13cc-ea74-4feb-9095-991712ec7a1b)
- [Video: This clip explains the feeling of 'Displacement' that I explore in 'Pehchaan'. It questions how a modern artist navigates the timeless, idealized world of the classical Nayika, or heroine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0affe03b-9182-4d00-a400-94a9addb51d5)
- [Video: Here, I talk about 'Acceptance' as the final stage in the journey of 'Pehchaan'. It's about finding and embracing my own unique voice within the tradition of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1a4c83a6-a48b-42eb-9f1c-41da399c4954)
- [Video: An introduction to the incredible team of musicians and technicians who brought 'Pehchaan' to life. Collaboration with a live orchestra is a non-negotiable for me, as it brings an irreplaceable energy to the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f4494375-0b9f-465e-b330-31ec0bec1739)

### [Cultural Fusions & Collaborations](https://mytribe.in/delhidancer/dance-production-choreography/cultural-fusions-collaborations)

- ![A moment from my collaboration with a Western flautist, where we explored Debussy's 'Afternoon of a Faun'. I drew inspiration from the legendary dancer Vaslav Nijinsky's revolutionary ballet to create a fusion of Bharatanatyam and Western modern dance concepts.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4f16e839-8e33-44b8-942d-cf748c7a6c2c)
- ![Another still from the Indo-French project, showing the dynamic between the musician and the dancer. My goal in such collaborations is to find a shared language that transcends cultural and artistic boundaries.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/80572f54-dbef-4d1c-9fd2-6db1726e39db)
- [Video: This is an excerpt from 'Yami', a dance theatre production where I interpreted the character of Nora from Ibsen's 'A Doll's House'. It's an example of how I use Bharatanatyam to explore characters and themes from Western literature.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c32ff0d0-f856-4fd7-bc76-945b42948c6b)
- ![A performance from 'Sonar Bangla', a production celebrating the cultural landscape of Bengal. Here, we interpret the region's famous boatman songs, or 'Bhatiyali', through the vocabulary of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5ec148b8-ee29-460c-920a-37a7e6ae4d2d)
- [Video: From practice to performance, this video shows the evolution of a piece from 'Sonar Bangla'. It highlights the process of adapting the fluid, earthy feel of Bengali folk traditions into the structured form of classical dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fbf75214-89e7-41a6-9857-694507fdf977)
- ![A studio shot from a production dedicated to Rabindranath Tagore. Collaborating with other artists to interpret his 'Gitabitan' was a deep dive into the seamlessness of his words and music.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/30874311-3c90-499f-b2e7-0c8a1e0bb666)
- ![Another moment from our Tagore rehearsals. These collaborations are built on hours of research, discussion, and practice, resulting in a deep artistic friendship and a richer final performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2da5fc33-8f65-4d55-967a-b931c1e83802)
- ![A duet from 'Sonar Bangla', capturing the spirit of the rivers Ganga and Brahmaputra that shape Bengal. The costuming and choreography are designed to evoke the specific cultural aesthetics of the region.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aceb7635-be4b-49a7-a2e2-2f6168832dd7)
- ![An ensemble moment from 'Sonar Bangla'. Choreographing for a group to tell a culturally specific story requires careful attention to detail, from the narrative arc to the synchronized movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/acd8f5e2-2aaa-4358-8626-20cf625c89e9)
- ![A solo moment from 'Sonar Bangla', where I embody the spirit of the river. This production was a beautiful adventure in blending my classical training with the rich poetic and musical traditions of Bengal.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e42604fa-dcc5-4b49-9078-c4cea8a2db11)
- [Video: A glimpse into the global music album 'Sounds of Kumbha', a project that blended spiritual sounds with classical dance. My choreography for this collaboration aimed to capture the essence of a deeply cultural event through movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d59715cf-8108-483a-b431-8c5c33b7e596)
- [Video: Fusing Bharatanatyam with Western classical music, this collaboration with flautist Samuel Bricault explores the parallels between Greek and Indian mythology. This piece, inspired by Debussy's 'Syrinx', shows my passion for multidisciplinary and experimental dance projects.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/19de6e60-7684-4e2e-a28b-7a4773295af1)

### [The Creation of a Goddess: A Photographic Narrative](https://mytribe.in/delhidancer/dance-production-choreography/the-creation-of-a-goddess-a-photographic-narrative)

- ![The final image of the Goddess, with multiple arms representing her 'Shakti' or power. This photo from 'The Creation of a Goddess' is the culmination of the narrative, showing the complete transformation from humble clay to the divine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/13c42c2d-350d-453a-8e4e-8cb7c1867727)
- ![The story begins. This image pays tribute to the artisans of Kumartuli, whose hands transform clay into divinity. The project questions at what point humble material becomes a symbol of the divine feminine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/48cc0eb4-303b-4d70-a58d-d8f5cd2f2a6f)
- ![The first step: clay on a straw frame. This image represents the initial, raw stage of creation, drawing a parallel to the story of Maa Durga's own creation by the Gods to be a figure of strength.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a3b9c93f-f3da-4ac1-9a22-421fdfa5a56b)
- ![The second step: smoothing the cracks. The goddess idol is constructed to be smooth and perfect, which led me to question if we allow the same space for human women to have their 'cracks' and imperfections.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e7b2c9aa-cd79-4173-971f-324cb8eac99e)
- ![The third step: the 'Sandhi' or transformation. This is when the spirit enters the idol. The photo series explores this moment and the inclusive tradition of using mud from a prostitute's house, representing everywoman.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8ee757c6-a1b6-45b0-af8c-454865f3897a)
- ![The final touch: painting the eyes. This is a crucial moment in the creation of the idol, where the lifeless figure is given sight and soul. It is the final act before she is revealed.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0f598b1e-b85c-4f2c-9392-24b9c922c379)
- [Video: A video compilation of the photo story, showing the entire process from clay to goddess. This project was a deep, experimental collaboration with photographer Sanjit Debroy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5df28bde-15e0-4032-a530-2dac209104d6)
- ![An image from the first stage of creation, representing the raw, unformed potential of both the clay and the feminine spirit.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1f3ea538-6b7e-4c7c-a2b2-2b4819030fde)
- ![Another perspective on the initial clay form, with a single light source suggesting the spark of life and idea.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/23f5f5f0-839a-493d-9004-b995b22cc55b)
- ![The artist's hand sculpting the clay, a direct visual metaphor for how identity is shaped by external forces.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1fcbeddd-362a-47e0-a037-3c50d6ab1174)
- ![A pose of strength and defiance, even in the early, unrefined stage of creation.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/89505a70-89ab-4bda-8bf0-94c17232354d)
- ![A moment of quiet prayer and introspection, part of the process of invoking the divine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5bf425db-543e-4500-adf7-3a3fa1e13e83)
- ![Holding the sculptor's tool, this image questions who holds the power in the act of creation and definition.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5374627e-23ae-4311-99c3-af2311acbc57)
- ![A profile shot showing the application of 'bele maati', the fine clay that gives the idol its smooth finish.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6d53992e-9000-4d5d-96ba-092a99e0354b)
- ![A moment of divine transformation, as the spirit of the goddess is invoked into the clay form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/94dcf4ec-0626-4ab9-887c-a21224aac632)
- ![The artist's hand applying makeup, blurring the line between the creator and the creation.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/61d06115-f92b-47de-8de2-6d80f6b6bc17)
- ![A portrait of the idol, partly formed, representing a state of becoming.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dded5c24-dfe9-4f61-a0f9-464c38a8f0f5)
- ![A close-up of the 'aharya' or adornment process, a key part of the transformation.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4e602cc0-3287-455c-8347-33b76822e061)
- ![The goddess in her full glory, a symbol of strength and compassion, ready to be worshipped.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/71922e32-61c0-47db-b4ea-96a38bbbf09e)

### [The Scholarly Dancer: Research in Motion](https://mytribe.in/delhidancer/dance-production-choreography/the-scholarly-dancer-research-in-motion)

- ![A performance still inspired by a verse from the Kurunthokai, an ancient Sangam-era text. The cracked, desolate earth reflects the inner turmoil of the heroine, showing how I use landscape and historical poetry in my work.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/09e9043d-36fe-4957-978f-23b040363b81)
- [Video: This exploration under a Banyan tree is a meditation on time and the history of Bharatanatyam. I often use my practice to grapple with questions of the past, its injustices, and our responsibility in the present.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/976f5880-f1e0-41ff-87dd-b4cf8b759076)
- ![Celebrating Holi by recreating a pose from a Mughal miniature painting. This post is an example of my research into India's syncretic culture and how festivals and art forms have been shaped by historical exchanges.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/309f9e05-c289-47f1-8a9b-a40706ca51d6)
- ![A photo that accompanied my reflections on the Natya Shastra. I constantly question the role of 'aharya' (costume and makeup) and whether it transforms us or is an extension of an identity we already possess.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b2f7650d-afd2-40bb-b72f-43ec7d7d16c7)
- ![An abstract shot from a photoshoot exploring the ideas of identity and aharya. My work is a continuous grind of reading, thinking, and finding ways to translate those ideas into movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/218477e8-d1db-4e3e-83a8-2be7aeab7ba8)
- ![Another perspective from the aharya series, focusing on the 'hasta' or hand gesture. Even without full costume, the identity of the dancer is present in the form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b3dae23a-4122-4e24-9330-a61a2341f481)
- ![The poster for my performance 'Aharya' at the AMI Arts Festival. This work-in-progress is a direct response to audience perceptions of dance, questioning how we 'look' at a performance and what we value.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/41c5b3b0-c88d-47c9-90bc-ea3472c7c0f5)
- ![The poster for my ICCR Horizon Series solo performance. Performing at the Indira Kala Sangeet Vishwavidyalaya, a prestigious university for the arts, was a challenge and a delight, bringing my work to an audience of fellow musicians and dancers.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d918d08f-bef8-4533-ad9d-eace5c0c3b99)
- [Video: Beyond the stage, I engage in academic discourse. Here, I was invited by the National Institute of Disaster Management and Sangeet Natak Akademi to speak on using performing arts for climate action, sharing the research and process behind 'Ikshana'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c6f6bc5e-44de-4ed3-a266-01439baa9efe)

### [Behind the Scenes: The Creative Process](https://mytribe.in/delhidancer/dance-production-choreography/behind-the-scenes-the-creative-process)

- [Video: A vlog detailing the intense preparation for my ICCR tour to Russia. It shows the reality of juggling a solo premiere with putting together an international tour for 15 artists in just a few days, a testament to my team's dedication.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d06e4bf4-30fc-48da-808a-cccfd8c54c13)
- [Video: Practice versus performance. This video shows how hours of studio rehearsal, focused on emotion and experience, culminate in a few polished minutes on stage. The process is where the real work lies.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a4e2e913-2a23-47ba-9d91-43e33125b762)
- [Video: A fun moment in the studio learning a Jathi from a fellow dancer. My studio is a space for learning, sharing, and joyful exploration, even when we are just dancing for fun.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a3aa101b-741f-4f03-aca2-cc52ce03b1e6)
- ![An informal moment of discussion and brainstorming with my dancers in the studio. My process is highly collaborative, and I believe in creating a space where ideas can be shared freely.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b3df4b83-e1c3-40d7-89d4-570c8ddab865)
- ![The joy and camaraderie that fuels our work. These lighthearted moments are just as important as the intense rehearsals, building the chemistry that makes our ensemble performances feel connected and real.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2d58780b-b81d-4e7b-a406-2cf1b08c8d7d)
- ![Even the photographer becomes part of the team. A fun, unplanned shot from a studio session that captures the collaborative and friendly atmosphere I foster in my creative projects.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3787b669-5d5e-4f22-ab25-47d60481c9d4)
- ![A throwback to helping a fellow dancer with his makeup backstage. In my world, collaboration means supporting each other in every way possible, on and off the stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aa6b7dfd-dcc5-4e2b-a541-6b809d7a9a4b)
- ![A personal reflection on performing at Russia's legendary Mariinsky Theatre, a full-circle moment from being a tourist there years ago. It speaks to the journey and the incredible opportunities that this path offers.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4d4b2bfc-bfc6-4460-8fcb-ebb529aca849)
- ![The bare stage of the Mariinsky Theatre. This image gives a sense of the scale and ambition of the productions I undertake, and the challenge of filling such a grand space with energy and movement.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3d5084cb-7ffb-4383-8e53-6654f2d3de6d)

## Meet your expert

[Tanya Saxena](https://mytribe.in/delhidancer)

### My story

You know, people get confused when I say I’m crazy about math and history. But dance is where it all mixes up for me - it’s my way to connect ideas, make sense of life. I’m always tweaking steps, even last minute, and honestly, some days I just want to crash. But dance gives me purpose, it’s my pehchaan. I’m a sucker for handloom sarees and adrak chai, and backstage moments with friends are pure gold. My soul? It’s like an orchestra, and dance is me trying to hear every instrument inside.

### My work

- **Bharatanatyam performances & choreography**: I perform solo and with my group, create new thematic Bharatanatyam choreography for events.
- **Storytelling through dance**: I explore stories from mythology, Sangam poetry, and even themes like climate crisis in my productions.
- **Workshops & teaching**: I run Bharatanatyam workshops for beginners and regular classes, sharing what I’ve learnt as an eternal student.
- **Collaboration & teamwork**: Every show is a team effort - I love working with fellow dancers, musicians, and artists to create something real.

## More services from Tanya Saxena

- [Bharatanatyam Performances](https://mytribe.in/delhidancer/bharatanatyam-performances) · ₹20-60K per solo performance (estimate)
- [Classical Dance Education](https://mytribe.in/delhidancer/classical-dance-education) · ₹800-2,500 per hour (group class) (estimate)

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## Book

To book Tanya Saxena, message mytribe on WhatsApp: [Chat on WhatsApp](https://wa.me/916360004054?text=Hi%2C%20I'm%20looking%20for%20Dance%20Production%20%26%20Choreography%20by%20Tanya%20Saxena.)