---
title: "Bharatanatyam Performances by Geeta Chandran for Cultural Events - mytribe"
description: "Book captivating Bharatanatyam performances by Padmashri Geeta Chandran. Elevate your cultural event with world-class Indian classical dance, from solo recitals to grand thematic productions. Hire a legendary artist on Tribe today."
canonical: https://mytribe.in/chandrangeeta/bharatanatyam-performances
last_updated: 2025-09-22
---

# Bharatanatyam Performances in New Delhi

By [Geeta Chandran](https://mytribe.in/chandrangeeta) · I present Bharatanatyam performances with live musicians, offering solo, group, and story-based shows that blend tradition with new ideas.

## Locations

Available for performances across Delhi NCR and pan-India

### Travels to

- Performs across Delhi NCR (National Capital Region, National Capital Region)
- Performs across India (India, India)

## Pricing guide (estimates)

These are indicative prices based on provider's past work. Enquire now to find out final quote.

### Interactive Lecture-Demonstration

45-60 minute educational showcase mixing verbal explanation of history and mudras with short performance segments and Q&A.

Typically ₹2-3L Per Session (estimate)

#### **Session Format**
*   **Lecture:** Geeta Chandran explains concepts like *Guru-Shishya parampara*, *Navarasa* (9 emotions), and art history.
*   **Demo:** Includes 2-3 short dance numbers (Tillana or Abhinaya) to demonstrate the spoken concepts.
*   **Interaction:** 10-15 minute Q&A session for audience engagement.

#### **Support**
*   **Musicians:** Minimal ensemble (Nattuvangam and Vocalist) to demonstrate rhythm and lyric connections.
*   **Audio:** Requires lapel/headset microphones for the artist to speak while moving.

#### **Ideal For**
*   **Events:** Corporate diversity initiatives, University convocations, Museum openings, or international delegations.

### Classical Solo Recital with Live Orchestra

75-90 minute solo recital by Padmashri Geeta Chandran including a full 5-piece live classical orchestra and lighting director.

Typically ₹3.5-5L Per Performance (estimate)

#### **The Performance**
*   **Solo Feature:** A 75 to 90-minute classical Bharatanatyam recital by Padmashri Geeta Chandran.
*   **Repertoire:** Traditional *Margam* featuring pushpanjali, varnam, padams (Krishna/Ramayana themes), and a tillana.
*   **Customization:** Option to include specific thematic pieces like *Samhita* or *Gandhi* if aligned with event ethos.

#### **Musical Ensemble**
*   **5-Piece Live Orchestra:** Includes Nattuvangam (conductor), Carnatic Vocalist, Mridangam, Violin/Flute, and Tanpura.
*   **Improvisation:** Performance relies on live interaction between the dancer and musicians, not recorded tracks.

#### **Production & Crew**
*   **Lighting:** Includes a professional lighting director to execute light plots highlighting facial expressions (*Abhinaya*).
*   **Aesthetics:** Designer costumes by Sandhya Raman with authentic Temple Jewelry and professional classical makeup.

#### **Client Requirements**
*   **Tech:** Stage sound with instrument mics, specific lighting rig rentals, and wooden stage flooring for safety.
*   **Travel:** Airfare, 5-star stay, and transport for the full team if outside Delhi-NCR.

### Thematic Ensemble Production (NVDC)

Visual production featuring Geeta Chandran and 6-8 senior NVDC disciples with synchronized choreography, props, and live narration.

Typically ₹6.5-8.5L Per Production (estimate)

#### **The Production**
*   **Cast:** Lead performance by Geeta Chandran supported by 6-8 Senior Disciples of the Natya Vriksha Dance Collective.
*   **Themes:** Choice of narratives like *Sadaaneera* (Water), *Songs of the Millstone* (working women), or *Kaavya Katha* (poetry).

#### **Audio & Narrative**
*   **Orchestra:** 5 to 6-member musical ensemble providing live audio.
*   **Sutradhar:** Live or voice-over narration in English/Hindi to provide context to the classical movements.

#### **Visual Setup**
*   **Stagecraft:** Includes stylized backdrops, traditional motifs, and props.
*   **Costuming:** Uniform, high-end designer costumes for the group.
*   **Lighting:** Pre-designed lighting script executed by a traveling lighting director.

#### **Logistics**
*   **Traveling Party:** Accounts for approximately 15-18 people including dancers, musicians, and tech crew.
*   **Outstation:** Client bears travel and accommodation costs for the entire group.

## About Bharatanatyam Performances

### Why I Dance

Bharatanatyam is my way of feeling close to Bharat’s roots. It’s not just performance - it’s prayer, philosophy, and a chance for me to share what I love about our traditions. Whenever I’m on stage, I try to bring that feeling to you.

### What You’ll See

- **Solo Recitals:** Each show is personal, built on the classic Bharatanatyam margam repertoire, with space for improvisation. I get to play with abhinaya expression techniques, whether it’s Krishna’s mischief or Kalidasa’s poetry.
- **Group Productions:** Dancing with my Natya Vriksha team has a totally different energy. We put in long hours to sync up and explore both old-school and abstract themes. The group choreography in Bharatanatyam is something that needs real teamwork.
- **Thematic Storytelling:** Some performances are all about a story - like ‘Kaavya Katha’ (poetry through dance), ‘SONGS OF THE MILLSTONE’ (working women’s stories), or ‘Sadaaneera’ (water as the theme). We mix folk and classical, depending on the concept.

### What Makes It Special

- **Live Orchestra:** I don’t perform without my musicians. The vocals, mridangam, violin, flute - they’re the heartbeat of every recital.
- **Visuals:** Costumes, temple jewelry, lighting - we try to make it a treat for your eyes too.

### Where We Dance

You’ll find us on big festival stages, college auditoriums, sometimes at heritage spots. The commitment is always the same, no matter the venue.

### About Arangetrams

Watching my disciples do their Arangetram is special. It’s their first real stage moment, and for me, it’s proof that the guru-shishya parampara (teacher-student tradition) is still alive. Nothing beats seeing a student become an artist.

## Highlights

Browse through Geeta Chandran's best work.

### [Featured](https://mytribe.in/chandrangeeta/bharatanatyam-performances/featured)

- [Video: This is a moment from a solo recital, where the stage becomes a sacred space. Here, I am exploring the nuances of 'Spring' through abhinaya, letting the music and poetry guide every movement. The interplay of light and shadow helps create the mood for the rasikas.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0831411c-a409-4db1-b01c-3c2323b2b947)
- [Video: The energy of a group performance is truly unique. This is my Natya Vriksha Dance Collective performing 'Sadaaneera', a production centered on the theme of water. Achieving this level of synchronicity and shared expression requires immense dedication and teamwork from my shishyas.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d154681f-bf84-445e-a934-22092608d03a)
- ![An arangetram is a profound moment for both the student and the guru. Here, my disciple Anvita Jain performs her debut, supported by the live orchestra that is the heartbeat of every recital. Seeing a student blossom into an artist is the greatest validation of our guru-shishya tradition.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4122c3c2-a4d1-4c53-8d67-8be392f7a670)
- [Video: Abhinaya is the soul of my dance. In this intimate moment from a performance, I am interpreting a Surdas lullaby where mother Yashoda tells baby Krishna the story of the Ramayana. It is a delicate blend of singing and expression, portraying multiple characters and emotions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c9a9e433-2e35-4283-bf10-a13a7b919dc9)
- ![Performing at a heritage site like the Sunder Nagar Nursery amphitheater connects the dance to its roots in a special way. This pose captures the yoga-shakti, the inherent power and grace that is at the core of every Bharatanatyam movement. The costume and temple jewelry complete the visual poetry.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e066249a-bb15-4b0c-8d90-9dbcd28a2e12)
- [Video: The rehearsal studio is where the magic begins. This is a glimpse into our practice for 'Kavya Katha' with the Natya Vriksha Dance Collective. These hours of dedicated abhyaas are essential to refine the choreography and build the collective spirit before we take the stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/39e157ef-7d0f-44d1-89e9-894b84b3b7f8)
- ![It was a moment of immense gratitude to be honoured with the 'Nritya Choodamani' title from the prestigious Krishna Gana Sabha. Such recognition is not just personal; it is an affirmation of the path I have chosen and the tradition I am privileged to carry forward.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c8b39ffc-799c-43f3-a86d-ca65abbaed58)
- !['Songs of the Millstone' is a production very close to my heart, giving voice to the stories of working women. Here, my dancers and I embody the spirit of these unsung heroines, blending folk traditions with the vocabulary of classical dance to create a powerful narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/af01b1ef-369e-456d-beea-bb73e48d800b)

### [Arangetrams: The Guru's Pride](https://mytribe.in/chandrangeeta/bharatanatyam-performances/arangetrams-the-guru-s-pride)

- ![A student's arangetram is a reflection of the teacher's work. This image captures the grace and confidence of my shishya Anvita Jain, showcasing the intricate hand gestures or mudras that are fundamental to Bharatanatyam storytelling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3e073b5e-49c7-4704-a8aa-22597a7b5be9)
- ![The poise and focused gaze of a dancer during her arangetram tells a story of dedication. This moment from Anvita Jain's debut highlights the strong lines and expressive posture that we cultivate through years of practice.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/be98ca37-5463-47db-a2e7-ca744a350f76)
- ![The aramandi, or half-seated posture, is foundational to Bharatanatyam. Here, my student demonstrates the perfect form and balance required, a result of countless hours of training for her arangetram.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9180820a-fee6-4c4c-a191-a6ffc2c013dc)
- ![The dance is always an offering to the divine. This photograph beautifully captures the spiritual connection, with the dancer in the background and the idol of Lord Nataraja in the foreground, symbolizing the source of our art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6de13482-a5e5-45a8-a4c1-878147512879)
- ![A dynamic pose from Anvita Jain's arangetram, showcasing the blend of strength, flexibility, and artistry that defines a skilled Bharatanatyam dancer. This is a moment of pure, uninhibited expression.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4f9033dc-d51b-40b5-a4e0-41eecef606e0)
- ![An arangetram is a profound moment for both the student and the guru. Here, my disciple Anvita Jain performs her debut, supported by the live orchestra that is the heartbeat of every recital. Seeing a student blossom into an artist is the greatest validation of our guru-shishya tradition.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4122c3c2-a4d1-4c53-8d67-8be392f7a670)
- ![The stage setting for an arangetram is carefully considered to create a divine ambiance. The traditional lamp and the idol of Lord Nataraja bless the space before the performance begins at the Chinmaya Mission Auditorium.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3baacf71-43ba-43f6-ba0d-3b1fa9102c92)
- ![The transformation into a performer begins backstage. Here, the intricate process of applying stage makeup for my student Anvita Jain is underway, preparing her for her arangetram.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ae772aa0-b481-40d9-be1a-348ecf624f34)
- ![As a guru, I am deeply involved in every aspect of the arangetram, including conducting the nattuvangam during rehearsals. This is a candid moment from the music session for Anvita Jain's performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ddfb8e75-f958-4cd4-8032-61f72537cafc)
- ![The Gejjai Puja is a sacred ritual we perform before the arangetram, where we seek blessings for the dancer's ankle bells (gejjai). It is a beautiful ceremony that bonds the family and the guru in prayer for the young artist.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0ec35ca2-67c1-4b39-8442-d802eee47498)
- ![It is always heartening to see the hard work of my students recognized. This article in The Pioneer celebrates the eloquent arangetram of my shishya, Kavya Navani, highlighting her expressive depth.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e9896a76-c1b7-46bc-b43e-95f4c97587c1)
- ![A moment of graceful movement from Kavya Navani's arangetram. The traditional costume and jewelry, combined with the dancer's precise posture, create a picture of classical beauty.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1751f493-67fc-438d-bd89-081920ee4639)
- ![Kavya Navani in a moment of devotion during her arangetram, with the live orchestra providing the soulful musical foundation. This image captures the synergy between the dancer, the musicians, and the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/59f13341-c70c-4bfa-9156-720ff515cb62)
- ![The powerful stance of a Bharatanatyam dancer. This still from Kavya Navani's debut performance showcases the grounded yet expansive energy that is characteristic of the style.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9bfd50c2-f285-4fd5-9030-240eb128b6a5)
- ![The beauty of Bharatanatyam lies in its ability to convey stories through graceful movements. Here, Kavya Navani performs during her arangetram, her form perfectly complemented by the live music ensemble.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c1a3ebfb-fe24-478d-9aa9-7863973d587b)
- ![My shishya Stuti Mukherjee during her arangetram, a "Cinderella moment" of transformation. The stunning backdrop, crafted from carved banana stems, is a traditional art form from Vrindavan, adding a unique aesthetic to the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0bb7a97a-cba9-46d9-b88c-9b57e53d62f7)
- ![A moment of quiet introspection and prayer during Stuti Mukherjee's arangetram. The anjali mudra, or folded hands, signifies reverence and offering, a central theme in our dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f14e8efe-5a25-4f33-ace1-b1412e50923c)
- ![The dancer and the musician in perfect harmony. Stuti Mukherjee performs while the harmonium player provides the melodic framework, a beautiful illustration of the collaborative nature of a live recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62cbcda6-ed0d-424d-9f91-1a8c926ccc4f)
- ![The vibrant colors of the costume and the confident smile of the dancer capture the celebratory spirit of an arangetram. Stuti Mukherjee presents her art with poise and joy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/836aea88-e64b-4ecc-bf24-5a6d40c576b8)
- ![Expressive eyes and intricate hand gestures are the hallmarks of abhinaya. This close-up of Stuti Mukherjee during her debut performance showcases her ability to communicate emotion and narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e62caede-e62b-4c2a-8dc2-dca2d7264799)
- ![The traditional namaskaram pose, a gesture of respect to the stage, the guru, the musicians, and the audience. Stuti Mukherjee concludes a piece during her memorable arangetram.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/98cdab38-1eb2-4396-9fb7-76deb974ebd2)
- ![A cherished moment backstage with my student Stuti Mukherjee just before her arangetram. It is a moment of blessing and encouragement, marking the culmination of our shared journey in the guru-shishya parampara.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dec028ba-ee83-46f4-aab1-98b783a98cff)
- ![A full-stage view of Stuti Mukherjee's arangetram, with the live orchestra seated on one side. This image captures the complete atmosphere of a traditional Bharatanatyam recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b579881a-fcde-4fd3-b56c-11e63c951599)
- ![The official invitation for the arangetram of my student Kavya Navani. These announcements mark a significant milestone in a dancer's life and are a proud moment for the entire Natya Vriksha family.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e9af5f00-2079-4ac4-aad8-afa3667bdd87)
- [Video: The art of Nattuvangam, conducting the recital with cymbals, is my second love. Here I am accompanying my student Madhura Bhrushundi during the Natya Vriksha Young Dancer's Festival, a platform to showcase emerging talent.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d26271b7-3714-42eb-ac65-efdb3910c733)
- ![It fills me with pride to see my disciple Madhura Bhrushundi perform with such energy and precision at our Young Dancers Festival. Her rendition of a complex varnam was a testament to her dedication.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/06d6d1ab-bdb4-40ee-99f2-550ffdadfb54)
- [Video: It is a joy to see my students carry my choreographies to new stages. This is an announcement for a solo performance by my disciple Radhika Kathal in Bangalore, exploring the theme of 'Samvaad' or dialogue.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9134696b-c3e8-41fd-babe-68a1bfe61ef8)

### [Thematic Productions](https://mytribe.in/chandrangeeta/bharatanatyam-performances/thematic-productions)

- [Video: A glimpse of my solo performance within the 'Kavya Katha' production in Jaipur. The stark lighting focuses attention on the dancer, allowing the poetry to unfold through pure movement and expression on a minimalist stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e832bd06-9749-4655-b62f-6da81b32d9f3)
- [Video: The rehearsal studio is where the magic begins. This is a glimpse into our practice for 'Kavya Katha' with the Natya Vriksha Dance Collective. These hours of dedicated abhyaas are essential to refine the choreography and build the collective spirit before we take the stage.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/39e157ef-7d0f-44d1-89e9-894b84b3b7f8)
- [Video: The energy of a group performance is truly unique. This is my Natya Vriksha Dance Collective performing 'Sadaaneera', a production centered on the theme of water. Achieving this level of synchronicity and shared expression requires immense dedication and teamwork from my shishyas.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d154681f-bf84-445e-a934-22092608d03a)
- [Video: Performing 'Sadaaneera' at the iconic Bharat Bhavan in Bhopal was a special experience. The intimate setting allowed for a deep connection with the audience as we explored the theme of water through dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/14ea3e15-edb7-4cb2-8970-5743ca2ef202)
- ![Media coverage for 'Songs of the Millstone' in Goa's 'Heraldo' newspaper. The article highlights our performance as a tribute to the unpaid domestic labour of women, a central theme of this production.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/da867475-b6c2-40bf-89d2-58ab22928cb3)
- [Video: An announcement for 'Samhita', a Natya Vriksha Dance Collective performance in Bangalore. This production explores my choreographic works on the theme of "Tradition and Abstraction," showcasing the versatility of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a28493fb-bcf1-4452-8dae-6e0c47e1425e)
- ![A powerful moment from 'Songs of the Millstone'. The performance focuses on the bhava, or inner feelings, of working women, and this image captures a moment of shared experience and storytelling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/01af7412-bd12-4997-8543-d210f5f5c557)
- ![The dancers in 'Songs of the Millstone' listen intently, embodying the characters of women whose stories are often unheard. The production uses simple, earthy costumes to keep the focus on the narrative and emotion.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3b3724d6-043e-4401-8997-e4a5eb75c654)
- !['Songs of the Millstone' is a production very close to my heart, giving voice to the stories of working women. Here, my dancers and I embody the spirit of these unsung heroines, blending folk traditions with the vocabulary of classical dance to create a powerful narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/af01b1ef-369e-456d-beea-bb73e48d800b)
- ![The dramatic lighting in 'Songs of the Millstone' helps to create a poignant atmosphere. Here, the dancers are captured in a moment of quiet reflection, their expressions conveying the weight of their stories.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8664a31d-98d9-44cd-b804-12f761a5e22c)
- ![The complete cast and crew of 'Songs of the Millstone' after a successful premiere at the Serendipity Arts Festival. It takes a dedicated team of dancers, musicians, and technicians to bring such a vision to life.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6bc8e68f-0bac-4d26-b19b-6317bcecdd29)
- ![The official poster for 'Songs of the Millstone' at the Serendipity Arts Festival. The design uses a vintage photograph of women at a millstone, immediately setting the theme for the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/915d2deb-b60f-4825-88cd-843dbbc03e5d)
- [Video: A promotional video for 'Songs of the Millstone', commissioned by the Serendipity Arts Festival. The visuals offer a sneak peek into the performance, highlighting the blend of dance, music, and storytelling.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/84f34b31-7988-48fc-95bd-7adce9903fd8)
- ![Rehearsals for 'Songs of the Millstone' were a process of deep exploration. Here, dancers work on a sequence that blurs the lines between classical and folk movements, a key aspect of this production.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/03d494ce-f3ca-4cd7-a961-3ae7abdedbef)
- ![A dynamic moment from the rehearsal of 'Songs of the Millstone'. As a choreographer, my goal was to create a piece that felt both traditional and contemporary, honouring the folk heritage within a classical framework.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/331df96f-6d78-45cc-961b-fb301833acfe)
- ![In discussion with music director Anirudh Varma during a rehearsal for 'Songs of the Millstone'. The music is a critical element, weaving together folk melodies and classical structures to support the narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2b123b26-0312-4a07-a9cc-50aacd22eb46)
- ![The mirrored wall of the studio reflects the dancers' movements during a rehearsal for 'Songs of the Millstone'. This image shows the precision and synchronicity required for a group choreography.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/db223870-17a1-492b-9e1d-4d171472a984)
- ![A moment of joy and camaraderie during the creation of 'Songs of the Millstone'. The process of building a new production is as rewarding as the final performance itself.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6506e959-0136-4aa9-8b99-a4be45dc7021)
- ![Guiding the vocalists during a music rehearsal for 'Songs of the Millstone'. The songs are the foundation of this piece, and their authentic and emotional rendering is paramount.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a50c365f-9a60-449c-8ab1-dd5e695acd11)
- ![A rehearsal still from 'Songs of the Millstone', showing the dancers in a powerful, grounded pose. The choreography draws from the physicality of women's daily labour.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/05cb003e-7d39-4f0e-97aa-80e7705c772b)
- ![A poignant moment of abhinaya from a rehearsal of 'Songs of the Millstone'. The dancer's expression captures the fatigue and resilience that are central to the stories we tell in this piece.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/35c3a002-8e12-400b-9f99-b97011191703)

### [Solo Recitals: The Art of Abhinaya](https://mytribe.in/chandrangeeta/bharatanatyam-performances/solo-recitals-the-art-of-abhinaya)

- [Video: Abhinaya is the soul of my dance. In this intimate moment from a performance, I am interpreting a Surdas lullaby where mother Yashoda tells baby Krishna the story of the Ramayana. It is a delicate blend of singing and expression, portraying multiple characters and emotions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c9a9e433-2e35-4283-bf10-a13a7b919dc9)
- [Video: Even after many years, revisiting a varnam is always a joy. This is a small clip of me exploring the abhinaya possibilities within a classic composition, finding new layers of meaning in the raga and sahitya.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4fb822f8-6b51-4dfb-9668-cf6f21b4ec37)
- [Video: This is a moment from a solo recital, where the stage becomes a sacred space. Here, I am exploring the nuances of 'Spring' through abhinaya, letting the music and poetry guide every movement. The interplay of light and shadow helps create the mood for the rasikas.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0831411c-a409-4db1-b01c-3c2323b2b947)
- [Video: The compositions handed down by our gurus are timeless gems. Here, I am revisiting a beautiful Dandayudapani Pillai varnam, discovering new possibilities for interpretation and expression in the music and poetry.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e5a43392-7ec1-4256-9743-6bade25ea50d)
- ![Dance is Yoga. On World Yoga Day, I reflect on how every moment of classical dance is a tribute to yoga-shakti. This pose embodies the balance, strength, and spiritual energy that connects these two ancient practices.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8afb1570-5b39-4dc6-9336-387075d6bab4)
- [Video: A beautiful swara pattern provides the perfect landscape to depict the arrival of Manmatha, the god of love, heralding spring. This piece, performed at Ramgarh Shekhawati, is an exploration of anticipation and romance from the Ashtapadi.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/658cd794-0e78-474b-ac91-a100bffa3f32)
- [Video: Some pieces allow for wonderful improvisation, especially with a talented team of musicians. This performance of a Kalidasa poem in Sanskrit was a joy to perform, as I played with the expressions and moods suggested by the live music.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5cd4c9fd-5252-490b-bd36-135b99d2151e)
- [Video: The poetry of Kalidasa is a choreographer's delight. This excerpt from his 'Ritusamhara' describes the arrival of Vasant or Spring, and I use the rich imagery of his metaphors to create a visual tapestry through dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/73d28f14-6e26-469d-97f4-0643a41f4752)
- ![A performance for SPICMACAY at Amity International, which we managed to present despite a severe thunderstorm. The show must go on, and it is always a pleasure to share our art with young students.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/39960fe6-73e3-46fa-b778-3fce244332b7)
- ![Performing for students is always a special experience. This image captures a moment of peace and balance during my SPICMACAY presentation, with their distinctive and beautiful backdrop.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/63e766b4-a32d-4c11-86c4-0c759a201906)
- [Video: The Bhairavi varnam 'Mohamaana' has been with me since my early days of learning. In this clip, I am improvising on a single idea within the piece, showing how the varnam format allows for deep exploration of abhinaya.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/31fc6968-0de8-44df-925b-36ee760f7d57)
- ![A close-up from my performance at Sunder Nursery, a beautiful heritage park. The expressive potential of Bharatanatyam allows a dancer to convey a world of emotions through face and gesture.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fcff4775-95c7-4990-ad67-153b26683071)
- ![The eyes and hands are the primary tools of abhinaya. This photograph captures a moment of intense expression, where a single gesture and look can communicate a complex thought or feeling to the audience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cc8b7a98-9351-47c9-b525-316636a5baac)
- ![A powerful gaze during a performance at a heritage site. Dancing in such environments adds another layer of meaning, connecting the art form to the history and culture that it springs from.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4e4b8558-8f44-4307-94cc-3f89bff61500)
- ![A full-figure shot against the beautiful stone backdrop of the Sunder Nursery amphitheater. The pose shows the grace and control required in Bharatanatyam, even in a static moment.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9c5fad54-e0bc-427b-8348-42e5eab76e5c)
- ![This dynamic pose, captured mid-movement, showcases the energy and vitality of Bharatanatyam. Performing for SPICMACAY to mark World Heritage Day was a truly memorable experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3280db36-1643-4c9a-b13e-aecfbcd6341a)
- [Video: A glimpse from a SPICMACAY programme at the Delhi Technological University. It is always wonderful to perform for young, curious minds and share the beauty of Bharatanatyam and its live music ensemble.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e7b66940-0bec-489f-a233-e9b9dc81f926)
- [Video: Performing in Kolkata is always a pleasure, especially for an audience of true rasikas. This is a canto from Damodara Gupta's work, a tribute to the legendary Guru Kelucharan Mohapatra, where I explore the nuances of Sanskrit poetry.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/393ec0d6-0333-40ea-b109-57e3723ce589)
- ![A moment of expressive storytelling from my performance at Uttam Manch, Kolkata. The green and red costume, a classic combination, stands out against the dark stage, focusing all attention on the dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5e220807-b33b-4262-8a70-ef44d0b56707)
- ![Reaching upwards in a gesture of offering or aspiration. This still from my Kolkata recital captures the blend of devotion and artistry that I strive to bring to every performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a324cf55-2b7a-45ba-a667-a2686461e3ae)
- ![A moment of deep bhava, or emotion, during my performance in Kolkata. Abhinaya is about internalizing the poetry and letting the feeling flow through you, and this image captures that process.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ac93fbc2-7045-4a8d-a2ac-822de1bd4634)
- ![The arms extended in a gesture of expanse and grace. This photograph from my Kolkata performance highlights the beautiful lines and sculptural quality of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3fe1f5bb-18a8-4dc8-9e95-03b335214c95)
- [Video: The evergreen composition 'Krishna Nee Begane Baaro' can be interpreted in so many moods. Here is an excerpt from my performance in Bikaner, where I explored three different emotional shades of this beloved piece.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2925e337-3a62-4340-a6ca-7692ddcbde4b)
- ![A black and white photograph from my performance at Krishna Gana Sabha in Chennai. The stark contrast highlights the form of the dancer and the quiet presence of the violinist, capturing the mood of the Marghazhi season.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/aac0d045-1375-40bc-b239-902da74749a6)
- ![A moment of intense emotion during my Marghazhi season performance in Chennai. The abhinaya in this piece required me to convey a deep sense of longing and devotion.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/08b2721c-c243-41b1-8542-e8a733a2b962)
- ![Performing at the prestigious Krishna Gana Sabha during the Margazhi festival is always an honour. This image captures a classic pose from my solo recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1a98900a-6272-40dd-ac3a-66aceb40b7c3)
- ![Arms outstretched in a gesture of surrender and joy. This still is from my performance at the 68th Margazhi Mela at Krishna Gana Sabha, a highlight of the Chennai dance season.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/95b756ae-dee1-4621-b7c3-e04c49c35446)
- ![A playful expression from a piece on Lord Krishna during my Chennai performance. Portraying the divine leelas or plays of the gods is one of the most enjoyable aspects of abhinaya.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dbe1972f-c1a4-46df-be21-d9196fc4845a)
- [Video: A firecracker jathi composed by the late Shri Karaikudi Shivakumar. This clip showcases the complex rhythmic footwork and pure dance (nritta) that is a thrilling part of any Bharatanatyam recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a6bcf418-413e-48cd-ae81-7bc05a58919e)
- ![A moment of pure abandon and devotion on stage at the Krishna Gana Sabha. Performing with an ace orchestra that follows every nuance allows for such moments of spontaneous expression.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0c795461-0aca-4512-9e5f-f35b4fc7d905)
- ![A graceful pose from my recital in Chennai. The traditional red costume and temple jewelry are an integral part of the visual aesthetic of a classical Bharatanatyam performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c25a9ff3-001f-4d04-ae66-c10c167e6419)
- [Video: A short teaser for my performance at Krishna Gana Sabha. This varnam is a favorite of mine, and I was looking forward to sharing it with the discerning Chennai audience during the Margazhi season.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fc368630-a1f7-4487-a7ef-322d7c2e3bbe)

### [The Live Orchestra: Heartbeat of the Recital](https://mytribe.in/chandrangeeta/bharatanatyam-performances/the-live-orchestra-heartbeat-of-the-recital)

- ![As a guru, I am deeply involved in every aspect of the arangetram, including conducting the nattuvangam during rehearsals. This is a candid moment from the music session for Anvita Jain's performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ddfb8e75-f958-4cd4-8032-61f72537cafc)
- ![The live orchestra is an integral part of every performance. Here I am conducting the nattuvangam for Kavya Navani's arangetram, with the vocalist and mridangam player creating a rich musical tapestry.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b6fd520b-07e1-4d18-935d-bb61ca57e530)
- ![Kavya Navani in a moment of devotion during her arangetram, with the live orchestra providing the soulful musical foundation. This image captures the synergy between the dancer, the musicians, and the art form.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/59f13341-c70c-4bfa-9156-720ff515cb62)
- ![The beauty of Bharatanatyam lies in its ability to convey stories through graceful movements. Here, Kavya Navani performs during her arangetram, her form perfectly complemented by the live music ensemble.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c1a3ebfb-fe24-478d-9aa9-7863973d587b)
- ![The dancer and the musician in perfect harmony. Stuti Mukherjee performs while the harmonium player provides the melodic framework, a beautiful illustration of the collaborative nature of a live recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/62cbcda6-ed0d-424d-9f91-1a8c926ccc4f)
- ![The stage is set for Stuti Mukherjee's arangetram. The live orchestra is seated and ready, their presence creating an atmosphere of anticipation and festive energy before the performance begins.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/460ee837-2086-4595-adac-90e85c57c526)
- ![A close-up of the music ensemble during Stuti's arangetram. The vocalist, flautist, and I on nattuvangam are completely absorbed in creating the perfect musical support for the dancer.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ea32a319-3f94-4a88-8638-0d1c64757f36)
- ![A full-stage view of Stuti Mukherjee's arangetram, with the live orchestra seated on one side. This image captures the complete atmosphere of a traditional Bharatanatyam recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b579881a-fcde-4fd3-b56c-11e63c951599)
- [Video: The art of Nattuvangam, conducting the recital with cymbals, is my second love. Here I am accompanying my student Madhura Bhrushundi during the Natya Vriksha Young Dancer's Festival, a platform to showcase emerging talent.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d26271b7-3714-42eb-ac65-efdb3910c733)
- ![A Kuchipudi performance by Abhinaya Nagajothy at our Young Dancers Festival, accompanied by a full live orchestra. The presence of live musicians elevates any classical dance recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e2fa9e8c-f619-44b6-bb79-2b4d5d052baa)
- ![It fills me with pride to see my disciple Madhura Bhrushundi perform with such energy and precision at our Young Dancers Festival. Her rendition of a complex varnam was a testament to her dedication.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/06d6d1ab-bdb4-40ee-99f2-550ffdadfb54)
- [Video: A glimpse from a SPICMACAY programme at the Delhi Technological University. It is always wonderful to perform for young, curious minds and share the beauty of Bharatanatyam and its live music ensemble.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e7b66940-0bec-489f-a233-e9b9dc81f926)
- [Video: A firecracker jathi composed by the late Shri Karaikudi Shivakumar. This clip showcases the complex rhythmic footwork and pure dance (nritta) that is a thrilling part of any Bharatanatyam recital.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a6bcf418-413e-48cd-ae81-7bc05a58919e)
- ![With my wonderful orchestra after a fulfilling performance at Krishna Gana Sabha. Their ability to follow my every nuance and improvisation is what makes dancing with them such a joy.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6f265429-0a7a-4d3a-b8e6-7797aa2121b4)

### [Behind the Scenes: The Practice and The Process](https://mytribe.in/chandrangeeta/bharatanatyam-performances/behind-the-scenes-the-practice-and-the-process)

- [Video: A rehearsal for 'Kavya Katha' in Jaipur. These informal sessions are crucial for refining the abhinaya and ensuring that every gesture and expression is perfectly tuned before the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f04ffa1c-1b6e-4de0-868d-9e9a222562c5)
- [Video: A morning rehearsal, revisiting pieces with a new set of musicians. An artist's journey is one of constant challenge and adaptation, and these sessions are where we find new creative pathways together.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9c8e4cb1-609e-4d41-b284-69a7406bf1aa)
- ![The final touches. A makeup artist carefully prepares my student Stuti Mukherjee for her arangetram. This pre-performance ritual is a quiet, focused time of transformation.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c213d175-d796-4478-9a00-078bca3b62fe)
- ![A cherished moment backstage with my student Stuti Mukherjee just before her arangetram. It is a moment of blessing and encouragement, marking the culmination of our shared journey in the guru-shishya parampara.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dec028ba-ee83-46f4-aab1-98b783a98cff)
- [Video: Preparing for a programme in Bhopal. The studio is where I work through the choreography, ensuring every movement is precise and imbued with meaning. This is the foundation of every successful performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f9ff767a-37d9-498f-b24d-261b53a1c5c9)
- ![Backstage at our 'Abhyaas' showcase is a learning experience for everyone. Here, senior students and teachers help the younger shishyas with their costumes, a beautiful example of our dance family supporting each other.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/30641508-f8f3-417c-95f8-dbd8dae80ff0)
- ![The green room before a show is a hive of activity. Dancers help each other with costumes and jewelry, creating a wonderful atmosphere of camaraderie and shared purpose.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e282429f-abd1-4440-84ed-3676ccbebddc)
- ![A senior student helps a junior dancer with his costume belt. These moments of mentorship are an important part of the learning process at Natya Vriksha, fostering a sense of responsibility and community.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/47a387e0-fed9-4cd6-80ad-f055ce1cda37)
- ![A dancer takes a final look in the mirror before going on stage. This is a moment of quiet focus, a final check to ensure every detail of the costume, hair, and makeup is perfect.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ef801fae-1945-464a-838a-6d457abb6957)
- ![The intricate process of getting ready for a performance. A student helps another with her hair and costume, a common sight in the bustling energy of the green room.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c3ea053c-ae22-4586-8027-b6528af806c2)
- [Video: The rehearsal is the lifeline of an artist. This is a clip from a music and dance rehearsal, where we work on the synergy between the choreography and the live musical score.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ab2de831-01b9-4d01-9d99-64e3be1f5d64)
- ![Rehearsals for 'Songs of the Millstone' were a process of deep exploration. Here, dancers work on a sequence that blurs the lines between classical and folk movements, a key aspect of this production.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/03d494ce-f3ca-4cd7-a961-3ae7abdedbef)
- ![A dynamic moment from the rehearsal of 'Songs of the Millstone'. As a choreographer, my goal was to create a piece that felt both traditional and contemporary, honouring the folk heritage within a classical framework.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/331df96f-6d78-45cc-961b-fb301833acfe)
- ![In discussion with music director Anirudh Varma during a rehearsal for 'Songs of the Millstone'. The music is a critical element, weaving together folk melodies and classical structures to support the narrative.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2b123b26-0312-4a07-a9cc-50aacd22eb46)
- ![The mirrored wall of the studio reflects the dancers' movements during a rehearsal for 'Songs of the Millstone'. This image shows the precision and synchronicity required for a group choreography.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/db223870-17a1-492b-9e1d-4d171472a984)
- ![A moment of joy and camaraderie during the creation of 'Songs of the Millstone'. The process of building a new production is as rewarding as the final performance itself.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/6506e959-0136-4aa9-8b99-a4be45dc7021)
- ![Guiding the vocalists during a music rehearsal for 'Songs of the Millstone'. The songs are the foundation of this piece, and their authentic and emotional rendering is paramount.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a50c365f-9a60-449c-8ab1-dd5e695acd11)
- ![A rehearsal still from 'Songs of the Millstone', showing the dancers in a powerful, grounded pose. The choreography draws from the physicality of women's daily labour.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/05cb003e-7d39-4f0e-97aa-80e7705c772b)
- ![A poignant moment of abhinaya from a rehearsal of 'Songs of the Millstone'. The dancer's expression captures the fatigue and resilience that are central to the stories we tell in this piece.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/35c3a002-8e12-400b-9f99-b97011191703)

### [Accolades & Media Recognition](https://mytribe.in/chandrangeeta/bharatanatyam-performances/accolades-media-recognition)

- ![Media coverage from the 'Patrika Plus' newspaper for our 'Kaavya Katha' performance in Jaipur. It is always encouraging when our work resonates with the local press and community.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/954ddc20-7540-4ed6-a7ee-30102ec123cf)
- ![Another wonderful piece of media coverage for 'Kavya Katha' in Jaipur, this time from 'Dainik Bhaskar'. The article highlights the mythological stories we presented from Vaishnav, Shaiv, and Devi traditions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d8de2a85-339b-4189-b511-1db544666152)
- ![A news clipping from 'Growing India' about the 'Kavya Katha' performance, noting how the audience was mesmerized by the Bharatanatyam presentation.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3f23ba5e-ff2c-4a3d-bb93-6ed9009fd558)
- ![The 'First India' newspaper featured our 'Kavya Katha' performance under the headline "Dance & Devotion," capturing the essence of the evening. The article also features a snapshot of my wonderful live orchestra.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/bd35ebda-db1b-45aa-83d0-71fd3e817178)
- ![This Hindi newspaper clipping celebrates how 'Kavya Katha' brought the stories of the Devi tradition to life through dance. It is fulfilling to see the thematic depth of our work being appreciated.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/592507bf-d430-47ef-a71b-8f4da0550816)
- !["Padma Shri dancer lights up RIC stage" reads the headline from this TDG Network article. It was a pleasure to perform 'Kavya Katha' for the enthusiastic audience in Jaipur.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d2e07a73-3710-47a9-a1e6-18e209a4233b)
- ![It is always heartening to see the hard work of my students recognized. This article in The Pioneer celebrates the eloquent arangetram of my shishya, Kavya Navani, highlighting her expressive depth.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e9896a76-c1b7-46bc-b43e-95f4c97587c1)
- ![A beautiful moment being honoured with the UPASANA SAMMAN 2025 by fellow Padma Shri awardee and senior Odissi dancer, Geeta Mahalik. Sharing the stage with esteemed artists is always a privilege.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/fcb28165-8934-414a-94f9-875ce9f6673d)
- ![Senior Odissi Guru Madhavi Mudgal honouring me during the UPASANA SAMMAN ceremony. Moments of mutual respect and appreciation between artists are what strengthen our cultural fabric.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/7f0317e8-5770-4c5e-8e74-ced2a2d24833)
- ![Receiving the UPASANA SAMMAN 2025 from retired Supreme Court Judge, Shri Arijit Pasayat. It is an honour to have our art recognized by eminent personalities from different fields.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2037a20b-56b6-453e-8a9c-85d7f81acb47)
- ![A candid moment of shared joy with senior Odissi Guru Madhavi Mudgal at the UPASANA SAMMAN ceremony. Our paths in dance have been different, but our dedication to the arts unites us.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0100cef1-b881-47e5-a509-ffff8365c534)
- ![Exchanging greetings with Shri Arijit Pasayat after receiving the award. Such events bring together people from the worlds of art, culture, and law, fostering a rich dialogue.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/69cc044e-d8a7-4a89-bd0b-62bb67d887dc)
- ![Being draped with the ceremonial shawl by Guru Geeta Mahalik. These traditional gestures of honour are a beautiful part of our cultural ceremonies.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f20b6131-335d-4b46-a73a-c151ad5a7afd)
- ![Media coverage for 'Songs of the Millstone' in Goa's 'Heraldo' newspaper. The article highlights our performance as a tribute to the unpaid domestic labour of women, a central theme of this production.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/da867475-b6c2-40bf-89d2-58ab22928cb3)
- ![A cherished memory with the late, great dance scholar and critic, Dr. Sunil Kothari. He was a dear friend and a guiding light for so many of us in the Indian classical dance world.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/b1174849-bb2e-4bc9-8a68-2f3f9f371c90)
- ![Another fond memory of Dr. Sunil Kothari, captured at the Khajuraho Dance Festival. His presence and scholarship are deeply missed in the dance community.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/ccf28aae-31d1-4629-b2dd-a78bead7a846)
- ![The beautiful gold medal I received with the Nritya Choodamani title from Krishna Gana Sabha, engraved with my name and the date. A truly precious memento.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d6cd88ac-ce78-4c2c-937d-3ba5a8567b43)
- ![The citation for the Nritya Choodamani award from Krishna Gana Sabha. I am deeply grateful for their recognition of my service and contribution to the field of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/24807a92-04fe-47fc-a149-6a81412f45b7)
- ![The other side of the Nritya Choodamani medal, bearing the name of the prestigious Krishna Gana Sabha. This award holds a special place in my heart.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cf3d8dbb-2159-46f0-9da7-2f0f3b3d306e)
- ![Receiving the Nritya Choodamani award from Smt. Preetha Reddy, Vice Chairperson of Apollo Hospitals. It was an honour to be felicitated by such an accomplished leader.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/f6e9338f-0850-45e2-813f-6b2c590bfdf3)
- ![A group photograph from the inauguration of the 68th Margazhi Mela at Krishna Gana Sabha, with fellow awardees and dignitaries.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/58bb75d7-4ff8-4964-afa8-abdc1a3e65a3)
- ![The ceremonial lighting of the lamp to inaugurate the Margazhi Mela. It is a beautiful tradition that marks the beginning of the festive season of arts and culture in Chennai.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/89703620-fcb9-402c-a2b3-e45f54098dec)
- ![Addressing the audience after receiving the Nritya Choodamani award. It was an opportunity to express my gratitude and share my thoughts on the journey of dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d10050b6-aeff-4b4c-ab08-2449696f5c9a)
- ![A moment of prayer while lighting the inaugural lamp at Krishna Gana Sabha. I am grateful for the opportunity to be a part of such a prestigious festival.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/dd79cffb-d285-4198-9ab4-236145011f6d)
- ![A treasured moment of being conferred the Nritya Choodamani title. These recognitions are a source of great encouragement to continue my work in dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/67f940bd-a276-4e47-99ea-462aa54f65c4)
- ![Receiving a token of appreciation from a senior member of the Krishna Gana Sabha. The warmth and respect from such venerable institutions mean a great deal.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/2012a7ca-6151-42f8-af63-c311bfc8f6af)
- ![A photograph with the accomplished Carnatic musicians Ranjani and Gayatri, who were awarded the Sangeeta Choodamani title at the same ceremony.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4d512ef2-f116-4b83-a4ec-e05f813f5df2)
- ![The view from the stage during the inauguration ceremony. It is humbling to be in the presence of so many stalwarts of the arts.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3e126f1e-7b33-4bd5-9ba3-749c011742f0)
- ![With friends and well-wishers after the award ceremony. The support of the artistic community is invaluable.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/0831e498-99f0-4acf-b35a-a345ecea5885)
- ![Being greeted with flowers by a well-wisher. The warmth and affection I received in Chennai were truly overwhelming.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/001268f2-5530-43c1-96fd-515b8027d304)
- ![With friends and patrons of the arts at the Krishna Gana Sabha. These interactions are a wonderful part of the Margazhi experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a380ebc8-a395-4315-95a2-48d3e9f7f430)
- ![A precious moment with my dear friend and dance critic, Leela Venkataraman, at the award ceremony. Her insights have enriched my journey immensely.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c5ad9423-1010-4145-8045-cbefff144147)
- ![With fellow dancers and friends at the Margazhi Mela. The festival is a wonderful time for artists to connect and celebrate each other's work.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5ebfd69a-e7a3-4c66-9466-11431e58b695)
- ![With the wonderful dancer and actor, Anita Ratnam. It is always a pleasure to connect with fellow artists who are pushing creative boundaries.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4134aba2-f832-483a-bbd7-5237864ee850)
- ![A happy moment with a friend and fellow artist at the Krishna Gana Sabha. The Margazhi season is filled with such warm encounters.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/3e88169a-9fab-4672-af02-4e0fe3af84c0)
- ![A quiet moment of reflection by the traditional lamp after the award ceremony. I am filled with gratitude for this journey in dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/1936e37d-1121-4d84-99c3-20b3bf2608d4)
- ![A portrait from the Nritya Choodamani award ceremony. I am deeply humbled by this honour from one of Chennai's most respected cultural institutions.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/032c06d3-2038-49c1-9966-f2dba0ac6d8f)
- ![It was a moment of immense gratitude to be honoured with the 'Nritya Choodamani' title from the prestigious Krishna Gana Sabha. Such recognition is not just personal; it is an affirmation of the path I have chosen and the tradition I am privileged to carry forward.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/c8b39ffc-799c-43f3-a86d-ca65abbaed58)
- ![Holding the Nritya Choodamani citation. This award represents a significant milestone in my artistic journey, and I am grateful to the Krishna Gana Sabha for this honour.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8a717402-8ffa-4ce8-9d19-7227b0075eac)
- ![A photograph with fellow awardees at the Margazhi Mela inauguration. It was a privilege to share the stage with such talented artists.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/21367855-dad0-4c9d-a241-59115eb7b2e8)
- [Video: A short video message for the Krishna Gana Sabha's 68th Margazhi Mela, where I was honoured with the Nritya Choodamani award. I share my long and fulfilling association with this venerable institution.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cc798ff1-60f1-4b21-8d61-d8dbe4ad6b0d)

### [Event Announcements](https://mytribe.in/chandrangeeta/bharatanatyam-performances/event-announcements)

- ![An announcement for my 'Kaavya Katha' performance in Jaipur. The image captures a moment of expressive storytelling, inviting the audience to a celebration of stories through dance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8d2bb3d5-71d4-4f44-a75a-51c58721a112)
- ![My performance of 'Kaavya Katha' featured in the August calendar for the Rajasthan International Centre in Jaipur. It is always exciting to be part of a curated series of cultural events.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/d24312b6-22ef-4b5b-b7ad-d5af59f97807)
- ![An announcement for a performance in Gonda, Uttar Pradesh, in collaboration with SPICMACAY. These events are a wonderful opportunity to bring classical dance to students and audiences in different parts of the country.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/e7f57772-ee57-4029-a3f8-0ee1e27f29a9)
- ![The official poster for my SPICMACAY performance at Yashmay World School. Collaborating with educational institutions to promote our heritage is a core part of my mission.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/5b76b604-aa3e-4e45-b8ab-fe7d7d248616)
- ![The welcome banner for Stuti Mukherjee's arangetram at the Triveni Kala Sangam in New Delhi. The entrance is decorated with a traditional rangoli, setting a festive tone for the debut performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/74275478-162f-4061-971b-170537165c0d)
- ![The poster for my SPICMACAY recital at the Delhi Technological University's 'Virasat 2025' festival. Performing for university students is always an energizing experience.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/8c055566-0ad0-4a3c-b1c1-06d462dd7578)
- [Video: It is a joy to see my students carry my choreographies to new stages. This is an announcement for a solo performance by my disciple Radhika Kathal in Bangalore, exploring the theme of 'Samvaad' or dialogue.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/9134696b-c3e8-41fd-babe-68a1bfe61ef8)
- [Video: An announcement for 'Samhita', a Natya Vriksha Dance Collective performance in Bangalore. This production explores my choreographic works on the theme of "Tradition and Abstraction," showcasing the versatility of Bharatanatyam.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a28493fb-bcf1-4452-8dae-6e0c47e1425e)
- ![The official poster for 'Songs of the Millstone' at the Serendipity Arts Festival. The design uses a vintage photograph of women at a millstone, immediately setting the theme for the performance.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/915d2deb-b60f-4825-88cd-843dbbc03e5d)
- ![The official announcement for my solo Bharatanatyam performance at the Krishna Gana Sabha's 68th Margazhi Mela, following the Nritya Choodamani award.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/29ac32f4-c713-4f41-876a-6615454bbfef)
- [Video: A short video message for the Krishna Gana Sabha's 68th Margazhi Mela, where I was honoured with the Nritya Choodamani award. I share my long and fulfilling association with this venerable institution.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cc798ff1-60f1-4b21-8d61-d8dbe4ad6b0d)

### [Miscellaneous](https://mytribe.in/chandrangeeta/bharatanatyam-performances/miscellaneous)

- ![A photograph from my youth that I have always loved for its simplicity and innocence. This was captured by the photographer Amarjeet for a series commissioned during the ASIAD games in 1982.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/cf562c84-0123-414e-a02c-9934cbcb3449)
- ![A performance of Kuchipudi by the talented Abhinaya Nagajothy at our Young Dancers Festival. It is a joy to provide a platform for artists from other classical traditions to share their work.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/a3d28269-6461-4a5d-8d94-a8291dd787ce)
- ![Abhinaya Nagajothy showcasing the grace and dynamism of the Kuchipudi style. Her performance was a wonderful addition to our World Dance Day celebrations.](https://assets.mytribe.in/insecure/raw:1/plain/s3://mytribe-assets-production/4506082e-4726-4de3-aab4-df927a316279)

## Meet your expert

[Geeta Chandran](https://mytribe.in/chandrangeeta)

### My story

We’re Natya Vriksha, living and breathing Dilli’s history, from Chor Minar’s dark tales to temple darshans in Jaipur and Gonda. Our days swing between grand dance productions and small joys, like gossip with friends or celebrating handmade crafts. We’re craft-crazy, always rooting for weavers and handlooms. Art lets us wander, wonder, and connect. SUPPORT HANDMADE IN INDIA, always.

### My work

- **Bharatanatyam classes and performances**: We teach all levels, perform solo and with our Natya Vriksha Dance Collective. Bharatanatyam Arangetram training available.
- **Guru-shishya mentorship**: Our teaching style is rooted in the guru-shishya parampara. We welcome students from any background.
- **Arangetram experience**: The Arangetram is a big moment. We guide students from Gejjai Puja to their grand debut.
- **Abhinaya and dance storytelling**: We focus on expressive Indian dance storytelling, bringing Krishna, Devi, and Shiva’s stories to life.

## More services from Geeta Chandran

- [Educational Workshops & Speaking Engagements](https://mytribe.in/chandrangeeta/educational-workshops-speaking-engagements) · ₹25K-1L per session (estimate)
- [Bharatanatyam Training & Mentorship](https://mytribe.in/chandrangeeta/bharatanatyam-training-mentorship) · ₹2-15K per month (estimate)

## Book

To book Geeta Chandran, message mytribe on WhatsApp: [Chat on WhatsApp](https://wa.me/916360004054?text=Hi%2C%20I'm%20looking%20for%20Bharatanatyam%20Performances%20by%20Geeta%20Chandran.)