---
title: "Bharatanatyam Performances: Book an expert Indian classical dancer - mytribe"
description: "Looking to hire a Bharatanatyam dancer? Book Tanya Saxena for breathtaking Indian classical dance performances at cultural events, festivals, or private functions. See her portfolio and book a truly memorable solo recital or dance drama."
canonical: https://mytribe.in/delhidancer/bharatanatyam-performances
last_updated: 2025-09-22
---

# Bharatanatyam Performances in Delhi Ncr

By [Tanya Saxena](https://mytribe.in/delhidancer) · I perform Bharatanatyam solo and with groups, covering both traditional pieces and new themes, and I create shows for events of any size.

## Locations

Performs across Delhi NCR and travels pan-India

### Travels to

- Performs at venues across Delhi NCR (National Capital Region, National Capital Region)
- Travels across India for performances (India, India)

## Pricing guide (estimates)

These are indicative prices based on provider's past work. Enquire now to find out final quote.

### Solo Recital (Recorded Audio)

A 30-minute solo performance featuring artist-led narration and high-fidelity pre-recorded Carnatic classical music tracks.

Typically ₹28-38K Per Performance (up to 30 mins) (estimate)

#### Performance Details
*   **Artist:** Solo performance by Tanya Saxena.
*   **Duration:** 20 to 30 minutes.
*   **Content:** High-energy items like Thillana and expressive Abhinaya pieces.
*   **Narration:** Artist introduces pieces in English/Hindi.
*   **Audio:** High-fidelity pre-recorded Carnatic tracks.

#### Aesthetics
*   **Costume:** Authentic Kanjeevaram silk dance costume.
*   **Jewelry:** Full set of Temple Jewelry and professional Ghungroos.
*   **Styling:** Professional classical stage makeup, traditional bun with Jasmine flowers.

#### Logistics
*   **Travel:** Included for Delhi NCR/Gurgaon.
*   **Tech:** Artist provides audio source; client provides sound system.

### Grand Recital (Live Orchestra)

A 60-minute classical experience accompanied by a 4-piece live musical ensemble featuring Nattuvangam, Vocals, Mridangam, and Violin.

Typically ₹95K-1.2L Per Performance (45-60 mins) (estimate)

#### Performance Details
*   **Artist:** Solo performance by Tanya Saxena.
*   **Orchestra:** 4-piece team including Nattuvangam, Vocalist, Mridangam, and Violin/Flute.
*   **Duration:** 45 to 60 minutes.
*   **Format:** Traditional Margam or thematic curation with live improvisation.

#### Technical Requirements
*   **Rehearsals:** Includes 1-2 technical runs with musicians.
*   **Sound Check:** Mandatory 45-minute check at venue before event.

#### Logistics & Styling
*   **Visuals:** Premium Silk Costumes for dancer; Traditional wear for musicians.
*   **Travel:** Logistics for 5-person team included within Delhi NCR.

### Thematic Group Production

A 50-minute choreographed show with a 5-dancer ensemble exploring themes like Climate Change or Cultural Identity using synchronized audio.

Typically ₹1.4-1.6L Per Production (45-50 mins) (estimate)

#### Production Scope
*   **Cast:** 5 Professional Dancers (Lead + 4 Ensemble).
*   **Duration:** 45 to 50 minutes.
*   **Themes:** Options include "Ikshana" (Climate Change) or "Sonar Bangla".
*   **Audio:** Studio-mastered synchronized audio track.

#### Visuals & Tech
*   **Choreography:** Complex formations and dramatic storytelling.
*   **Costumes:** Color-coordinated group sarees and draping styles.
*   **Props:** Thematic props and minimal stage decor elements.
*   **Styling:** Uniform professional makeup for the troupe.

#### Support
*   **Lighting:** Lighting cue sheet provided by artist.
*   **Logistics:** Transport for troupe and equipment within NCR.

## About Bharatanatyam Performances

### Why I Dance

Some days I wake up excited to dance, some days it’s just tough. But honestly, Bharatanatyam is how I figure out my place in the world. It’s not just steps and music for me - it’s about connecting with something way older and bigger than myself. Like the old Bengali line, chinmoyi esheche mrinmoyi rupe (the eternal in an earthen form), I feel like I’m carrying forward stories through movement.

### What I Bring to the Stage

My performances swing from old-school traditional to totally contemporary Bharatanatyam choreography. Sometimes it’s just me - solo Bharatanatyam recital, exploring classic items like Alarippu, Jathiswaram, Varnam, Thillana. Other times, I go personal with themes like identity or bring poetry alive on stage.

When it’s a bigger group, I love creating productions that dig into bigger questions. Stuff like climate change (Ikshana) or celebrating Bengal’s river culture (Sonar Bangla) with live orchestra Bharatanatyam and artists from all over. I’ve done these shows everywhere from intimate baithaks to international festivals.

### How I Work

Every show starts with a spark - a poem, a feeling, a question. I spend a lot of time researching, rehearsing, and working with musicians or other artists. Sometimes I experiment, like mixing Bharatanatyam with Western music. I’m mostly based in Delhi/NCR but you’ll find me performing across India and abroad, from small cultural gigs to big festival stages.

## Highlights

Browse through Tanya Saxena's best work.

### [Featured](https://mytribe.in/delhidancer/bharatanatyam-performances/featured)

- ![This image is from a photo story titled 'The Creation of a Goddess'. It explores the concept of 'Shakti' or divine feminine strength, visually representing the many arms of Maa Durga, each a symbol of her power and grace in my Bharatanatyam practice.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/13c42c2d-350d-453a-8e4e-8cb7c1867727)
- ![A moment of synchronized energy from my group production 'Ikshana'. The dramatic lighting and precise formations capture the urgency of our performance, which uses Bharatanatyam to explore the narrative of climate change.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3d7c8534-3a09-488c-93fc-2f0d27e787ad)
- ![A powerful moment of 'abhinaya' or expression from my solo production, 'Pehchaan'. In this piece, I explore the complex relationship between my identity as an individual and the timeless characters I portray on stage through classical dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f345054a-7ebd-43af-98e6-5d4f6199b5bb)
- [Video: This is a glimpse from the global music album "Sounds of Kumbha," a collaboration where I interpreted the spiritual music through Bharatanatyam. The misty morning setting by the ghats added a unique, ethereal quality to the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d59715cf-8108-483a-b431-8c5c33b7e596)
- ![For me, dance is a path of inquiry, much like the one in Robert Frost's poem. This portrait, taken in a quiet wood, reflects the introspective journey of being a classical dancer and choosing a life dedicated to art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f8787f5b-c474-4fe9-ab3e-3418b8c8d69b)
- [Video: This video shows the journey from the dance studio to the stage. It contrasts the raw energy of rehearsal with the polished finality of a performance, revealing the process of transforming hours of practice into a few moments of art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a4e2e913-2a23-47ba-9d91-43e33125b762)
- ![A moment from 'Les Flutes Enchantes,' an Indo-French collaboration where I danced to Debussy's 'Prelude to the Afternoon of a Faun'. This experimental work was a fascinating dialogue between Bharatanatyam and Western classical music and dance history.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/80572f54-dbef-4d1c-9fd2-6db1726e39db)
- ![Embracing the vibrant spirit of Holi through dance. This festival of colors provides a wonderful canvas for 'abhinaya', allowing for an expression of pure joy and celebration, connecting the art form to our living traditions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a5eae141-48f9-49e7-af2f-74e559662ab2)

### [Ikshana: A Bharatanatyam Perspective on Climate Change](https://mytribe.in/delhidancer/bharatanatyam-performances/ikshana-a-bharatanatyam-perspective-on-climate-change)

- [Video: The official promo for 'Ikshana', a dance drama that narrates the story of climate change. The video captures the expressive range of the performance, from depicting nature's beauty to the anguish of its destruction.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ed08a892-704f-4018-a9fb-dc579b69c2b3)
- ![A scene from 'Ikshana' where we use group choreography to represent the interconnectedness of our ecosystem. This production was a journey of intense collaboration and brainstorming with a wonderful team of dancers.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9c646c73-9c86-48cb-8cb0-355c8db725cc)
- ![This poignant tableau from 'Ikshana' depicts humanity's relationship with Mother Earth. One dancer, isolated, represents the planet's suffering, while the group embodies the collective that depends on her.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bd2ce8e4-56ea-45ed-864f-a2479e0e30be)
- ![A formation from 'Ikshana' creating a visual metaphor through Bharatanatyam. The use of levels and symmetry in this group choreography helps tell a complex story about our environment on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/31e164ec-912d-4a03-b8d6-f82465fc5aa2)
- ![A close-up on the expressive storytelling, or 'abhinaya', within 'Ikshana'. Here, we convey the narrative of loss and consequence, using facial expressions and gestures central to Indian classical dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dd527953-5679-46a2-b604-0845bc14ff47)
- [Video: A behind the scenes look at the rehearsal process for 'Ikshana'. This clip shows the dedication and emotion that goes into preparing for a thematic dance drama about saving Mother Earth.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0d968c94-802f-4f03-ae48-3b403531f97b)
- ![An artist spotlight created for the 'Ikshana' tour. It was an honor to lead this project and work with such a talented team to bring this important conversation to the stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c5db9f99-fda5-4786-8af5-56f5746b0074)
- ![The official poster for the multi-city tour of 'Ikshana', a new perspective on climate change through Bharatanatyam. We performed in Pune, Bengaluru, Chennai, and Delhi.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0be25746-88f1-4cb6-8da0-f517e173881a)
- ![An announcement for our premiere performance of 'Ikshana' in Pune. The artwork beautifully captures the essence of the show, weaving together nature, industry, and the dancer as a witness.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/85be3cdd-420c-4a46-96d5-ff8d7265607f)
- ![It was a wonderful feeling to see this 'Houseful' announcement for our show in Pune. The audience's response to our artistic exploration of climate change was truly heartening.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aec892ca-b897-4527-87c1-2a915914f413)
- ![The premiere announcement for 'Ikshana'. This performance addresses the impact of climate change on biodiversity, agriculture, and our connection to the Earth, aiming to inspire action.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/20e796dd-9e75-48b1-815f-f2826255d104)

### [The Creation of a Goddess: A Navratri Photo Story](https://mytribe.in/delhidancer/bharatanatyam-performances/the-creation-of-a-goddess-a-navratri-photo-story)

- [Video: A video montage showing the transformation from a clay-covered form to the fully adorned goddess. This photo story was a collaboration that explored the entire process of creation and invocation during Durga Puja.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5df28bde-15e0-4032-a530-2dac209104d6)
- ![The first step in the creation of the idol, where clay is applied over a straw frame. This image represents the raw, foundational stage of creation, linking the earth to the divine feminine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a3b9c93f-f3da-4ac1-9a22-421fdfa5a56b)
- ![A pose reflecting contemplation during the initial phase of the goddess's creation. The story of Durga's birth, formed from the combined powers of the gods, is a powerful narrative of strength.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1f3ea538-6b7e-4c7c-a2b2-2b4819030fde)
- ![Lit by a single bulb, this image evokes the humble potter's studio in Kumartuli where the divine takes shape. It questions if we raise our women to be as brave as the goddess we worship.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/23f5f5f0-839a-493d-9004-b995b22cc55b)
- ![A tribute to the artisans of Kumartuli, whose hands transform humble clay into a symbol of divine femininity. This photo story was inspired by their incredible, often unsung, artistry.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/89505a70-89ab-4bda-8bf0-94c17232354d)
- ![The second stage involves smoothing the cracks with a finer clay. This portrait, with its cracked clay texture, questions the societal expectation for women to be flawless, unlike the smooth finish of the idol.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5374627e-23ae-4311-99c3-af2311acbc57)
- ![Holding a sculpting tool, this image symbolizes the act of shaping and being shaped. It reflects on how a woman's virtues and her 'cracks' are both part of her identity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6bc563aa-2ff5-4f79-954d-8e6e96287cf2)
- ![A powerful pose from the second phase of the photo story. The red-painted fingertips contrast with the earthy clay, signifying the emergence of the goddess's divine power and warrior aspect.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e7b2c9aa-cd79-4173-971f-324cb8eac99e)
- ![This image captures a moment of quiet grace amidst the sculpting process. The 'bele maati' or fine clay application gives the idol its smooth finish, a metaphor for the constructed nature of perfection.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6d53992e-9000-4d5d-96ba-092a99e0354b)
- ![The final stage is coloring, where the spirit of the goddess enters the idol. This image shows the 'Sandhi' or moment of transformation, where the figure becomes divine.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8ee757c6-a1b6-45b0-af8c-454865f3897a)
- ![A portrait from the 'Navami' phase of the story. The use of mud from the homes of prostitutes in Sonagachi to create the idol is a powerful statement of inclusivity I wanted to explore.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dded5c24-dfe9-4f61-a0f9-464c38a8f0f5)
- ![The 'Chokkhu Daan', or painting of the eyes, is a pivotal moment that is believed to breathe life into the idol. This close-up captures the intimacy and sacredness of that act.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/61d06115-f92b-47de-8de2-6d80f6b6bc17)
- ![A pose of readiness and power, as the goddess is fully invoked on Navami. The story questions whether the inclusivity in her creation extends to our society in practice.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/94dcf4ec-0626-4ab9-887c-a21224aac632)
- ![A detailed shot of the final 'aharya' or adornment. The application of makeup and jewelry completes the transformation from a clay figure to the revered image of the Goddess.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0f598b1e-b85c-4f2c-9392-24b9c922c379)
- ![The final touches being applied, symbolizing the completion of the goddess. This process is a beautiful metaphor for how we prepare ourselves to step into a different role on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4e602cc0-3287-455c-8347-33b76822e061)
- ![The fully realized goddess, no longer clay but a vessel of divine energy. The single light bulb is a nod to the humble workshops where this magic happens.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/48cc0eb4-303b-4d70-a58d-d8f5cd2f2a6f)
- ![A moment of prayer and gratitude as the goddess is fully manifest. This photo story was a deeply moving experience, connecting my art to a rich cultural and spiritual tradition.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5bf425db-543e-4500-adf7-3a3fa1e13e83)
- ![The final image of the Goddess, resplendent and powerful, before her Visarjan or immersion. This moment reminds us of the cycle of creation and dissolution, a central theme in Indian philosophy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/71922e32-61c0-47db-b4ea-96a38bbbf09e)

### [Solo Recitals: The Classical Repertoire](https://mytribe.in/delhidancer/bharatanatyam-performances/solo-recitals-the-classical-repertoire)

- ![This photo captures a specific moment from the second jathi of a Reeti Gowlai varnam. A solo recital is a deep dive into the intricate rhythms and expressive storytelling of the traditional Bharatanatyam repertoire.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ac2acec3-5541-4008-b970-220ee43718dc)
- ![A photograph capturing the dynamic energy of a pure dance or 'nritta' sequence. The fan of the saree pleats is a classic visual element of a Bharatanatyam solo performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/210861e7-f2a9-4eb6-b6d4-5d338cafcc8d)
- [Video: A short clip from my solo performance at the prestigious Uday Shankar Dance Festival. Presenting my own choreography on such a renowned stage was a true honor.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d36f4c80-9e0f-487e-885a-2bb756ee23d3)
- ![Performing at the India Habitat Centre for 'Soukariyam - The Aesthetic'. The traditional lamp, or 'diya', is an integral part of the stage setting, symbolizing the light of knowledge and art.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d52d8c0f-46c2-410f-bfd3-59197ddda21f)
- ![A moment of quiet introspection during my solo performance 'Pehchaan'. For me, dance is not just about movement; it is a sense of purpose and a way to explore the inseparable link between art and identity.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/93b84547-40a8-4d78-a921-12767a5b2332)
- ![This image from 'Pehchaan' captures a moment of offering. The performance was an exploration of my identity as a dancer, grappling with the persona I present on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9669eb06-c982-4a09-bf90-fcb4027807cd)
- ![A moment of devotion from a solo recital. The essence of Bharatanatyam lies in its ability to convey profound emotions and stories through subtle gestures and expressions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/21eda49d-ea2b-410b-999f-0ff8e375b9f1)
- ![Performing a traditional Varnam at the Delhi International Arts Festival. The live orchestra on stage, including vocals and mridangam, is essential for creating an immersive experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0f20ace4-3f35-4c73-9470-4d9938ac3fae)
- ![A photo from a very special performance, radiating the joy of being on stage. This was for my first solo recital with the ICCR under their Horizon Series.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/069b4de8-b894-44ce-95cb-ac6727c3b7ff)
- ![A candid moment captured just before going on stage. I am one of those dancers who constantly revises choreography in my head, even if I have performed it a thousand times.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/429ab83d-1e0f-4f6f-98fd-66404a693563)
- ![A close-up shot from the 'Soukariyam' performance, highlighting the 'aharya' or adornment. The intricate jewelry and makeup are part of the transformation into the character being portrayed.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/88ca2a29-b7b1-4afa-99a5-a5a180a11803)
- ![A graceful pose from my solo recital at the India Habitat Centre. Each performance is an opportunity to connect with the audience and share the beauty of this classical art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ba33a9bb-9a6d-449e-a9f8-de26021f4110)
- ![The 'Soukariyam' performance was about exploring the aesthetics of Bharatanatyam. This pose showcases the balance and control required in the dance form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d3f514f0-3d6e-4ca2-b9f8-027c9b995b0a)
- ![A dramatic pose under the stage lights during my solo performance. The lighting plays a crucial role in highlighting the dancer's expressions and movements.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f0037926-8d64-46ad-9231-4f13971c7986)
- ![A seated posture, or 'mandi', from a traditional piece. Even in moments of stillness, the dancer's form communicates a story and emotion.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/596d3f40-e03b-4128-af94-c2a6a192f61b)
- ![An expressive moment of 'abhinaya' from the 'Soukariyam' recital. Here, I am conveying a feeling of prayer or supplication through hand gestures and facial expression.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3b48b918-431d-48c7-b5b5-0970a5252aad)
- ![A classic Bharatanatyam stance, showcasing the geometric lines and precision that define the 'nritta' or pure dance aspect of the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2b5b5723-49f4-41fb-8318-2291e9b974d1)
- ![This image captures the 'araimandi' or half-seated posture, which is fundamental to Bharatanatyam. It requires immense strength and stability.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/edf8ca32-793a-49c1-8fee-ee4dfe1521d1)
- ![Another shot from 'Soukariyam', where the red stage lighting enhances the dramatic mood of the performance piece.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/df86c19f-289c-4304-be3d-be1f9078b583)
- ![A pose reaching upwards, symbolizing an offering or a connection to the divine. Solo recitals often explore the spiritual dimensions of dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62c2792d-89b0-4d7b-bc52-08efb0730c9d)
- ![The 'pataka hasta' or hand gesture with a flat palm, used here to signify assurance or blessing. Hand gestures, or mudras, are the vocabulary of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ce3f7524-a79a-45a6-8b55-558315f4d3a3)
- ![A moment of quiet grace during a solo performance. The ability to transition between dynamic movement and serene stillness is key to a captivating recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c3817394-7c4f-4914-9e3c-d4736ae1207c)
- ![A welcoming gesture towards the audience. A performance is a shared experience, a dialogue between the artist and the viewer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2e081977-6358-43f4-b712-4797794cc057)
- ![A powerful stance conveying strength and resolve. The 'Soukariyam' series captured many facets of the aesthetic experience in a solo Bharatanatyam performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/16b1eb10-a423-4f84-bf79-064e70e24500)
- ![A moment of sorrow or longing, expressed through 'abhinaya'. Portraying the full spectrum of human emotion is central to the art of classical dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7d59e966-4cfc-47ca-ab4d-147e8fe649b2)
- ![A playful, communicative gesture from a traditional 'padam' or 'javali', where the dancer often tells a story of love and courtship.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dcdf64dd-1dcd-40b4-abdb-8b4a89ad1a95)
- ![The verticality and reach in this pose create a sense of aspiration and devotion, a common theme in the classical repertoire.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/df4d3c02-3bb6-4231-94bc-30a4bc94627e)
- ![A side profile showing the clear lines and posture maintained throughout a performance. This discipline is the foundation upon which expressive dance is built.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b79c8201-2d07-4a10-a1fe-dc4d09eac2d3)
- ![A gesture of self-reflection, perhaps portraying a heroine looking at her own reflection. The internal world of the character is brought to life on stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ed49eb3a-359b-4c77-9080-e545c39b2649)
- ![A moment of overwhelming emotion captured during the 'Soukariyam' solo recital. The performance explored the full aesthetic and emotional range of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cb2f85f8-8b07-4ccc-ac46-dd38ec16366e)
- ![A dynamic pose from my solo performance at the India Habitat Centre, showcasing the energy and grace of a 'nritta' sequence.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4d51a565-51c2-4d6a-9ff1-d14bcd903377)
- ![A seated expressive moment from the 'Soukariyam' performance. The floor is used extensively in Bharatanatyam to create different levels and dynamics in the choreography.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a03c5eb7-18bb-4b30-92b7-08fc6d846fc4)
- ![A poignant moment of 'abhinaya', where the character is lost in thought or sorrow. The red lighting enhances the emotional intensity of the scene.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b90315f7-7659-4c4d-9a8c-dd891d3be4eb)
- ![The official invitation for my performance at the prestigious Indira Kala Sangeet Vishwavidyalaya, as part of the ICCR Horizon Series.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d918d08f-bef8-4533-ad9d-eace5c0c3b99)
- ![The poster for my recital at Brahma Gana Sabha during the Chennai Margazhi season. Performing in Chennai, the heart of the Bharatanatyam world, is always a special experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/efadca53-5bb8-4825-8969-514ded37899c)
- ![My performance announcement for the Delhi International Arts Festival (DIAF). This festival provides a wonderful international platform for Indian artists.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/748602c1-d0db-4a40-8683-a848df6362b5)
- ![It was a great honor to perform my own choreography at the Uday Shankar Nrityotsav, a festival celebrating a true pioneer of Indian dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4d5fa19e-b891-4fdc-8f3b-5ee85de61766)
- [Video: A few snapshots from my Bharatanatyam recital at the beautiful Tijara Fort Palace in Rajasthan. Performing in such historical and unique venues is always a memorable experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7c1e6954-da5d-4e96-a82c-f5b64176d0fc)

### [Sonar Bangla: Celebrating Bengal's River Culture](https://mytribe.in/delhidancer/bharatanatyam-performances/sonar-bangla-celebrating-bengal-s-river-culture)

- ![A duet from 'Sonar Bangla', performed at the Bangladeshi High Commission in New Delhi. The piece explores the shared cultural landscape of Bengal, shaped by its rivers.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5ec148b8-ee29-460c-920a-37a7e6ae4d2d)
- ![A group formation from 'Sonar Bangla' depicting the motion of a boat. The performance used 'Bhatiyali' or boatman songs to capture the spirit of the region's river culture.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/acd8f5e2-2aaa-4358-8626-20cf625c89e9)
- ![This pose from 'Sonar Bangla' evokes the mythology of the rivers Ganga and Brahmaputra. The performance was an adventure in blending Bharatanatyam with Bengali poetry and music.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aceb7635-be4b-49a7-a2e2-2f6168832dd7)
- ![A solo moment from the 'Sonar Bangla' production. This piece featured a mix of Bharatanatyam and Kathak to fully express the diverse cultural fabric of Bengal.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e42604fa-dcc5-4b49-9078-c4cea8a2db11)
- [Video: A short clip showing the transition from studio practice to stage performance for 'Ganga Amar Ma', a piece from the 'Sonar Bangla' production about the oneness of humanity across borders.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fbf75214-89e7-41a6-9857-694507fdf977)

### [Pehchaan: An Exploration of Art & Identity](https://mytribe.in/delhidancer/bharatanatyam-performances/pehchaan-an-exploration-of-art-identity)

- [Video: The core question of 'Pehchaan' is one of identity, similar to the paradox of Theseus's ship. This promo video uses layered visuals to explore how we change yet remain ourselves.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5c3fedc8-fdce-4f86-bcdf-20358c416fb5)
- [Video: This video explains the concept of 'Surrender' in 'Pehchaan'. It discusses the journey of molding myself into the image of a perfect dancer and the subsequent quest to find my own unique voice within the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fbaf13cc-ea74-4feb-9095-991712ec7a1b)
- [Video: Exploring the idea of 'Displacement' in 'Pehchaan'. As an artist, I often feel a split between my modern self and the timeless world of the 'Nayika' I inhabit on stage. This performance grapples with that duality.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0affe03b-9182-4d00-a400-94a9addb51d5)
- [Video: A promo for 'Pehchaan' touching on 'Acceptance'. Years of practice have taught me that while I can never be a perfect dancer, I can bring my own unique voice to the art, and that is my strength.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1a4c83a6-a48b-42eb-9f1c-41da399c4954)
- [Video: This video explores 'Becoming', the transformative process of 'aharya' or getting ready for a performance. It questions how much of ourselves we give up to step into the character of the dancer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dbe5ca95-5cae-434d-9032-015d6eb98c9a)
- [Video: A clip from the 'Pehchaan' performance, set to original Hindi poetry. This piece explores how our actions define us in this mortal life, bridging the gap between the dancer and the artist.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/033cbe3b-1f85-400d-a9ef-c571acf050ed)
- [Video: Introducing the incredible team of musicians and technicians who helped bring 'Pehchaan' to life for its premiere at the Bangalore International Centre.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f4494375-0b9f-465e-b330-31ec0bec1739)

### [Collaborations & Experimental Works](https://mytribe.in/delhidancer/bharatanatyam-performances/collaborations-experimental-works)

- ![Another moment from my collaboration with French flautist Samuel Bricault. Here, I am interpreting Debussy's music, finding common ground between the Indian 'nayika' and the nymphs of Greek mythology.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4f16e839-8e33-44b8-942d-cf748c7a6c2c)
- [Video: This video is from 'Les Flutes Enchantes', an experimental piece commissioned by Alliance Francaise. It explores the parallels between Krishna and the Greek god Pan, set to Debussy's 'Syrinx'.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/19de6e60-7684-4e2e-a28b-7a4773295af1)
- [Video: An excerpt from 'Yami', a dance theatre production based on Ibsen's 'A Doll's House'. Using props and contemporary movement within a classical framework, I explored the protagonist Nora's journey toward freedom.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c32ff0d0-f856-4fd7-bc76-945b42948c6b)

### [Artistic Portraits & Thematic Photoshoots](https://mytribe.in/delhidancer/bharatanatyam-performances/artistic-portraits-thematic-photoshoots)

- [Video: A short video exploring 'Shringara', the emotion of love, through the concept of Manmatha or Cupid's arrows. It is fascinating to find such open expressions of female desire in songs from the 16th century.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/625736fc-e136-4857-b5f2-a808e8774de4)
- ![A full-body shot from my photoshoot in the woods, capturing a classic Bharatanatyam pose. The natural setting provides a serene backdrop to the dance form's inherent grace.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6b27a958-3d28-4540-b483-997aa3846ba6)
- ![Seated in a forest grove, this pose evokes a sense of being one with nature. For me, Bharatanatyam is a way to connect with something ancient and elemental.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5a026855-00c5-45da-8fac-5c20c9afdf3c)
- [Video: An 'abhinaya' piece telling a legend about the origin of Holi, where Radha playfully colors Krishna's face. It's a beautiful story about transcending the boundaries of skin color.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cac0608c-d582-493a-bdff-f34f31d99643)
- [Video: Getting ready to play Holi in this short, expressive video. The festival's legends, like the burning of Holika, remind us of the victory of good over evil.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5b311a90-e0fd-4d31-afd6-e5b5596a0750)
- [Video: A celebration of Holi, the festival of spring and colors. It's a time for joy, but also a reminder to be conscious of our impact on the earth as we celebrate.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/664e3742-526c-4919-9c0a-06d886812af8)
- ![A dynamic, joyful leap captured during a Holi photoshoot. The explosion of organic colors mirrors the vibrant energy of the festival and the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/31e16aae-5b5b-4406-bf77-43fc81765551)
- ![A reclining pose amidst the dry branches, covered in Holi colors. This image captures a moment of abandon and connection with the natural landscape during the spring festival.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/683778a3-9c57-4963-b353-d776dd831411)
- [Video: An exploration of a verse from the Soundarya Lahari celebrating Kamadeva, the God of Love, whose arrival is heralded by Spring. This was filmed in a beautiful, sunlit room.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/be05cf67-cace-4ffc-9e46-c33a106648e4)
- ![Dancing to Rabindranath Tagore's song 'Momo Chitte' in the studio. The song speaks of life's dualities, like birth and death, dancing side by side in rhythm.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/424b73a8-02a6-4be9-b073-d14023ccb93b)
- ![A pose of complete surrender and joy from my interpretation of 'Momo Chitte'. Tagore's work is a constant source of inspiration, a wealth of a different kind.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c2388859-370c-47cd-9d16-6cf18c39ffe0)
- ![A studio portrait capturing a moment from my dance to a Rabindrasangeet. Connecting my Bharatanatyam practice with my Bengali heritage is deeply fulfilling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2f504c3b-2b11-4644-b715-dcf1f6d409b7)
- ![A beautiful moment of serendipity, dancing to Tagore's music on his birth anniversary, Tagore Jayanti. This was part of a duet performance celebrating his work.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/30874311-3c90-499f-b2e7-0c8a1e0bb666)
- ![The poster for a tribute to Gurudev Rabindranath Tagore, where I presented two songs from his magnum opus, the Gitabitan.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e2504390-356d-4ed0-ac03-3c12db53cdf3)
- ![A portrait from a shoot where I explored the idea of 'aharya' (adornment) with minimal makeup and jewelry. It made me question how much of our identity as dancers is tied to our costume.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f88e0f84-1880-4225-a7e2-00a82b1c8757)
- ![An artistic shot with a focused hand gesture, blurring the background. This photo plays with perception, a theme I am constantly exploring in my work.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/218477e8-d1db-4e3e-83a8-2be7aeab7ba8)
- ![A creative perspective on the lotus hand gesture, or 'padmakosha hasta'. This photoshoot was a chance to feel free and still feel very much like a dancer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b3dae23a-4122-4e24-9330-a61a2341f481)
- ![A quiet, reflective black and white portrait. These moments of introspection are as much a part of my dance practice as the physical training.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b2f7650d-afd2-40bb-b72f-43ec7d7d16c7)
- ![Striking a pose at a Lakshmi temple in between SPIC MACAY workshops. The architecture of temples, with their dancing sculptures, is a constant source of inspiration.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/642fd463-7622-4670-9df6-19e89cca1a09)
- ![A graceful pose on the steps of a marble temple in Uttarakhand. The serene environment provided a beautiful contrast to the dynamic energy of the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3e930ed6-2449-47e6-a8af-daafa9f4949c)
- ![Another photo from an impromptu session at a temple. The joy of dance is finding moments to connect with the art form wherever you are.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0081fed9-e13b-40d0-8fa9-37d4893f1103)

### [Behind the Scenes: Process & Pedagogy](https://mytribe.in/delhidancer/bharatanatyam-performances/behind-the-scenes-process-pedagogy)

- [Video: Part one of my vlog from the Festival of India in Russia. This video documents the whirlwind of preparation, from assembling a 15 person team in 36 hours to intensive rehearsals before taking flight.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d06e4bf4-30fc-48da-808a-cccfd8c54c13)
- ![A personal photo from our tour to Russia. Four years prior, I was a tourist watching ballet at the Mariinsky Theatre; this time, I was there to perform Bharatanatyam on its stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4d4b2bfc-bfc6-4460-8fcb-ebb529aca849)
- ![The bare stage of the Mariinsky Theatre in Vladivostok. The sheer scale of it was breathtaking and daunting. It was an incredible challenge and honor for our team to perform there.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3d5084cb-7ffb-4383-8e53-6654f2d3de6d)
- [Video: After a SPIC MACAY workshop demonstration, I was inspired by the dancing sculptures at a local temple in Ratlam. I could not resist trying to replicate some of the beautiful poses.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0e76f879-053a-4049-b1dd-546adb8e4446)
- [Video: A fun, spontaneous 'jathi' or rhythmic sequence in the studio. It's wonderful to have time to just dance without an agenda, purely for the joy of it.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/eb2e97e9-4880-4488-8188-a70f802c8911)
- [Video: Celebrating Ganesh Chaturthi with my dance team. Festivals are a wonderful opportunity to connect our practice with devotion and celebration.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/95e73db2-df5f-4385-8aaa-0f18c2cc25b4)
- ![The poster for 'Aharya', a work-in-progress piece I presented at the AMI Arts Festival. This piece questions how audiences perceive dance and the role of costume and adornment.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/41c5b3b0-c88d-47c9-90bc-ea3472c7c0f5)

## Meet your expert

[Tanya Saxena](https://mytribe.in/delhidancer)

### My story

You know, people get confused when I say I’m crazy about math and history. But dance is where it all mixes up for me - it’s my way to connect ideas, make sense of life. I’m always tweaking steps, even last minute, and honestly, some days I just want to crash. But dance gives me purpose, it’s my pehchaan. I’m a sucker for handloom sarees and adrak chai, and backstage moments with friends are pure gold. My soul? It’s like an orchestra, and dance is me trying to hear every instrument inside.

### My work

- **Bharatanatyam performances & choreography**: I perform solo and with my group, create new thematic Bharatanatyam choreography for events.
- **Storytelling through dance**: I explore stories from mythology, Sangam poetry, and even themes like climate crisis in my productions.
- **Workshops & teaching**: I run Bharatanatyam workshops for beginners and regular classes, sharing what I’ve learnt as an eternal student.
- **Collaboration & teamwork**: Every show is a team effort - I love working with fellow dancers, musicians, and artists to create something real.

## More services from Tanya Saxena

- [Dance Production & Choreography](https://mytribe.in/delhidancer/dance-production-choreography) · ₹20K-2L per production (estimate)
- [Classical Dance Education](https://mytribe.in/delhidancer/classical-dance-education) · ₹800-2,500 per hour (group class) (estimate)

## Book

To book Tanya Saxena, message mytribe on WhatsApp: [Chat on WhatsApp](https://wa.me/916360004054?text=Hi%2C%20I'm%20looking%20for%20Bharatanatyam%20Performances%20by%20Tanya%20Saxena.)